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Ben Jonson, Five plays. Oxford: Oxford University Press, 2009.
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J. Ford and M. Wiggins, ’Tis pity she’s a whore, [2nd edition]. London: A & C Black, 2003.
[3]
W. Shakespeare and P. Holland, Coriolanus. London: Bloomsbury, 2013 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/coriolanus-arden-shakespeare-third-series-iid-133179
[4]
W. Shakespeare, Measure for measure. London: The Arden Shakespeare, 2020.
[5]
W. Shakespeare and J. Pitcher, The winter’s tale. [London]: Bloomsbury, 2013 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/the-winters-tale-arden-shakespeare-third-series-iid-130725
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J. Milton, ‘Samson Agonistes [IN] John Milton: A critical edition of the major works’, in John Milton: A critical edition of the major works, Oxford: Oxford University Press, 1991, pp. 671–715 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=61b3bd9f-9aa0-e811-80cd-005056af4099
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A. Behn and A. Behn, The works of Aphra Behn: Vol. 3: The fair jilt and other short stories. [London]: Pickering & Chatto, 2017 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960149.book.1/actrade-9781851960149-book-1
[8]
B. Jonson and P. Happe, The magnetic lady. Manchester: Manchester University Press, 2009.
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Galen, ‘Galen’s art of physick ... translated into English, and largely commented on : together with convenient medicines for all particular distempers of the parts, a description of the complexions, their conditions, and what diet and exercise is fittest for them / by Nich. Culpeper, Gent. ...’, 1652. [Online]. Available: https://quod.lib.umich.edu/e/eebo/A69834.0001.001?view=toc
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H. Crooke, C. Bauhin, A. Du Laurens, Bodleian Library, and Adam Matthew Digital (Firm), Mikrokosmographia: a description of the body of man : together vvith the controversies and figures thereto belonging. [London]: Printed by W. Iaggard, dwelling in Barbican, 1618 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.gender.amdigital.co.uk/contents/document-detail.aspx?sectionid=58962
[11]
T. Walkington, ‘The optick glasse of humors…a golden temper wherein the foure complexions sanguine, cholericke, phlegmaticke, melanhcolicke are succinctly painted forth, and their externall intimates laide open… by which every one may judge of what complexion he is’. [Online]. Available: http://eebo.chadwyck.com/search/full_rec?SOURCE=config.cfg&ACTION=ByID&ID=99854617
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R. Meek and E. Sullivan, ‘Introduction [IN] The renaissance of emotion: understanding affect in Shakespeare and his contemporaries’, in The renaissance of emotion: understanding affect in Shakespeare and his contemporaries, Manchester: Manchester University Press, 2015, pp. 1–22 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt1729w4d.5
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K. A. Craik, ‘Poetry, Anatomy, Presence’, Renaissance Studies, vol. 32, no. 5, pp. 755–777, Nov. 2018, doi: 10.1111/rest.12367. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://onlinelibrary.wiley.com/doi/full/10.1111/rest.12367
[14]
M. SCHEER, ‘ARE EMOTIONS A KIND OF PRACTICE (AND IS THAT WHAT MAKES THEM HAVE A HISTORY)? A BOURDIEUIAN APPROACH TO UNDERSTANDING EMOTION’, History and Theory, vol. 51, no. 2, pp. 193–220, May 2012, doi: 10.1111/j.1468-2303.2012.00621.x. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://onlinelibrary.wiley.com/doi/full/10.1111/j.1468-2303.2012.00621.x
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R. Leys, ‘The Turn to Affect: A Critique’, Critical Inquiry, vol. 37, no. 3, pp. 434–472, Mar. 2011, doi: 10.1086/659353. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.1086/659353
[16]
Ian Maclean, Logic, Signs and Nature in the Renaissance. Cambridge University Press, 2007.
[17]
S. Kusukawa, ‘Chapter 10 [IN] Picturing the book of nature: image, text, and argument in sixteenth-century human anatomy and medical botany’, in Picturing the book of nature: image, text, and argument in sixteenth-century human anatomy and medical botany, Chicago, Ill: University of Chicago Press, 2011 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=386274&entityid=https://elibrary.exeter.ac.uk/idp/shibboleth
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B. Jonson, ‘Volpone [IN] Five plays’, in Five plays, Oxford: Oxford University Press, 2009.
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J. G. Harris, ‘Plague and Transmigration: Timothy Bright, Thomas Milles, Volpone [IN] Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England’, in Sick economies: drama, mercantilism, and disease in Shakespeare’s England, Philadelphia: University of Pennsylvania Press, pp. 108–135 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt3fht2t.7
[20]
S. Ahmed, ‘The Contingency of Pain [IN] The Cultural Politics of Emotion’, in The cultural politics of emotion, Second edition., Edinburgh: Edinburgh University Press, 2014, pp. 20–41 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09x4q.6
[21]
Freestone, Elizabeth, ‘Volpone / Disc I / DVD of the play / directed for the stage by Elizabeth Freestone / starring Richard Bremmer and Mark Hadfield.’ Stage on Screen DVD.
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Macsotay, Tomas Haven, Kornee van der Vanhaesebrouck, Karel, The Hurt(ful) Body : Performing and Beholding Pain, 16001800. Manchester University Press [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1571505&site=ehost-live
[23]
J. F. van Dijkhuizen and K. A. E. Enenkel, The sense of suffering: constructions of physical pain in early modern culture, vol. v. 12. Leiden: Brill, 2009.
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J. R. Yamamoto-Wilson, Pain, pleasure and perversity: discourses of suffering in Seventeenth-Century England. Farnham, Surrey: Ashgate Publishing, 2013 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781409443964
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J. G. Harris, ‘“I am sailing to my port, uh! uh! uh! uh!”: The Pathologies of Transmigration in Volpone’, Literature and Medicine, vol. 20, no. 2, pp. 109–132, 2001, doi: 10.1353/lm.2001.0020.
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M. Vinter, ‘"This is called mortifying of a fox”: Volpone and How To Get Rich Quick by Dying Slowly’, Shakespeare Quarterly, vol. 65, no. 2, pp. 140–163, 2014, doi: 10.1353/shq.2014.0015.
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L. Klotz, ‘Ben Jonson’s Legal Imagination in Volpone’, SEL Studies in English Literature 1500-1900, vol. 51, no. 2, pp. 385–408, 2011, doi: 10.1353/sel.2011.0021.
[28]
Frances Nicol Teague, ‘Seeing to Things in “Volpone”’, Mediterranean Studies, vol. 19, 2010 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41167031?seq=1#metadata_info_tab_contents
[29]
Brunning, Alizon, ‘Jonson’s Romish Foxe: Anti-Catholic Discourse in Volpone’, Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, vol. 6, no. 2, 2000 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2000060202&site=eds-live&scope=site
[30]
R. Dutton, ‘Volpone and Beast Fable: Early Modern Analogic Reading’, Huntington Library Quarterly, vol. 67, no. 3, pp. 347–370, Sep. 2004, doi: 10.1525/hlq.2004.67.3.347.
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I. Hui, Volpone’s bastards: theorising Jonson’s city comedy. Edinburgh: Edinburgh University Press, 2018 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1tqxvcx
[32]
J. Hirsh, ‘Soliloquies and Self-Fashioning in: An Empirical Approach’, Ben Jonson Journal, vol. 25, no. 1, pp. 52–80, May 2018, doi: 10.3366/bjj.2018.0210.
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J. D. Redwine, ‘Volpone’s “Sport” and the Structure of Jonson’s Volpone’, Studies in English Literature, 1500-1900, vol. 34, no. 2, Spring 1994, doi: 10.2307/450903.
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J. Loxley, The complete critical guide to Ben Jonson. London: Routledge, 2002.
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R. Harp and S. Stewart, Eds., The Cambridge Companion to Ben Jonson. Cambridge: Cambridge University Press, 2000 [Online]. Available: http://universitypublishingonline.org/ref/id/companions/CBO9781139000154
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Julie Sanders, Ben Jonson’s Theatrical Republics. Palgrave Macmillan, 1998 [Online]. Available: https://link.springer.com/book/10.1057/9780230389441
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D. H. Craig and Taylor & Francis, Ben Jonson: the critical heritage. London: Routledge, 1995 [Online]. Available: http://www.taylorfrancis.com/start-session?idp=http%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=http%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780203194515
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D. Riggs, Ben Jonson: a life. Cambridge, Mass: Harvard University Press, 1989.
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A. Barton, Ben Jonson. Cambridge: Cambridge University Press, 1984 [Online]. Available: https://www.cambridge.org/core/product/identifier/9780511518836/type/book
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Theodore B. Leinwand, The city staged. Madison, Wis: University of Wisconsin Press, 1986.
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J. Sanders, K. Chedgzoy, and S. Wiseman, Refashioning Ben Jonson. Palgrave Macmillan, 1998.
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D. Mehl, Plotting Early Modern London: New Essays on Jacobean City Comedy, 1st edition. London: Routledge, 2016 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351910705
[43]
W. Shakespeare and P. Holland, Coriolanus. London: Bloomsbury, 2013 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/coriolanus-arden-shakespeare-third-series-iid-133179
[44]
J. Adelman, ‘Anger’s My Meat: Feeding, Dependency, and Aggression in Coriolanus [IN] Representing Shakespeare: new psychoanalytic essays’, in Representing Shakespeare: new psychoanalytic essays, London: Johns Hopkins U.P., 1982, pp. 129–149 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=802318fc-9e19-e911-80cd-005056af4099
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M. C. Nussbaum, Anger and forgiveness: resentment, generosity, justice. New York: Oxford University Press, 2016 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780199335886
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C. Kahn, Roman Shakespeare: warriors, wounds and women. London: Routledge, 1997 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780203409893
[48]
G. Kennedy and EBSCOhost, Just anger: representing women’s anger in early modern England. Carbondale, IL: Southern Illinois University Press [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=45679
[49]
Linda A. Pollock, ‘Anger and the Negotiation of Relationships in Early Modern England’, The Historical Journal, vol. 47, no. 3, 2004 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4091756?seq=1#metadata_info_tab_contents
[50]
K. A. E. Enenkel and A. Traninger, Eds., Discourses of anger in the early modern period, vol. volume 40. Leiden: Brill, 2015 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9789004300835
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M. C. Nussbaum, Anger and forgiveness: resentment, generosity, justice. New York: Oxford University Press, 2016 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780199335886
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K. Steenbergh, ‘Emotions and Gender: The Case of Anger in Early Modern English Revenge Tragedies [IN] A history of emotions, 1200-1800’, in A history of emotions, 1200-1800, vol. no. 2, J. Lilequist, Ed. London: Pickering & Chatto Ltd, pp. 119–134 [Online]. Available: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315654911
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J. S. Doty, ‘Coriolanus the Popular Man [IN] Shakespeare, Popularity, and the Public Sphere’, in Shakespeare, Popularity And The Public Sphere, Cambridge: Cambridge University Press, 2017 [Online]. Available: http://ebooks.cambridge.org/ref/id/CBO9781316681312
[54]
J. Adelman, ‘Chapter 6: Escaping the Matrix: The Construction of Masculinity [IN] Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest’, in Suffocating mothers: fantasies of maternal origin in Shakespeare’s plays, Hamlet to the Tempest, New York: Routledge, 1992 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203420652
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B. A. Brockman, Shakespeare, Coriolanus: a casebook. London: Macmillan, 1977.
[56]
Eve Rachele Sanders, ‘The Body of the Actor in “Coriolanus”’, Shakespeare Quarterly, vol. 57, no. 4, 2006 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4123493?seq=1#metadata_info_tab_contents
[57]
C. Kahn, ‘Chapter 6 The Milking Babe and the Bloody Man in Coriolanus and Macbeth [IN] Man’s estate: masculine identity in Shakespeare’, in Man’s estate: masculine identity in Shakespeare, Berkeley: University of California Press, 1981, pp. 151–192.
[58]
Barbara Correll, ‘Schooling Coriolanus: Shakespeare, Translation, Latinity [IN] Shakespeare and the translation of Identity in Early Modern England’, in Shakespeare and the Translation of Identity in Early Modern England, Liz Oakley-Brown, Ed. London: Continuum, 2011 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.bloomsburycollections.com/book/shakespeare-and-the-translation-of-identity-in-early-modern-england/
[59]
Z. Jagendorf, ‘Coriolanus: Body Politic and Private Parts’, Shakespeare Quarterly, vol. 41, no. 4, Winter 1990, doi: 10.2307/2870776.
[60]
Lisa Lowe, ‘“Say I Play the Man I Am”: Gender and Politics in “Coriolanus”’, The Kenyon Review, vol. 8, no. 4, 1986 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4335762?seq=1#metadata_info_tab_contents
[61]
S. Miller, ‘Topicality and Subversion in William Shakespeare’s Coriolanus’, Studies in English Literature, 1500-1900, vol. 32, no. 2, Spring 1992, doi: 10.2307/450737.
[62]
Motohashi, Tetsuya, ‘Body Politic and Political Body in Coriolanus’, Forum for Modern Language Studies, vol. 30, no. 2, Apr. 1994 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1994035859&site=eds-live&scope=site
[63]
Arthur Riss, author, ‘The Belly Politic: Coriolanus and the Revolt of Language’, ELH, vol. 59, no. 1, Apr. 1992 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2873418&site=eds-live&scope=site
[64]
D. Wheeler, Ed., Coriolanus: critical essays, vol. v. 1646. Abingdon, Oxon: Routledge, 2015 [Online]. Available: https://uoelibrary.idm.oclc.org/login?qurl=https://www.taylorfrancis.com/books/9781315724867
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J. Sawday and Taylor & Francis, Engines of the imagination: Renaissance culture and the rise of the machine. London: Routledge, 2007 [Online]. Available: http://www.taylorfrancis.com/start-session?idp=http%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=http%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780203696156
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W. Shakespeare, Measure for measure. London: The Arden Shakespeare, 2020.
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LAURA LUNGER KNOPPERS, ‘(En) gendering Shame: “Measure for Measure” and the Spectacles of Power’, English Literary Renaissance, vol. 23, no. 3, 1993 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447735
[68]
‘Marriage in Shakespeare’s “Measure for Measure” | OUPblog’. [Online]. Available: https://blog.oup.com/2016/02/shame-marriage-shakespeare-measure-for-measure/
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S. Tomkins, ‘Shame-Humiliation and Contempt-Disgust [IN] Shame and its sisters’, in Shame and its sisters, Durham: Duke University Press, 1995, pp. 133–178 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=81aa1643-f5bb-e811-80cd-005056af4099
[70]
‘The shame of the philosophers | The History of Emotions Blog’. [Online]. Available: https://emotionsblog.history.qmul.ac.uk/2012/02/the-shame-of-the-philosophers/
[71]
G. K. Paster, The body embarrassed: drama and the disciplines of shame in early modern England. Ithaca, N.Y.: Cornell University Press, 1993 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7591/j.ctv5rdv5w
[72]
L. Gowing, Common bodies : women, touch and power in seventeenth-century England. New Haven: Yale University Press, 2003.
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I. Ward, Shakespeare and the legal imagination. London: Butterworths, 1999.
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B. Cormack, M. C. Nussbaum, and R. Strier, Eds., Shakespeare and the law: a conversation among disciplines and professions. Chicago, Illinois: The University of Chicago Press, 2013 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226924946
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B. J. Sokol and M. Sokol, Shakespeare, law, and marriage. Cambridge, UK: Cambridge University Press, 2003 [Online]. Available: http://encore.exeter.ac.uk/iii/encore/record/C__Rb2630842
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Mario Digangi, ‘Pleasure and Danger: Measuring Female Sexuality in Measure for Measure’, English Literary History, vol. 60, no. 3, 1993 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873406?seq=1#metadata_info_tab_contents
[77]
B. J. Baines, ‘Assaying the Power of Chastity in Measure for Measure’, Studies in English Literature, 1500-1900, vol. 30, no. 2, Spring 1990, doi: 10.2307/450518.
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A. Findlay, A feminist perspective on Renaissance drama. Oxford: Blackwell Publishers, 1999.
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Jacques Lezra, Unspeakable subjects. Stanford, Calif: Stanford University Press, 1997.
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M. Riefer, ‘“Instruments of Some More Mightier Member”: The Constriction of Female Power in Measure for Measure’, Shakespeare Quarterly, vol. 35, no. 2, Summer 1984, doi: 10.2307/2869924.
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P. Yachnin, ‘Shakespeare’s Problem Plays and the Drama of His Time:Troilus and Cressida, All’s Well That Ends Well, Measure for Measure’, in A Companion to Shakespeare’s Works, Volume 4, R. Dutton and J. E. Howard, Eds. Oxford, UK: Blackwell Publishing Ltd, 2005, pp. 46–68 [Online]. Available: http://doi.wiley.com/10.1002/9780470996560.ch4
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T. A. Jankowski, ‘Hymeneal Blood, Interchangeable Women, and the Early Modern Marriage Economy inMeasure for Measure andAll’s Well That Ends Well’, in A Companion to Shakespeare’s Works, Volume 4, R. Dutton and J. E. Howard, Eds. Oxford, UK: Blackwell Publishing Ltd, 2005, pp. 89–105 [Online]. Available: http://doi.wiley.com/10.1002/9780470996560.ch6
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M. LINDSAY KAPLAN, ‘Slander for Slander in “Measure for Measure”’, Renaissance Drama, vol. 21, pp. 23–54, 1990 [Online]. Available: https://www.jstor.org/stable/41917259
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G. W. Knight, The wheel of fire: interpretations of Shakespearian tragedy. London: Routledge, 2001.
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A. Leggatt, ‘Substitution in “Measure for Measure”’, Shakespeare Quarterly, vol. 39, no. 3, Autumn 1988, doi: 10.2307/2870931.
[86]
J. Marshall, N. Rhodes, J. Richards, James, and VLEbooks, King James VI and I: selected writings. Aldershot: Ashgate, 2003 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351923965
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L. Tennenhouse, Power on display: the politics of Shakespeare’s genres. London: Routledge, 2005 [Online]. Available: https://uoelibrary.idm.oclc.org/login?qurl=https://www.taylorfrancis.com/books/9780203708446
[88]
P. Brook, The empty space. London: Penguin, 1990.
[89]
G. L. Geckle, Shakespeare: The Critical Tradition ‘Measure for measure’. London: Athlone, 2001 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781847141927
[90]
F. Dabhoiwala, The origins of sex: a history of the first sexual revolution. London: Penguin, 2013.
[91]
Dollimore, Jonathan, ‘Transgression and surveillance in Measure for Measure [IN] Political Shakespeare: Essays in cultural materialism’, in Political Shakespeare: essays in cultural materialism, 2nd ed., Manchester: Manchester University Press, 1994.
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M. Foucault and A. Sheridan, Discipline and punish: the birth of the prison. Harmondsworth: Penguin, 1979.
[93]
J. Goldberg, James I and the politics of literature: Jonson, Shakespeare, Donne and their contemporaries. Stanford, Calif: Stanford University Press, 1989.
[94]
H. Hawkins, ‘“The Devil’s Party”: Virtues and Vices in ’Measure for Measure [IN] Aspects of Shakespeare’s “problem plays”’, in Aspects of Shakespeare’s ‘problem plays’, Cambridge: Cambridge University Press, 1982, pp. 87–95.
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T. Playfere, ‘The meane in mourning A sermon preached at Saint Maryes Spittle in London on Tuesday in Easter weeke 1595’. [Online]. Available: http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_id=xri:eebo:citation:99839329
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L. Andrewes, ‘VII. A Sermon Preached At the Court, On the Xxv. of March, A.D. MdxcVII. Being Good-Friday’, in Selected Sermons and Lectures, P. McCullough, Ed. Oxford University Press, 2005 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9780198187745.book.1/actrade-9780198187745-work-7
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R. Burton, T. C. Faulkner, N. K. Kiessling, and R. L. Blair, The anatomy of melancholy: Vol.1: Text. Oxford: Clarendon, 1989 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780198124481.book.1
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‘Albrecht Dürer, Melencolia I, 1514’. [Online]. Available: https://www.nga.gov/collection/highlights/durer-melencolia.html
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W. Shakespeare, A. Thompson, and N. Taylor, Hamlet. London: AS, Arden Shakespeare, 2006 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781408142882
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E. Sullivan, Beyond melancholy: sadness and selfhood in Renaissance England, First edition. Oxford: Oxford University Press, 2016 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198739654.001.0001
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E. Sullivan, ‘Melancholy, medicine, and the arts’, The Lancet, vol. 372, no. 9642, pp. 884–885, Sep. 2008, doi: 10.1016/S0140-6736(08)61385-9. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.sciencedirect.com/science/article/pii/S0140673608613859
[102]
A. Cvetkovich, ‘Introduction [IN] Depression: A Public Feeling’, in Depression: a public feeling, Durham, NC: Duke University Press, 2012, pp. 1–26 [Online]. Available: https://ebookcentral.proquest.com/lib/exeter/reader.action?ppg=15&docID=1171724&tm=1547126702609
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S. Ahmed, ‘Happy Objects [IN] The Promise of Happiness’, in The promise of happiness, Durham [NC]: Duke University Press, 2010, pp. 21–49 [Online]. Available: https://ebookcentral.proquest.com/lib/exeter/reader.action?ppg=32&docID=1171775&tm=1547126854043
[104]
A. Gowland, The worlds of Renaissance melancholy: Robert Burton in context, vol. 78. Cambridge: Cambridge University Press, 2006 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511628252
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J. P. Rumrich, Milton Unbound. Cambridge: Cambridge University Press, 1996 [Online]. Available: http://ebooks.cambridge.org/ref/id/CBO9780511553172
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Jacqueline Pearson, ‘Gender and Narrative in the Fiction of Aphra Behn’, The Review of English Studies, vol. 42, no. 165, 1991 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/516920
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Jacqueline Pearson, ‘Gender and Narrative in the Fiction of Aphra Behn (concluded)’, The Review of English Studies, vol. 42, no. 166, 1991 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/515934
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Katie Barclay, ‘New Materialism and the New History of Emotions’, Emotions: History, Culture, Society, vol. 01, no. 01, pp. 161–183, doi: https://doi.org/10.1163/2208522X-00101008.
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K. Barad, ‘Chapter 2 Diffractions [IN] Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning’, in Meeting the universe halfway: quantum physics and the entanglement of matter and meaning, Durham, N.C.: Duke University Press, 2007, pp. 71–94 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388128
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A. Behn and J. T. Canterbury Archbishop of, The Pickering Masters: The Works of Aphra Behn, Vol. 2: Love-Letters Between a Nobleman and his Sister (1684–7). Pickering & Chatto, 1993 [Online]. Available: http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960132.book.1/actrade-9781851960132-book-1
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A. Behn, The works of Aphra Behn: Vol. 4: Seneca unmasqued and other prose translations. [London]: Pickering & Chatto, 2017 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960156.book.1
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A. Behn, The Pickering Masters: The Works of Aphra Behn, Vol. 5: The Plays: 1671–16771671–1677. Pickering & Chatto, 1996 [Online]. Available: http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960163.book.1/actrade-9781851960163-book-1
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H. Hutner, Rereading Aphra Behn: history, theory, and criticism. Charlottesville: University Press of Virginia, 1993.
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R. Ballaster, Seductive forms: women’s amatory fiction from 1684-1740. Oxford: Clarendon, 1992 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184775.001.0001
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RACHEL K. CARNELL, ‘SUBVERTING TRAGIC CONVENTIONS: APHRA BEHN’S TURN TO THE NOVEL’, Studies in the Novel, vol. 31, no. 2, 1999 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/29533325?seq=1#metadata_info_tab_contents
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Jacqueline Pearson, ‘The short fiction (excluding Oroonoko) [IN] The Cambridge Companion to Aphra Behn’, in The Cambridge Companion to Aphra Behn, D. Hughes and J. Todd, Eds. Cambridge: Cambridge University Press, 2004 [Online]. Available: http://universitypublishingonline.org/ref/id/companions/CBO9780511999192
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S. Prescott, Women, Authorship and Literary Culture 1690–1740. London: Palgrave Macmillan UK, 2003 [Online]. Available: http://link.springer.com/10.1057/9780230597082
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H. Smith, ‘Grossly material things’: women and book production in early modern England. Oxford: Oxford University Press, 2012 [Online]. Available: https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199651580.001.0001
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S. Broomhall, Early modern emotions: an introduction. Abingdon: Routledge, 2017 [Online]. Available: https://uoelibrary.idm.oclc.org/login?qurl=https://www.taylorfrancis.com/books/9781315441368
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K. Barclay, ‘New Materialism and the New History of Emotions’, Emotions: History, Culture, Society, vol. 01, no. 01, pp. 161–183, Mar. 2017, doi: 10.1163/2208522X-00101008.
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Katharine A. Craik, Ed., Shakespearean Sensations. Cambridge: CUP, 2013 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.cambridge.org/core/books/shakespearean-sensations/7A5603DAD8E0607A388A1A0186A014BF
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G. K. Paster, K. Rowe, and M. Floyd-Wilson, Reading the early modern passions: essays in the cultural history of emotion. Philadelphia: University of Pennsylvania Press, 2004.
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W. M. Reddy, The Navigation of Feeling. Cambridge: Cambridge University Press, 2001 [Online]. Available: http://ebooks.cambridge.org/ref/id/CBO9780511512001
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B. H. Rosenwein, Emotional communities in the early Middle Ages. Ithaca, N.Y.: Cornell University Press, 2006.
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A. Ryrie, Being Protestant in Reformation Britain. Oxford University Press, 2013 [Online]. Available: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199565726.001.0001/acprof-9780199565726
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Michael Carl Schoenfeldt, Bodies and selves in early modern England. Cambridge: Cambridge University Press, 1999.
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S. Toulalan and K. Fisher, Eds., The Routledge history of sex and the body: 1500 to the present. London: Routledge, 2013 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781136744280
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Wood, David Houston, Time, Narrative, and Emotion in Early Modern England. Routledge, 2016 [Online]. Available: https://www.taylorfrancis.com/books/9781315550930
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Viney, William, Callard, Felicity, and Woods, Angela, ‘Critical medical humanities: embracing entanglement, taking risks’, Medical Humanities, vol. 41 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/1783946719?accountid=10792
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A. Whitehead, A. Woods, S. J. Atkinson, J. Macnaughton, and J. Richards, Eds., ‘Introduction [IN] The Edinburgh Companion to the Critical Medical Humanities’, in The Edinburgh companion to the critical medical humanities, Edinburgh: Edinburgh University Press, 2016 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1bgzddd
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Woods, Angela, ‘The limits of narrative: provocations for the medical humanities’, Medical Humanities, vol. 37 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/1783971071?accountid=10792
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J. E. Lewis, Air’s appearance: literary atmosphere in British fiction, 1660-1794. Chicago, Ill: University of Chicago Press, 2012 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226476711
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A. Whitehead and EBSCOhost, Medicine and empathy in contemporary British fiction: an intervention in medical humanities. Edinburgh: Edinburgh University Press Ltd, 2017 [Online]. Available: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s2282621&direct=true&scope=site&db=nlebk&db=nlabk&AN=1923818
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D. Brunton, Health, disease, and society in Europe, 1800-1930: a source book. Manchester: Manchester University Press, 2004.
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G. Kennedy and EBSCOhost, Just anger: representing women’s anger in early modern England. Carbondale, IL: Southern Illinois University Press [Online]. Available: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s2282621&direct=true&scope=site&db=nlebk&db=nlabk&AN=45679
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K. A. E. Enenkel and A. Traninger, Eds., Discourses of anger in the early modern period, vol. volume 40. Leiden: Brill, 2015 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9789004300835
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R. H. Wells and EBSCOhost, Shakespeare on masculinity. Cambridge, UK: Cambridge University Press, 2000 [Online]. Available: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s2282621&direct=true&scope=site&db=nlebk&db=nlabk&AN=77561
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T. Middleton and R. B. Parker, A chaste maid in Cheapside. London: Methuen, 1969.
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T. Middleton and A. Brissenden, ‘A chaste maid in Cheapside’, 2002 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.5040/9781408169513.00000005
