Creanga's narrative model is an important subject in the investigation of some fundamental aspects of the prosaic phenomenon in the Dniester and Prut area. At different periods of the evolution of Bessarabian prose, Creanga is a standard of artistic transfigurations. Critics have tried to prove that namely the orality, the paramiological erudition, the brilliant instinctive sense of language and folk ethos, the pleasure of storytelling are sure marks of an indubitable narrative model - Creanga. Creanga's narrative model has a decisive impact in Bessarabian prose in affirming a dialogue of texts.

This paragraph examines the impact of Creangă' narrative modelon Paul Goma's prose. The relationship between the character and the author, the narrative figures, the stylistic dominants of the story "Amintiri din copilărie" by Ion Creangă and the novel "Din calidor"by Paul Goma are analysed. It examines the dialogical poetics of the novel, the dialectical relations of the bivoc word, the hybrid construction, plurilingvism, the instinctive genius sense of the language, the intrinsec elements of the narrative model in the line of the Creangă-Sadoveanu tradition.

Proiectul de a crea o arhivă grafică și de caricaturi (alcătuită din portrete ale marilor scriitori români din diferite perioade literare), dus la capăt cu sprijinul artiștilor talentați din toată lumea, a dobîndit o nouă dimensiune literar-istorică, datorită uriașului interes stîrnit. După o selecție geografică și calitativă, au fost publicate două ediții tipărite: una în română, cealaltă în engleză, fiecare dintre ele cuprinzînd 3600 de imagini aparținînd artiștilor de pe toate continentele (112 țări). Această carte fără precedent, numită O istorie a literaturii române desenată de marii graficieni ai lumii (Editura Muzeului Literaturii Române, 2009) prezintă aspecte transculturale demne de toată atenția istoricilor literari, a biografilor, a artiștilor cuvîntului și ai imaginii (scriitori, graficieni, caricaturiști), dar, datorită neobișnuitei forme de dialog deschis, și a specialiștilor în studii culturale (antropologie, semiotică, mentalitate).

Cercetarea stilurilor de atașament și a limbajelor iubirii la tineri este deosebit de actuală și importantă în condiția în care orice persoană pe parcursul vieții va menține o relație de cuplu. Cunoașterea propriilor modele de comportament, dar și a partenerului, care poate asigura o înțelegere cognitivă a problemelor de comunicare ce permite empatizarea cu partenerul, care poate uneori copleși cu nevoile sale sau care rănește cu indiferența sa – totul depinzând de dinamica solicitare-răspuns a stilului de atașament și a limbajului iubirii. Acestea definesc în cea mai mare măsură capacitatea de funcționare a unei relații de cuplu calitative.

إن موضوع الناقة –الراحلة- موجود في القصيدة النبطية التقليدية بملامح تشبه إلى حد كبير ملامح موضوع الناقة في القصيدة العربية الجاهلية. ولكن هذا البحث يناقش تطورا طرأ على موضوع الناقة في القصيدة النبطية من التقليدية إلى التجديد منذ نهايات القرن الماضي. فقد انتقل موضوع الناقة في القصيدة النبطية من المفهوم الوصفي البيولوجي للناقة كراحلة للشاعر إلى رمز لدور القصيدة ذاتها خلال السنوات المتأخرة للشعر النبطي. والسبب الأول في ذلك هو انتهاء عهد الترحال بواسطة الناقة مع ظهور الدول المركزية في جزيرة العرب، واستبدال الناقة بالمركبات الحديثة مما جعلها تنحصر في إطار الرمزية. وأقصد بإطار الرمزية، أن الناقة في القصيدة تعني القصيدة ذاتها ولا تعني غيرها. وأما السبب الثاني وهو مقترن بالسبب الأول، فبعد ظهور الدول المركزية بدأت تنتشر الثقافة الكتابية على حساب الثقافة الشفاهية وبذلك تغيرت طبيعة القصيدة واتجهت نحو نهج جديد متأثر بثقافة المجتمع الكتابي. وعلى ضوء ذلك قمنا في هذا البحث بتحليل ثلاث قصائد من الشعر النبطي. قصيدة للشاعر الكويتي حمود البدر المتوفى سنة 1915م، وهي على النهج الكلاسيكي الذي يستخدم فيها الشاعر موضوع الناقة بصفاتها البيولوجية التقليدية. أما القصيدتان الجديدتان نهجا واللتان تعاملتا مع موضوع الناقة كرمز للقصيدة، فلشاعرين ما يزالان على قيد الحياة. الأولى للشاعر السعودي مساعد ربيع الرشيدي والثانية للشاعر القطري محمد ابن فطيس المري. The Modern Use of The She-Camel`s Theme in Contemporary Nabati Poetry In this paper I attempt to discuss the development of the she-camel`s motif in the Nabati poetry using some poems composed during the last thirty years. The motif of the she-camel exists in both classical and modern poetry and in both formal (Faṣīh) and colloquial language. But this paper argues that the motif of the she-camel has changed from the biological description of the she-camel that existed in the classical Arabic poem, to a mere symbol of the poem itself in the modern Nabati poem. My task here is to track the change in the motif of the she-camel in the classical poetry and modern Nabati poetry within the historical and cultural contexts of each poem. I will use the concept of (orality and literacy) that Walter Ong and Ruth Finnegan studied, to understand the reason behind the modern use of the theme of the she-camel in contemporary Nabati poetry.

Mircea Eliade’s Interwar American Project: In his first year spent in India, 1929, Mircea Eliade nurtured two projects related to America, which remained unaccomplished. On the one hand, he was planning a long return trip to his homeland, which would pass through the United States. On the other hand, he considered obtaining a teaching position in an American university, the first target being Harvard. This early American project – hitherto unexplored – becomes symbolic in the perspective of Eliade’s subsequent evolution and choices. Decades later, as a professor at the University of Chicago, he turned down an invitation to occupy a chair at Harvard, which offered him far better conditions and opportunities than those in Chicago. We present here the first results of an ongoing research that tries to clarify all the details related to the young Eliade’s American project.