Adelman, J. (1982). Anger’s My Meat: Feeding, Dependency, and Aggression in Coriolanus [IN] Representing Shakespeare: new psychoanalytic essays. In Representing Shakespeare: new psychoanalytic essays (pp. 129–149). Johns Hopkins U.P. https://contentstore.cla.co.uk/secure/link?id=802318fc-9e19-e911-80cd-005056af4099
Adelman, J. (1992). Chapter 6: Escaping the Matrix: The Construction of Masculinity [IN] Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. In Suffocating mothers: fantasies of maternal origin in Shakespeare’s plays, Hamlet to the Tempest. Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203420652
Ahmed, S. (2010). Happy Objects [IN] The Promise of Happiness. In The promise of happiness (pp. 21–49). Duke University Press. https://ebookcentral.proquest.com/lib/exeter/reader.action?ppg=32&docID=1171775&tm=1547126854043
Ahmed, S. (2014). The Contingency of Pain [IN] The Cultural Politics of Emotion. In The cultural politics of emotion (Second edition, pp. 20–41). Edinburgh University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09x4q.6
Ahmed, Sara. (2004a). Affective Economies. Social Text, 22(2). https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1215/01642472-22-2_79-117
Alan Sinfield. (1992). Faultlines: Cultural Materialism and the Politics of Dissident Reading. Clarendon Press.
Albrecht Dürer, Melencolia I, 1514. (n.d.). https://www.nga.gov/collection/highlights/durer-melencolia.html
Alexander, C. M. S. (Ed.). (2009). The Cambridge Companion to Shakespeare’s Last Plays. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL9780521881784
Altbauer-Rudnik, M. (2006). Love, madness and social order: love melancholy in France and England in the late sixteenth and early seventeenth centuries. Gesnerus, 63, 33–45. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.614.2982&rep=rep1&type=pdf
Amtower, Laurel. (n.d.). "This idol thou ador’st: The iconography of ’Tis Pity She’s a Whore. Papers on Language and Literature, 34, 179–206. https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/198442716/C5A579F8C4C4D28PQ/1?accountid=10792
Andrewes, L. (2005). VII. A Sermon Preached At the Court, On the Xxv. of March, A.D. MdxcVII. Being Good-Friday. In P. McCullough (Ed.), Selected Sermons and Lectures. Oxford University Press. https://doi.org/10.1093/oseo/instance.00005818
Anthony Low. (1978). Love’s architecture. New York University Press.
Arthur Riss, author. (1992). The Belly Politic: Coriolanus and the Revolt of Language. ELH, 59(1). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2873418&site=eds-live&scope=site
Arturo Pacheco. (2008). A Companion to Early Modern Women’s Writing (1st ed.). John Wiley & Sons, Incorporated. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=350869
Bacon, N. (1638). A Relation of the Fearefull Estate of Francis Spira in the Yeare, 1548. http://eebo.chadwyck.com/search/fulltext?action=byid&warn=N&id=D00000998541830000&div=0&sequence=0&SOURCE=var_spell.cfg&file=default&RESULTCLICK=N
Baines, B. J. (1990). Assaying the Power of Chastity in Measure for Measure. Studies in English Literature, 1500-1900, 30(2). https://doi.org/10.2307/450518
Ballaster, R. (1992). Seductive forms: women’s amatory fiction from 1684-1740. Clarendon. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184775.001.0001
Barad, K. (2007). Chapter 2 Diffractions [IN] Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. In Meeting the universe halfway: quantum physics and the entanglement of matter and meaning (pp. 71–94). Duke University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388128
Barbara Correll. (2011a). Schooling Coriolanus: Shakespeare, Translation, Latinity [IN] Shakespeare and the translation of Identity in Early Modern England. In Liz Oakley-Brown (Ed.), Shakespeare and the Translation of Identity in Early Modern England. Continuum. https://uoelibrary.idm.oclc.org/login?url=http://www.bloomsburycollections.com/book/shakespeare-and-the-translation-of-identity-in-early-modern-england/
Barclay, K. (2017). New Materialism and the New History of Emotions. Emotions: History, Culture, Society, 01(01), 161–183. https://doi.org/10.1163/2208522X-00101008
Barton, A. (1984). Ben Jonson. Cambridge University Press. https://doi.org/10.1017/CBO9780511518836
Behn, A. (1995). The Fair Jilt [IN] The Works of Aphra Behn, Vol. 3: The Fair Jilt and Other Short Stories. In J. Todd (Ed.), The Pickering Masters: The Works of Aphra Behn, Vol. 3: The Fair Jilt and Other Short Stories. Pickering & Chatto. https://doi.org/10.1093/oseo/instance.00212615
Behn, A. (1996a). The Pickering Masters: The Works of Aphra Behn, Vol. 5: The Plays: 1671–16771671–1677 (J. Todd, Ed.). Pickering & Chatto. https://doi.org/10.1093/actrade/9781851960163.book.1
Behn, A. (1996b). The Pickering Masters: The Works of Aphra Behn, Vol. 6: The Plays: 1678–16821678–1682 (J. Todd, Ed.). Pickering & Chatto. https://doi.org/10.1093/actrade/9781851960170.book.1
Behn, A. (1996c). The Pickering Masters: The Works of Aphra Behn, Vol. 7: The Plays: 1682–16961682–1696 (J. Todd, Ed.). Pickering & Chatto. https://doi.org/10.1093/actrade/9781851961375.book.1
Behn, A. (2017a). The works of Aphra Behn: Vol. 1: Poetry (J. Todd, Ed.). Pickering & Chatto. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960125.book.1
Behn, A. (2017b). The works of Aphra Behn: Vol. 4: Seneca unmasqued and other prose translations (J. Todd, Ed.). Pickering & Chatto. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960156.book.1
Behn, A., & Behn, A. (2017a). The works of Aphra Behn: Vol. 3: The fair jilt and other short stories (J. Todd, Ed.). Pickering & Chatto. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960149.book.1/actrade-9781851960149-book-1
Behn, A., & Behn, A. (2017b). The works of Aphra Behn: Vol. 3: The fair jilt and other short stories (J. Todd, Ed.). Pickering & Chatto. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960149.book.1
Behn, A., & Canterbury, J. T., Archbishop of. (1993). The Pickering Masters: The Works of Aphra Behn, Vol. 2: Love-Letters Between a Nobleman and his Sister (1684–7) (J. Todd, Ed.). Pickering & Chatto. https://doi.org/10.1093/actrade/9781851960132.book.1
Ben Jonson. (2009). Five plays. Oxford University Press.
Bennett, J. S. (1989). Reviving liberty: radical Christian humanism in Milton’s great poems. Harvard University Press.
Brockman, B. A. (1977). Shakespeare, Coriolanus: a casebook. Macmillan.
Brook, P. (1990). The empty space. Penguin.
Broomhall, S. (2017). Early modern emotions: an introduction. Routledge. https://uoelibrary.idm.oclc.org/login?qurl=https://www.taylorfrancis.com/books/9781315441368
Brunning, Alizon. (2000). Jonson’s Romish Foxe: Anti-Catholic Discourse in Volpone. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 6(2). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2000060202&site=eds-live&scope=site
Brunton, D. (2004). Health, disease, and society in Europe, 1800-1930: a source book. Manchester University Press.
Bryant, M. (2016). Why patients and doctors should watch. British Journal of General Practice, 66(643), 92–92. https://doi.org/10.3399/bjgp16X683653
Burton, R., Faulkner, T. C., Kiessling, N. K., & Blair, R. L. (1989). The anatomy of melancholy: Vol.1: Text. Clarendon. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780198124481.book.1
Cabaniss, D. L. (2015). Inside "Inside Out”. The Lancet Psychiatry, 2(9). https://doi.org/10.1016/S2215-0366(15)00395-8
Chalmers, H. (2004). Royalist women writers, 1650-1689. Clarendon. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199273270.001.0001
Clough, P. T. (2008). The Affective Turn. Theory, Culture & Society, 25(1), 1–22. https://doi.org/10.1177/0263276407085156
Cormack, B., Nussbaum, M. C., & Strier, R. (Eds.). (2013). Shakespeare and the law: a conversation among disciplines and professions. The University of Chicago Press. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226924946
Craig, D. H. & Taylor & Francis. (1995). Ben Jonson: the critical heritage. Routledge. http://www.taylorfrancis.com/start-session?idp=http%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=http%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780203194515
Craik, K. A. (2018). Poetry, Anatomy, Presence. Renaissance Studies, 32(5), 755–777. https://doi.org/10.1111/rest.12367
Craik, Katherine C (Ed.). (2007). Reading Sensations in Early Modern England. Palgrave. https://link.springer.com/book/10.1057/9780230206083
Crooke, H., Bauhin, C., Du Laurens, A., Bodleian Library, & Adam Matthew Digital (Firm). (1618). Mikrokosmographia: a description of the body of man : together vvith the controversies and figures thereto belonging. Printed by W. Iaggard, dwelling in Barbican. https://uoelibrary.idm.oclc.org/login?url=http://www.gender.amdigital.co.uk/contents/document-detail.aspx?sectionid=58962
Cummings, B., & Sierhuis, F. (2013). Passions and subjectivity in early modern culture. Ashgate. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781317083474
Cvetkovich, A. (2012). Introduction [IN] Depression: A Public Feeling. In Depression: a public feeling (pp. 1–26). Duke University Press. https://ebookcentral.proquest.com/lib/exeter/reader.action?ppg=15&docID=1171724&tm=1547126702609
Dabhoiwala, F. (2013). The origins of sex: a history of the first sexual revolution. Penguin.
Danijela Kambaskovic. (2017). Love [IN] Early Modern Emotions: An introduction. In S. Broomhall (Ed.), Early modern emotions: an introduction. Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315441368
Derrida, J. (2001). On Forgiveness [IN] On cosmopolitanism and forgiveness. In On cosmopolitanism and forgiveness (pp. 27–60). Routledge. https://contentstore.cla.co.uk/secure/link?id=62baed75-a324-e911-80cd-005056af4099
Derrida, J. (2002a). Hostipitality [IN] Acts of religion. In Acts of religion (pp. 356–421). Routledge. https://contentstore.cla.co.uk/secure/link?id=cde532ab-2f29-e911-80cd-005056af4099
Derrida, J. (2002b). Hostipitality [IN] Acts of religion. In Acts of religion. Routledge.
Dijkhuizen, J. F. van, & Enenkel, K. A. E. (2009). The sense of suffering: constructions of physical pain in early modern culture: Vol. v. 12. Brill.
Docter, Pete. (n.d.). Inside out / directed by Pete Docter and Ronaldo Del Carmen / voiced by Amy Poehler, Bill Hader, Lewis Black. Disney DVD.
Dollimore, Jonathan. (1994). Transgression and surveillance in Measure for Measure [IN] Political Shakespeare: Essays in cultural materialism. In Political Shakespeare: essays in cultural materialism (2nd ed). Manchester University Press.
Doty, J. S. (2017). Coriolanus the Popular Man [IN] Shakespeare, Popularity, and the Public Sphere. In Shakespeare, Popularity And The Public Sphere. Cambridge University Press. https://doi.org/10.1017/9781316681312
Dudley, S. (1999). Conferring with the Dead: Necrophilia and Nostalgia in the Seventeenth Century. ELH, 66(2), 277–294. https://doi.org/10.1353/elh.1999.0014
Dutton, R. (2004). Volpone and Beast Fable: Early Modern Analogic Reading. Huntington Library Quarterly, 67(3), 347–370. https://doi.org/10.1525/hlq.2004.67.3.347
Emma Jones. (n.d.). Inside Out: what universities can learn from Pixar about emotions. The Conversation. https://theconversation.com/inside-out-what-universities-can-learn-from-pixar-about-emotions-45341
Enenkel, K. A. E., & Traninger, A. (Eds.). (2015a). Discourses of anger in the early modern period: Vol. volume 40. Brill. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9789004300835
Enenkel, K. A. E., & Traninger, A. (Eds.). (2015b). Discourses of anger in the early modern period: Vol. volume 40. Brill. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9789004300835
Eve Rachele Sanders. (2006). The Body of the Actor in ‘Coriolanus’. Shakespeare Quarterly, 57(4). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4123493?seq=1#metadata_info_tab_contents
Fascism as Love | feministkilljoys. (n.d.). https://feministkilljoys.com/2016/11/09/fascism-as-love/
Findlay, A. (1999). A feminist perspective on Renaissance drama. Blackwell Publishers.
Fisher, Kate, & Sarah Toulalan (Eds.). (2011b). Bodies, Sex and Desire from the Renaissance to the Present. Palgrave. https://link.springer.com/book/10.1057/9780230354128
Flint, C. (2000). Family fictions: narrative and domestic relations in Britain, 1688-1798. Stanford University Press.
Ford, J., & Wiggins, M. (2003a). ’Tis pity she’s a whore ([2nd edition]). A & C Black.
Ford, J., & Wiggins, M. (2003b). ’Tis pity she’s a whore ([2nd edition]). A & C Black.
Foster, V. (2010). Tis Pity She’s a Whore as city tragedy [IN] John Ford : critical re-visions. In John Ford : critical re-visions (pp. 181–200). Cambridge University Press.
Foucault, M., & Sheridan, A. (1979). Discipline  and  punish: the birth of the prison. Penguin.
Frances Nicol Teague. (2010). Seeing to Things in ‘Volpone’. Mediterranean Studies, 19. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41167031?seq=1#metadata_info_tab_contents
Freestone, Elizabeth. (n.d.). Volpone / Disc I / DVD of the play / directed for the stage by Elizabeth Freestone / starring Richard Bremmer and Mark Hadfield. Stage on Screen DVD.
Gail Kern Paster. (2004b). Humoring the Body. University of Chigago. https://www.bibliovault.org/BV.landing.epl?ISBN=9780226648477
Galen. (1652). Galen’s art of physick ... translated into English, and largely commented on : together with convenient medicines for all particular distempers of the parts, a description of the complexions, their conditions, and what diet and exercise is fittest for them / by Nich. Culpeper, Gent. ... https://quod.lib.umich.edu/e/eebo/A69834.0001.001?view=toc
Gallagher, C. (1994). Nobody’s story: the vanishing acts of women writers in the marketplace 1670-1820. Clarendon. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780198182436.001.0001
Geckle, G. L. (2001). Shakespeare: The Critical Tradition ‘Measure for measure’. Athlone. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781847141927
Goldberg, J. (1989). James I and the politics of literature: Jonson, Shakespeare, Donne and their contemporaries. Stanford University Press.
Gowing, L. (2003). Common bodies : women, touch and power in seventeenth-century England. Yale University Press.
Gowland, A. (2006a). The Worlds of Renaissance Melancholy. Cambridge University Press. https://doi.org/10.1017/CBO9780511628252
Gowland, A. (2006b). The worlds of Renaissance melancholy: Robert Burton in context (Vol. 78). Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511628252
Gregg, M., & Seigworth, G. J. (2010). An Inventory of Shimmers. In S. Ahmed (Ed.), The Affect theory reader. Duke University Press. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?authtype=ip,uid&direct=true&db=nlebk&AN=600421&site=ehost-live
Gurr, A., & Karim-Cooper, F. (Eds.). (2014). Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9781139629195
Harp, R., & Stewart, S. (Eds.). (2000). The Cambridge Companion to Ben Jonson. Cambridge University Press. https://doi.org/10.1017/CCOL0521641136
Harris, J. G. (n.d.). Plague and Transmigration: Timothy Bright, Thomas Milles, Volpone [IN] Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England. In Sick economies: drama, mercantilism, and disease in Shakespeare’s England (pp. 108–135). University of Pennsylvania Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt3fht2t.7
Harris, J. G. (2001). ‘I am sailing to my port, uh! uh! uh! uh!’: The Pathologies of Transmigration in Volpone. Literature and Medicine, 20(2), 109–132. https://doi.org/10.1353/lm.2001.0020
Hawkins, H. (1982). ‘The Devil’s Party’: Virtues and Vices in ’Measure for Measure [IN] Aspects of Shakespeare’s ‘problem plays’. In Aspects of Shakespeare’s ‘problem plays’ (pp. 87–95). Cambridge University Press.
Hillman, David, & Mazzio, Carla (Eds.). (1997). The Body in Parts : Fantasies of Corporeality in Early Modern Europe. Routledge. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1111756
Hirsh, J. (2018). Soliloquies and Self-Fashioning in: An Empirical Approach. Ben Jonson Journal, 25(1), 52–80. https://doi.org/10.3366/bjj.2018.0210
Hopkins, L. (2010). New Directions: Fatal Attraction: Desire, Anatomy, and Death in ‘Tis Pity She’s a Whore [IN] ‘Tis Pity She’s a Whore: A Critical Guide. In ’Tis pity she’s a whore: a critical guide (pp. 77–93). Continuum. https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D9781441137555
How Do You Know That You Love Somebody? Philosopher Martha Nussbaum’s Incompleteness Theorem of the Heart’s Truth, from Plato to Proust – Brain Pickings. (n.d.). https://www.brainpickings.org/2017/01/16/martha-nussbaum-loves-knowledge/
Hughes, D., & Todd, J. (Eds.). (2004). The Cambridge Companion to Aphra Behn. Cambridge University Press. https://doi.org/10.1017/CCOL0521820197
Hui, I. (2018). Volpone’s bastards: theorising Jonson’s city comedy. Edinburgh University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1tqxvcx
Hunter, J. P. (1990). Before novels: the cultural contexts of eighteenth-century English fiction. W. W. Norton.
Hutner, H. (1993). Rereading Aphra Behn: history, theory, and criticism. University Press of Virginia.
Ian Maclean. (2007). Logic, Signs and Nature in the Renaissance. Cambridge University Press.
Jacqueline Pearson. (1991a). Gender and Narrative in the Fiction of Aphra Behn. The Review of English Studies, 42(165). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/516920
Jacqueline Pearson. (1991b). Gender and Narrative in the Fiction of Aphra Behn. The Review of English Studies, 42(166). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/515934?seq=1#metadata_info_tab_contents
Jacqueline Pearson. (1991c). Gender and Narrative in the Fiction of Aphra Behn (concluded). The Review of English Studies, 42(166). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/515934
Jacqueline Pearson. (2004c). The short fiction (excluding Oroonoko) [IN] The Cambridge Companion to Aphra Behn. In D. Hughes & J. Todd (Eds.), The Cambridge Companion to Aphra Behn. Cambridge University Press. https://doi.org/10.1017/CCOL0521820197
Jacques Lezra. (1997). Unspeakable subjects. Stanford University Press.
Jagendorf, Z. (1990). Coriolanus: Body Politic and Private Parts. Shakespeare Quarterly, 41(4). https://doi.org/10.2307/2870776
Jan Plamper. (2010). The History of Emotions: An Interview with William Reddy, Barbara Rosenwein, and Peter Stearns. History and Theory, 49(2), 237–265. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.40864443&site=eds-live
Jankowski, T. A. (2005). Hymeneal Blood, Interchangeable Women, and the Early Modern Marriage Economy inMeasure for Measure andAll’s Well That Ends Well. In R. Dutton & J. E. Howard (Eds.), A Companion to Shakespeare’s Works, Volume 4 (pp. 89–105). Blackwell Publishing Ltd. https://doi.org/10.1002/9780470996560.ch6
John Guillory. (1986). , ‘Dalila’s House: Samson Agonistes and the Sexual Division of Labor’ [IN] Rewriting the Renaissance: The Discourse of Sexual Difference in Early Modern Europe. In Rewriting the Renaissance: the discourses of sexual difference in early modern Europe. University of Chicago Press.
Jonathan Romney. (2015). Inside Out review – an emotional rollercoaster. Guardian. https://www.theguardian.com/film/2015/jul/26/inside-out-review-pixar-emotional-rollercoaster
Jones, V. (2000). Women and literature in Britain, 1700-1800. Cambridge University Press.
Jonson, B. (2009). Volpone [IN] Five plays. In Five plays. Oxford University Press.
Jonson, B., & Happe, P. (2009). The magnetic lady. Manchester University Press.
Julie Sanders. (1998). Ben Jonson’s Theatrical Republics. Palgrave Macmillan. https://link.springer.com/book/10.1057/9780230389441
Kahn, C. (1981). Chapter 6 The Milking Babe and the Bloody Man in Coriolanus and Macbeth [IN] Man’s estate: masculine identity in Shakespeare. In Man’s estate: masculine identity in Shakespeare (pp. 151–192). University of California Press.
Kahn, C. (1997). Roman Shakespeare: warriors, wounds and women. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780203409893
Karant-Nunn, S. (2010). Reformation of Feeling. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195399738.001.0001
Katharine A. Craik (Ed.). (2013). Shakespearean Sensations. CUP. https://uoelibrary.idm.oclc.org/login?url=http://www.cambridge.org/core/books/shakespearean-sensations/7A5603DAD8E0607A388A1A0186A014BF
Katie Barclay. (n.d.). New Materialism and the New History of Emotions. Emotions: History, Culture, Society, 01(01), 161–183. https://doi.org/https://doi.org/10.1163/2208522X-00101008
Keltner, D., & Ekman, P. (n.d.). The Science of ‘Inside Out’ - The New York Times. https://www.nytimes.com/2015/07/05/opinion/sunday/the-science-of-inside-out.html
Kennedy, G. & EBSCOhost. (n.d.-a). Just anger: representing women’s anger in early modern England. Southern Illinois University Press. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=45679
Kennedy, G. & EBSCOhost. (n.d.-b). Just anger: representing women’s anger in early modern England. Southern Illinois University Press. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s2282621&direct=true&scope=site&db=nlebk&db=nlabk&AN=45679
King, Henry, 1592-1669. (n.d.-a). A deep groane. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_id=xri:eebo:citation:99862868
Klotz, L. (2011). Ben Jonson’s Legal Imagination in Volpone. SEL Studies in English Literature 1500-1900, 51(2), 385–408. https://doi.org/10.1353/sel.2011.0021
Knight, G. W. (2001). The wheel of fire: interpretations of Shakespearian tragedy. Routledge.
Kusukawa, S. (2011). Chapter 10 [IN] Picturing the book of nature: image, text, and argument in sixteenth-century human anatomy and medical botany. In Picturing the book of nature: image, text, and argument in sixteenth-century human anatomy and medical botany. University of Chicago Press. http://lib.myilibrary.com/browse/open.asp?id=386274&entityid=https://elibrary.exeter.ac.uk/idp/shibboleth
LAURA LUNGER KNOPPERS. (1993). (En) gendering Shame: ‘Measure for Measure’ and the Spectacles of Power. English Literary Renaissance, 23(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447735
Lauren Berlant. (2012). Affect in the End Times: A Conversation with Lauren Berlant. Qui Parle: Critical Humanities and Social Sciences, 20(2), 71–89. https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/475028
Lauren Gail Berlant. (2011). Cruel optimism. Duke University Press.
Leggatt, A. (1988). Substitution in ‘Measure for Measure’. Shakespeare Quarterly, 39(3). https://doi.org/10.2307/2870931
Lewalski, B. K. (1994). Writing women in Jacobean England. Harvard University Press.
Lewis, J. E. (2012). Air’s appearance: literary atmosphere in British fiction, 1660-1794. University of Chicago Press. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226476711
Leys, R. (2011a). The Turn to Affect: A Critique. Critical Inquiry, 37(3), 434–472. https://doi.org/10.1086/659353
Leys, R. (2011b). The Turn to Affect: A Critique. Critical Inquiry, 37(3), 434–472. https://doi.org/10.1086/659353
Liliequist, J. & Taylor & Francis. (n.d.). A history of emotions, 1200-1800: Vol. no. 2 (J. Lilequist, Ed.). Pickering & Chatto Ltd. http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315654911
Linda A. Pollock. (2004). Anger and the Negotiation of Relationships in Early Modern England. The Historical Journal, 47(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4091756?seq=1#metadata_info_tab_contents
Lisa Lowe. (1986). ‘Say I Play the Man I Am’: Gender and Politics in ‘Coriolanus’. The Kenyon Review, 8(4). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4335762?seq=1#metadata_info_tab_contents
Loewenstein, D. (1990). Milton and the drama of history: historical vision, iconoclasm, and the literary imagination. Cambridge University Press.
Louis L. Martz. (n.d.). Poetry of Meditation (Study in English). Yale University Press.
Low, A. (1974). The blaze of noon: a reading of ‘Samson Agonistes’. Columbia U.P.
Loxley, J. (2002). The complete critical guide to Ben Jonson. Routledge.
Lupton, J. (2017). Hospitality [IN] Early modern theatricality. In H. S. Turner (Ed.), Early modern theatricality (pp. 421–441). Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199641352.001.0001/oxfordhb-9780199641352-e-22
M. LINDSAY KAPLAN. (1990). Slander for Slander in ‘Measure for Measure’. Renaissance Drama, 21, 23–54. https://www.jstor.org/stable/41917259
Macsotay, Tomas  Haven, Kornee van der  Vanhaesebrouck, Karel. (n.d.). The Hurt(ful) Body : Performing and Beholding Pain, 16001800. Manchester University Press. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1571505&site=ehost-live
Madelaine, R. (2005). ‘The dark and vicious place’: The Location of Sexual Transgression and its Punishment on the Early Modern English Stage. Parergon, 22(1), 159–183. https://doi.org/10.1353/pgn.2005.0042
Mario Digangi. (1993). Pleasure and Danger: Measuring Female Sexuality in Measure for Measure. English Literary History, 60(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873406?seq=1#metadata_info_tab_contents
Marland, H., & Pelling, M. (1996). The task of healing: medicine, religion, and gender in England and the Netherlands, 1450-1800: Vol. nr. 24. Erasmus.
Marriage in Shakespeare’s ‘Measure for Measure’ | OUPblog. (n.d.). https://blog.oup.com/2016/02/shame-marriage-shakespeare-measure-for-measure/
Marshall, J., Rhodes, N., Richards, J., James, & VLEbooks. (2003). King James VI and I: selected writings. Ashgate. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351923965
Mary Lindemann. (2010). Medicine and society in early modern Europe. Cambridge University Press.
Maus, K. E. (1995). Inwardness and theater in the English renaissance. University of Chicago Press.
McKeon, M. (2002). The origins of the English novel, 1600-1740 (15th anniversary ed). John Hopkins University Press.
Meek, R., & Sullivan, E. (2015a). Introduction [IN] The renaissance of emotion: understanding affect in Shakespeare and his contemporaries. In The renaissance of emotion: understanding affect in Shakespeare and his contemporaries (pp. 1–22). Manchester University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt1729w4d.5
Meek, R., & Sullivan, E. (2015b). The renaissance of emotion: understanding affect in Shakespeare and his contemporaries. Manchester University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1729w4d
Mehl, D. (2016). Plotting Early Modern London: New Essays on Jacobean City Comedy (A. Stock, Ed.; 1st edition). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351910705
Michael Carl Schoenfeldt. (1999). Bodies and selves in early modern England. Cambridge University Press.
Michael MacDonald. (1992). The Fearefull Estate of Francis Spira: Narrative, Identity, and Emotion in Early Modern England. Journal of British Studies, 31(1). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/175876?seq=1#metadata_info_tab_contents
Middleton, T., & Brissenden, A. (2002). A chaste maid in Cheapside. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.5040/9781408169513.00000005
Middleton, T., & Parker, R. B. (1969). A chaste maid in Cheapside. Methuen.
Miller, S. (1992). Topicality and Subversion in William Shakespeare’s Coriolanus. Studies in English Literature, 1500-1900, 32(2). https://doi.org/10.2307/450737
Milton, J. (1991a). Samson Agonistes [IN] John Milton: A critical edition of the major works. In John Milton: A critical edition of the major works (pp. 671–715). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=61b3bd9f-9aa0-e811-80cd-005056af4099
Milton, J. (1991b). Samson Agonistes [IN] John Milton: A critical edition of the major works. In John Milton: A critical edition of the major works (pp. 671–715). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=61b3bd9f-9aa0-e811-80cd-005056af4099
Monique Scheer. (2012). Are Emotions a Kind of Practice (and Is That What Makes Them Have A History)? A Bourdieuian Approach to Understanding Emotion. History and Theory, 51(2), 193–220. https://doi.org/10.1111/j.1468-2303.2012.00621.x
Motohashi, Tetsuya. (1994). Body Politic and Political Body in Coriolanus. Forum for Modern Language Studies, 30(2). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1994035859&site=eds-live&scope=site
Narveson, K. (2002). Profession or Performance? Religion in Early Modern Literary Study [IN] Fault lines and controversies in the study of seventeenth-century English literature. In Fault lines and controversies in the study of seventeenth-century English literature (pp. 111–129). University of Missouri Press.
Ngai, S. (2007). Chapter 5 Anxiety [IN] Ugly feelings. In Ugly feelings (pp. 209–247). Harvard University Press. https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D9780674041523
Nussbaum, M. (1990). Chapter 11 [IN] Love’s Knowledge: Essays on Philosophy and Literature. In Love’s knowledge: essays on philosophy and literature (pp. 261–285). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=7b130478-a919-e911-80cd-005056af4099
Nussbaum, M. C. (2013). Compassion’s Enemies: Fear, Envy, Shame [IN] Political emotions: why love matters for justice. In Political emotions: why love matters for justice (pp. 314–377). The Belknap Press of Harvard University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt6wpqm7.14
Nussbaum, M. C. (2016a). Anger and forgiveness: resentment, generosity, justice. Oxford University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780199335886
Nussbaum, M. C. (2016b). Anger and forgiveness: resentment, generosity, justice. Oxford University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780199335886
Opie, B. (1985). Nathaniel Bacon and Francis Spira: the Presbyterian and the Apostate. Turnbull Library Record, 18, 33–50. https://paperspast.natlib.govt.nz/periodicals/TLR19850501.2.7
Overell, M. A. (2004). Recantation and Retribution: Remembering Francis Spira 1548-1638 [IN] Retribution, repentance, and reconciliation: papers read at the 2002 Summer Meeting and the 2003 Winter Meeting of the Ecclesiastical History Society. In Retribution, repentance, and reconciliation: papers read at the 2002 Summer Meeting and the 2003 Winter Meeting of the Ecclesiastical History Society (Vol. 40, pp. 159–168). Published for the Ecclesiastical History Society by the Boydell Press.
Pacheco, A. (1998). Early women writers, 1600-1720. Longman. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781317884453
Paster, G. K. (1993). The body embarrassed: drama and the disciplines of shame in early modern England. Cornell University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7591/j.ctv5rdv5w
Paster, G. K. & American Council of Learned Societies. (1993). The body embarrassed: drama and the disciplines of shame in early modern England. Cornell University Press. https://uoelibrary.idm.oclc.org/login?url=http://hdl.handle.net/2027/heb.31963
Paster, G. K., Rowe, K., & Floyd-Wilson, M. (2004). Reading the early modern passions: essays in the cultural history of emotion. University of Pennsylvania Press.
Paster, G. K. & UPSO (University Press Scholarship Online). (2004). Melancholy Cats, Lugged Bears, and Other Passionate Animals: Reading Shakespeare’s Psychological Materialism across the Species Barrier [IN] Humoring the Body: Emotions and the Shakespearean Stage. In Humoring the body: emotions and the Shakespearean stage. University of Chicago Press. https://uoelibrary.idm.oclc.org/login?url=http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226648484.001.0001/upso-9780226648477
Plamper, J. (2015). The history of emotions: an introduction (First edition). Oxford University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780191017490
Playfere, T. (n.d.). The meane in mourning A sermon preached at Saint Maryes Spittle in London on Tuesday in Easter weeke 1595. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_id=xri:eebo:citation:99839329
Prescott, S. (2003). Women, Authorship and Literary Culture 1690–1740. Palgrave Macmillan UK. https://doi.org/10.1057/9780230597082
RACHEL K. CARNELL. (1999). SUBVERTING TRAGIC CONVENTIONS: APHRA BEHN’S TURN TO THE NOVEL. Studies in the Novel, 31(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/29533325?seq=1#metadata_info_tab_contents
Radzinowicz, M. A., & Mahood, F. J. (1978). Toward Samson Agonistes: the growth of Milton’s mind. Princeton University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt13x0vt2
Reddy, W. M. (2001). The Navigation of Feeling. Cambridge University Press. https://doi.org/10.1017/CBO9780511512001
Reddy, W. M. (2012). The making of romantic love: longing and sexuality in Europe, South Asia, and Japan, 900-1200 CE. University of Chicago Press. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226706283
Redwine, J. D. (1994). Volpone’s ‘Sport’ and the Structure of Jonson’s Volpone. Studies in English Literature, 1500-1900, 34(2). https://doi.org/10.2307/450903
Rick Dolphijn and Iris van der Tuin. (n.d.). Matter feels, converses, suffers, desires, yearns and remembers” Interview with Karen Barad [IN] New Materialism: Interviews & Cartographies. In New Materialism: Interviews & Cartographies. https://quod.lib.umich.edu/o/ohp/11515701.0001.001/1:4.3/--new-materialism-interviews-cartographies?rgn=div2;view=fulltext
Riefer, M. (1984). ‘Instruments of Some More Mightier Member’: The Constriction of Female Power in Measure for Measure. Shakespeare Quarterly, 35(2). https://doi.org/10.2307/2869924
Riggs, D. (1989). Ben Jonson: a life. Harvard University Press.
Rosenwein, B. H. (2006). Emotional communities in the early Middle Ages. Cornell University Press.
Rumrich, J. P. (1996). Milton Unbound. Cambridge University Press. https://doi.org/10.1017/CBO9780511553172
Ryan, K. (1999). Shakespeare: the last plays. Longman.
Ryrie, A. (2013a). Being Protestant in Reformation Britain. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199565726.001.0001
Ryrie, A. (2013b). Despair and Salvation [IN] Being Protestant in Reformation Britain. In Being Protestant in Reformation Britain (pp. 27–48). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199565726.003.0003
Salzman, P. (2006). Reading early modern women’s writing. Oxford University Press. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199261048.001.0001
Sanders, J., Chedgzoy, K., & Wiseman, S. (1998). Refashioning Ben Jonson. Palgrave Macmillan.
Sawday, J. & Taylor & Francis. (2007). Engines of the imagination: Renaissance culture and the rise of the machine. Routledge. http://www.taylorfrancis.com/start-session?idp=http%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=http%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780203696156
SCHEER, M. (2012). ARE EMOTIONS A KIND OF PRACTICE (AND IS THAT WHAT MAKES THEM HAVE A HISTORY)? A BOURDIEUIAN APPROACH TO UNDERSTANDING EMOTION. History and Theory, 51(2), 193–220. https://doi.org/10.1111/j.1468-2303.2012.00621.x
Schellenberg, B. A. (2005). The Professionalization of Women Writers in Eighteenth-Century Britain. Cambridge University Press. https://doi.org/10.1017/CBO9780511597633
Shakespeare, W. (2020a). Measure for measure (A. R. Braunmuller & R. N. Watson, Eds.). The Arden Shakespeare.
Shakespeare, W. (2020b). Measure for measure (A. R. Braunmuller & R. N. Watson, Eds.). The Arden Shakespeare.
Shakespeare, W., & Holland, P. (2013a). Coriolanus. Bloomsbury. https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/coriolanus-arden-shakespeare-third-series-iid-133179
Shakespeare, W., & Holland, P. (2013b). Coriolanus. Bloomsbury. https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/coriolanus-arden-shakespeare-third-series-iid-133179
Shakespeare, W., & Pitcher, J. (2013a). The winter’s tale. Bloomsbury. https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/the-winters-tale-arden-shakespeare-third-series-iid-130725
Shakespeare, W., & Pitcher, J. (2013b). The winter’s tale. Bloomsbury. https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/the-winters-tale-arden-shakespeare-third-series-iid-130725
Shakespeare, W., Thompson, A., & Taylor, N. (2006). Hamlet. AS, Arden Shakespeare. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781408142882
Smith, H. (2012). ‘Grossly material things’: women and book production in early modern England. Oxford University Press. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199651580.001.0001
Sokol, B. J., & Sokol, M. (2003). Shakespeare, law, and marriage. Cambridge University Press. http://encore.exeter.ac.uk/iii/encore/record/C__Rb2630842
Spencer, J. (1986). The rise of the woman novelist: from Aphra Behn to Jane Austen. Basil Blackwell.
Spencer, J. (2000). Aphra Behn’s afterlife. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
Stachniewski, J. (1991). The persecutory imagination: English Puritanism and the literature of religious despair. Clarendon.
Staines, J. (2004). Compassion in the Public Sphere of Milton and Charles [IN] Reading the early modern passions: essays in the cultural history of emotion. In Reading the early modern passions: essays in the cultural history of emotion (pp. 89–110). University of Pennsylvania Press. https://contentstore.cla.co.uk/secure/link?id=ec592a3a-9719-e911-80cd-005056af4099
Stanley Fish. (1989). Spectacle and Evidence in ‘Samson Agonistes’. Critical Inquiry, 15(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/1343654?seq=1#metadata_info_tab_contents
Staves, S. (2006). A Literary History of Women’s Writing in Britain, 1660–1789. Cambridge University Press. https://doi.org/10.1017/CBO9780511484513
Steenbergh, K. (n.d.). Emotions and Gender: The Case of Anger in Early Modern English Revenge Tragedies [IN] A history of emotions, 1200-1800. In J. Lilequist (Ed.), A history of emotions, 1200-1800: Vol. no. 2 (pp. 119–134). Pickering & Chatto Ltd. http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315654911
Stelzer, E. (2017). Passionate Writing: The Rhythms of Jealousy in Early Modern English Texts and Drama [IN] Writing Emotions. In I. Jandl, S. Knaller, S. Schönfellner, & G. Tockner (Eds.), Writing Emotions (pp. 215–232). transcript Verlag. https://doi.org/10.2307/j.ctv1wxt3t.14
Stewart, K. (2007). Ordinary affects. Duke University Press. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1170511
Strier, R. (2011). The unrepentant Renaissance: from Petrarch to Shakespeare to Milton. University of Chicago Press. http://exeter.eblib.com/patron/FullRecord.aspx?p=809559
Sullivan, E. (2008). Melancholy, medicine, and the arts. The Lancet, 372(9642), 884–885. https://doi.org/10.1016/S0140-6736(08)61385-9
Sullivan, E. (2016a). Beyond melancholy: sadness and selfhood in Renaissance England (First edition). Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198739654.001.0001
Sullivan, E. (2016b). Beyond Melancholy. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198739654.001.0001
T. Clough, Patricia. (2010). The Affective Turn Political Economy, Biomedia and Bodies [IN] The Affect theory reader. In S. Ahmed (Ed.), The Affect theory reader. Duke University Press. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?authtype=ip,uid&direct=true&db=nlebk&AN=600421&site=ehost-live
Tennenhouse, L. (2005). Power on display: the politics of Shakespeare’s genres. Routledge. https://uoelibrary.idm.oclc.org/login?qurl=https://www.taylorfrancis.com/books/9780203708446
The Flaming Heart by Richard Crashaw | Poetry Foundation. (n.d.). https://www.poetryfoundation.org/poems/44056/the-flaming-heart
The shame of the philosophers | The History of Emotions Blog. (n.d.). https://emotionsblog.history.qmul.ac.uk/2012/02/the-shame-of-the-philosophers/
Theodore B. Leinwand. (1986). The city staged. University of Wisconsin Press.
Thomas Dixon. (n.d.). Inside Out and the democracy of the modern mind. The Conversation. http://theconversation.com/inside-out-and-the-democracy-of-the-modern-mind-45202
Todd, J. M. (1996). Aphra Behn studies. Cambridge University Press.
Tomkins, S. (1995a). Shame-Humiliation and Contempt-Disgust [IN] Shame and its sisters. In Shame and its sisters (pp. 133–178). Duke University Press. https://contentstore.cla.co.uk/secure/link?id=81aa1643-f5bb-e811-80cd-005056af4099
Tomkins, S. (1995b). Shame-Humiliation and Contempt-Disgust [IN] Shame and its sisters. In Shame and its sisters (pp. 133–178). Duke University Press. https://contentstore.cla.co.uk/secure/link?id=81aa1643-f5bb-e811-80cd-005056af4099
Toulalan, S., & Fisher, K. (Eds.). (2013). The Routledge history of sex and the body: 1500 to the present. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781136744280
Upon the Murder of King Charles I. (n.d.). https://virginia-anthology.org/upon-the-murder-of-king-charles-i/
Vander Motten, J. P., & Vermeir, R. (2015). ‘Reality, and Matter of Fact’: Text and Context in Aphra Behn’s The Fair Jilt. The Review of English Studies, 66(274), 280–299. https://doi.org/10.1093/res/hgu082
Viney, William, Callard, Felicity, & Woods, Angela. (n.d.-b). Critical medical humanities: embracing entanglement, taking risks. Medical Humanities, 41. https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/1783946719?accountid=10792
Vinter, M. (2014). "This is called mortifying of a fox”: Volpone and How To Get Rich Quick by Dying Slowly. Shakespeare Quarterly, 65(2), 140–163. https://doi.org/10.1353/shq.2014.0015
Walkington, T. (n.d.). The optick glasse of humors…a golden temper wherein the foure complexions sanguine, cholericke, phlegmaticke, melanhcolicke are succinctly painted forth, and their externall intimates laide open… by which every one may judge of what complexion he is. http://eebo.chadwyck.com/search/full_rec?SOURCE=config.cfg&ACTION=ByID&ID=99854617
Ward, I. (1999). Shakespeare and the legal imagination. Butterworths.
Watt, I. (1987). The rise of the novel: studies in Defoe, Richardson and Fielding. Hogarth.
Wells, R. H. & EBSCOhost. (2000). Shakespeare on masculinity. Cambridge University Press. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s2282621&direct=true&scope=site&db=nlebk&db=nlabk&AN=77561
What is anger? 1. Martha Nussbaum | The History of Emotions Blog. (n.d.). https://emotionsblog.history.qmul.ac.uk/2016/07/what-is-anger-1-martha-nussbaum/
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