Adelman, Janet. ‘Anger’s My Meat: Feeding, Dependency, and Aggression in Coriolanus [IN] Representing Shakespeare: New Psychoanalytic Essays’. Representing Shakespeare: New Psychoanalytic Essays. London: Johns Hopkins U.P., 1982. 129–149. Web. <https://contentstore.cla.co.uk/secure/link?id=802318fc-9e19-e911-80cd-005056af4099>.
---. ‘Chapter 6: Escaping the Matrix: The Construction of Masculinity [IN] Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest’. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest. New York: Routledge, 1992. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203420652>.
Ahmed, Sara. ‘Affective Economies.’ Social Text 22.2 (2004): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1215/01642472-22-2_79-117>.
Ahmed, Sara. ‘Happy Objects [IN] The Promise of Happiness’. The Promise of Happiness. Durham [NC]: Duke University Press, 2010. 21–49. Web. <https://ebookcentral.proquest.com/lib/exeter/reader.action?ppg=32&amp;docID=1171775&amp;tm=1547126854043>.
---. ‘The Contingency of Pain [IN] The Cultural Politics of Emotion’. The Cultural Politics of Emotion. Second edition. Edinburgh: Edinburgh University Press, 2014. 20–41. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09x4q.6>.
Alan Sinfield. Faultlines: Cultural Materialism and the Politics of Dissident Reading. Oxford: Clarendon Press, 1992. Print.
‘Albrecht Dürer, Melencolia I, 1514’. N.p., n.d. Web. <https://www.nga.gov/collection/highlights/durer-melencolia.html>.
Alexander, Catherine M. S., ed. The Cambridge Companion to Shakespeare’s Last Plays. Cambridge: Cambridge University Press, 2009. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL9780521881784>.
Altbauer-Rudnik, Michal. ‘Love, Madness and Social Order: Love Melancholy in France and England in the Late Sixteenth and Early Seventeenth Centuries.’ Gesnerus 63 (2006): 33–45. Web. <http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.614.2982&amp;rep=rep1&amp;type=pdf>.
Amtower, Laurel. ‘"This Idol Thou Ador’st: The Iconography of ’Tis Pity She’s a Whore’. Papers on Language and Literature 34 179–206. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/198442716/C5A579F8C4C4D28PQ/1?accountid=10792>.
Andrewes, Lancelot. ‘VII. A Sermon Preached At the Court, On the Xxv. of March, A.D. MdxcVII. Being Good-Friday’. Selected Sermons and Lectures. Ed. Peter McCullough. Oxford University Press, 2005. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9780198187745.book.1/actrade-9780198187745-work-7>.
Anthony Low. Love’s Architecture. New York: New York University Press, 1978. Print.
Arthur Riss, author. ‘The Belly Politic: Coriolanus and the Revolt of Language’. ELH 59.1 (1992): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.2873418&amp;site=eds-live&amp;scope=site>.
Arturo Pacheco. A Companion to Early Modern Women’s Writing. 1st ed. John Wiley & Sons, Incorporated, 2008. Web. <https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=350869>.
Bacon, Nathaniel. A Relation of the Fearefull Estate of Francis Spira in the Yeare, 1548. N.p., 1638. Web. <http://eebo.chadwyck.com/search/fulltext?action=byid&amp;warn=N&amp;id=D00000998541830000&amp;div=0&amp;sequence=0&amp;SOURCE=var_spell.cfg&amp;file=default&amp;RESULTCLICK=N>.
Baines, Barbara J. ‘Assaying the Power of Chastity in Measure for Measure’. Studies in English Literature, 1500-1900 30.2 (1990): n. pag. Web.
Ballaster, Rosalind. Seductive Forms: Women’s Amatory Fiction from 1684-1740. Oxford: Clarendon, 1992. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184775.001.0001>.
Barad, Karen. ‘Chapter 2 Diffractions [IN] Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning’. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, N.C.: Duke University Press, 2007. 71–94. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388128>.
Barbara Correll. ‘Schooling Coriolanus: Shakespeare, Translation, Latinity [IN] Shakespeare and the Translation of Identity in Early Modern England’. Shakespeare and the Translation of Identity in Early Modern England. Ed. Liz Oakley-Brown. London: Continuum, 2011. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.bloomsburycollections.com/book/shakespeare-and-the-translation-of-identity-in-early-modern-england/>.
Barclay, Katie. ‘New Materialism and the New History of Emotions’. Emotions: History, Culture, Society 01.01 (2017): 161–183. Web.
Barton, Anne. Ben Jonson. Cambridge: Cambridge University Press, 1984. Web. <https://www.cambridge.org/core/product/identifier/9780511518836/type/book>.
Behn, Aphra. ‘The Fair Jilt [IN] The Works of Aphra Behn, Vol. 3: The Fair Jilt and Other Short Stories’. The Pickering Masters: The Works of Aphra Behn, Vol. 3: The Fair Jilt and Other Short Stories. Ed. Janet Todd. Pickering & Chatto, 1995. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960149.book.1/actrade-9781851960149-work-1>.
---. The Pickering Masters: The Works of Aphra Behn, Vol. 5: The Plays: 1671–16771671–1677. Ed. Janet Todd. Pickering & Chatto, 1996. Web. <http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960163.book.1/actrade-9781851960163-book-1>.
---. The Pickering Masters: The Works of Aphra Behn, Vol. 6: The Plays: 1678–16821678–1682. Ed. Janet Todd. Pickering & Chatto, 1996. Web. <http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960170.book.1/actrade-9781851960170-book-1>.
---. The Pickering Masters: The Works of Aphra Behn, Vol. 7: The Plays: 1682–16961682–1696. Ed. Janet Todd. Pickering & Chatto, 1996. Web. <http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851961375.book.1/actrade-9781851961375-book-1>.
---. The Works of Aphra Behn: Vol. 1: Poetry. Ed. Janet Todd. [London]: Pickering & Chatto, 2017. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960125.book.1>.
---. The Works of Aphra Behn: Vol. 4: Seneca Unmasqued and Other Prose Translations. Ed. Janet Todd. [London]: Pickering & Chatto, 2017. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960156.book.1>.
Behn, Aphra, and Aphra Behn. The Works of Aphra Behn: Vol. 3: The Fair Jilt and Other Short Stories. Ed. Janet Todd. [London]: Pickering & Chatto, 2017. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960149.book.1/actrade-9781851960149-book-1>.
---. The Works of Aphra Behn: Vol. 3: The Fair Jilt and Other Short Stories. Ed. Janet Todd. [London]: Pickering & Chatto, 2017. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960149.book.1>.
Behn, Aphra, and John Tillotson Canterbury Archbishop of. The Pickering Masters: The Works of Aphra Behn, Vol. 2: Love-Letters Between a Nobleman and His Sister (1684–7). Ed. Janet Todd. Pickering & Chatto, 1993. Web. <http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960132.book.1/actrade-9781851960132-book-1>.
Ben Jonson. Five Plays. Oxford: Oxford University Press, 2009. Print.
Bennett, Joan S. Reviving Liberty: Radical Christian Humanism in Milton’s Great Poems. Cambridge, Mass: Harvard University Press, 1989. Print.
Brockman, B. A. Shakespeare, Coriolanus: A Casebook. London: Macmillan, 1977. Print.
Brook, Peter. The Empty Space. London: Penguin, 1990. Print.
Broomhall, Susan. Early Modern Emotions: An Introduction. Abingdon: Routledge, 2017. Web. <https://uoelibrary.idm.oclc.org/login?qurl=https://www.taylorfrancis.com/books/9781315441368>.
Brunning, Alizon. ‘Jonson’s Romish Foxe: Anti-Catholic Discourse in Volpone’. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature 6.2 (2000): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2000060202&amp;site=eds-live&amp;scope=site>.
Brunton, Deborah. Health, Disease, and Society in Europe, 1800-1930: A Source Book. Manchester: Manchester University Press, 2004. Print.
Bryant, Michael. ‘Why Patients and Doctors Should Watch’. British Journal of General Practice 66.643 (2016): 92–92. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.ncbi.nlm.nih.gov/pmc/articles/PMC4723201/>.
Burton, Robert et al. The Anatomy of Melancholy: Vol.1: Text. Oxford: Clarendon, 1989. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780198124481.book.1>.
Cabaniss, Deborah L. ‘Inside "Inside Out”’. The Lancet Psychiatry 2.9 (2015): n. pag. Web. <https://www.thelancet.com/journals/lanpsy/article/PIIS2215-0366(15)00395-8/fulltext>.
Chalmers, Hero. Royalist Women Writers, 1650-1689. Oxford: Clarendon, 2004. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199273270.001.0001>.
Clough, Patricia T. ‘The Affective Turn’. Theory, Culture & Society 25.1 (2008): 1–22. Web. <https://uoelibrary.idm.oclc.org/login?url=http://journals.sagepub.com/doi/pdf/10.1177/0263276407085156#>.
Cormack, Bradin, Martha Craven Nussbaum, and Richard Strier, eds. Shakespeare and the Law: A Conversation among Disciplines and Professions. Chicago, Illinois: The University of Chicago Press, 2013. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226924946>.
Craig, D. H. and Taylor & Francis. Ben Jonson: The Critical Heritage. London: Routledge, 1995. Web. <http://www.taylorfrancis.com/start-session?idp=http%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=http%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780203194515>.
Craik, Katharine A. ‘Poetry, Anatomy, Presence’. Renaissance Studies 32.5 (2018): 755–777. Web. <https://uoelibrary.idm.oclc.org/login?url=http://onlinelibrary.wiley.com/doi/full/10.1111/rest.12367>.
Craik, Katherine C, ed. Reading Sensations in Early Modern England. Palgrave, 2007. Web. <https://link.springer.com/book/10.1057/9780230206083>.
Crooke, Helkiah et al. Mikrokosmographia: A Description of the Body of Man : Together Vvith the Controversies and Figures Thereto Belonging. [London]: Printed by W. Iaggard, dwelling in Barbican, 1618. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.gender.amdigital.co.uk/contents/document-detail.aspx?sectionid=58962>.
Cummings, Brian, and Freya Sierhuis. Passions and Subjectivity in Early Modern Culture. Farnham, Surrey, England: Ashgate, 2013. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781317083474>.
Cvetkovich, Ann. ‘Introduction [IN] Depression: A Public Feeling’. Depression: A Public Feeling. Durham, NC: Duke University Press, 2012. 1–26. Web. <https://ebookcentral.proquest.com/lib/exeter/reader.action?ppg=15&amp;docID=1171724&amp;tm=1547126702609>.
Dabhoiwala, Faramerz. The Origins of Sex: A History of the First Sexual Revolution. London: Penguin, 2013. Print.
Danijela Kambaskovic. ‘Love [IN] Early Modern Emotions: An Introduction’. Early Modern Emotions: An Introduction. Ed. Susan Broomhall. Abingdon: Routledge, 2017. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315441368>.
Derrida, Jacques. ‘Hostipitality [IN] Acts of Religion’. Acts of Religion. New York: Routledge, 2002. 356–421. Web. <https://contentstore.cla.co.uk/secure/link?id=cde532ab-2f29-e911-80cd-005056af4099>.
---. ‘Hostipitality [IN] Acts of Religion’. Acts of Religion. New York: Routledge, 2002. Print.
---. ‘On Forgiveness [IN] On Cosmopolitanism and Forgiveness’. On Cosmopolitanism and Forgiveness. London: Routledge, 2001. 27–60. Web. <https://contentstore.cla.co.uk/secure/link?id=62baed75-a324-e911-80cd-005056af4099>.
Dijkhuizen, Jan Frans van, and K. A. E. Enenkel. The Sense of Suffering: Constructions of Physical Pain in Early Modern Culture. v. 12. Leiden: Brill, 2009. Print.
Docter, Pete. ‘Inside out / Directed by Pete Docter and Ronaldo Del Carmen / Voiced by Amy Poehler, Bill Hader, Lewis Black’. : n. pag. Print.
Dollimore, Jonathan. ‘Transgression and Surveillance in Measure for Measure [IN] Political Shakespeare: Essays in Cultural Materialism’. Political Shakespeare: Essays in Cultural Materialism. 2nd ed. Manchester: Manchester University Press, 1994. Print.
Doty, Jeffrey S. ‘Coriolanus the Popular Man [IN] Shakespeare, Popularity, and the Public Sphere’. Shakespeare, Popularity And The Public Sphere. Cambridge: Cambridge University Press, 2017. Web. <http://ebooks.cambridge.org/ref/id/CBO9781316681312>.
Dudley, Scott. ‘Conferring with the Dead: Necrophilia and Nostalgia in the Seventeenth Century’. ELH 66.2 (1999): 277–294. Web.
Dutton, Richard. ‘Volpone and Beast Fable: Early Modern Analogic Reading’. Huntington Library Quarterly 67.3 (2004): 347–370. Web.
Emma Jones. ‘Inside Out: What Universities Can Learn from Pixar about Emotions’. The Conversation n. pag. Web. <https://theconversation.com/inside-out-what-universities-can-learn-from-pixar-about-emotions-45341>.
Enenkel, K. A. E., and Anita Traninger, eds. Discourses of Anger in the Early Modern Period. volume 40. Leiden: Brill, 2015. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9789004300835>.
---, eds. Discourses of Anger in the Early Modern Period. volume 40. Leiden: Brill, 2015. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9789004300835>.
Eve Rachele Sanders. ‘The Body of the Actor in “Coriolanus”’. Shakespeare Quarterly 57.4 (2006): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4123493?seq=1#metadata_info_tab_contents>.
‘Fascism as Love | Feministkilljoys’. N.p., n.d. Web. <https://feministkilljoys.com/2016/11/09/fascism-as-love/>.
Findlay, Alison. A Feminist Perspective on Renaissance Drama. Oxford: Blackwell Publishers, 1999. Print.
Fisher, Kate, and Sarah Toulalan, eds. Bodies, Sex and Desire from the Renaissance to the Present. Basingstoke: Palgrave, 2011. Web. <https://link.springer.com/book/10.1057/9780230354128>.
Flint, Christopher. Family Fictions: Narrative and Domestic Relations in Britain, 1688-1798. Stanford, Calif: Stanford University Press, 2000. Print.
Ford, John, and Martin Wiggins. ’Tis Pity She’s a Whore. [2nd edition]. London: A & C Black, 2003. Print.
---. ’Tis Pity She’s a Whore. [2nd edition]. London: A & C Black, 2003. Print.
Foster, Verna. ‘Tis Pity She’s a Whore as City Tragedy [IN] John Ford : Critical Re-Visions’. John Ford : Critical Re-Visions. Cambridge: Cambridge University Press, 2010. 181–200. Print.
Foucault, Michel, and Alan Sheridan. Discipline  and  Punish: The Birth of the Prison. Harmondsworth: Penguin, 1979. Print.
Frances Nicol Teague. ‘Seeing to Things in “Volpone”’. Mediterranean Studies 19 (2010): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41167031?seq=1#metadata_info_tab_contents>.
Freestone, Elizabeth. ‘Volpone / Disc I / DVD of the Play / Directed for the Stage by Elizabeth Freestone / Starring Richard Bremmer and Mark Hadfield.’ : n. pag. Print.
Gail Kern Paster. Humoring the Body. Chigago: University of Chigago, 2004. Web. <https://www.bibliovault.org/BV.landing.epl?ISBN=9780226648477>.
Galen. ‘Galen’s Art of Physick ... Translated into English, and Largely Commented on : Together with Convenient Medicines for All Particular Distempers of the Parts, a Description of the Complexions, Their Conditions, and What Diet and Exercise Is Fittest for Them / by Nich. Culpeper, Gent. ...’ N.p., 1652. Web. <https://quod.lib.umich.edu/e/eebo/A69834.0001.001?view=toc>.
Gallagher, Catherine. Nobody’s Story: The Vanishing Acts of Women Writers in the Marketplace 1670-1820. Oxford: Clarendon, 1994. Web. <https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780198182436.001.0001>.
Geckle, George L. Shakespeare: The Critical Tradition ‘Measure for Measure’. London: Athlone, 2001. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781847141927>.
Goldberg, Jonathan. James I and the Politics of Literature: Jonson, Shakespeare, Donne and Their Contemporaries. Stanford, Calif: Stanford University Press, 1989. Print.
Gowing, Laura. Common Bodies : Women, Touch and Power in Seventeenth-Century England. New Haven: Yale University Press, 2003. Print.
Gowland, Angus. The Worlds of Renaissance Melancholy. Cambridge: Cambridge University Press, 2006. Web. <http://ebooks.cambridge.org/ref/id/CBO9780511628252>.
---. The Worlds of Renaissance Melancholy: Robert Burton in Context. Vol. 78. Cambridge: Cambridge University Press, 2006. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511628252>.
Gregg, Melissa, and Gregory J. Seigworth. ‘An Inventory of Shimmers’. The Affect Theory Reader. Ed. Sara Ahmed. Durham, NC: Duke University Press, 2010. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?authtype=ip,uid&amp;direct=true&amp;db=nlebk&amp;AN=600421&amp;site=ehost-live>.
Gurr, Andrew, and Farah Karim-Cooper, eds. Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse. Cambridge: Cambridge University Press, 2014. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9781139629195>.
Harp, Richard, and Stanley Stewart, eds. The Cambridge Companion to Ben Jonson. Cambridge: Cambridge University Press, 2000. Web. <http://universitypublishingonline.org/ref/id/companions/CBO9781139000154>.
Harris, Jonathan Gil. ‘“I Am Sailing to My Port, Uh! Uh! Uh! Uh!”: The Pathologies of Transmigration in Volpone’. Literature and Medicine 20.2 (2001): 109–132. Web.
---. ‘Plague and Transmigration: Timothy Bright, Thomas Milles, Volpone [IN] Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England’. Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England. Philadelphia: University of Pennsylvania Press. 108–135. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt3fht2t.7>.
Hawkins, Harriet. ‘“The Devil’s Party”: Virtues and Vices in ’Measure for Measure [IN] Aspects of Shakespeare’s “Problem Plays”’. Aspects of Shakespeare’s ‘Problem Plays’. Cambridge: Cambridge University Press, 1982. 87–95. Print.
Hillman, David, and Mazzio, Carla, eds. The Body in Parts : Fantasies of Corporeality in Early Modern Europe. Routledge, 1997. Web. <https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1111756>.
Hirsh, James. ‘Soliloquies and Self-Fashioning in: An Empirical Approach’. Ben Jonson Journal 25.1 (2018): 52–80. Web.
Hopkins, Lisa. ‘New Directions: Fatal Attraction: Desire, Anatomy, and Death in ‘Tis Pity She’s a Whore [IN] ‘Tis Pity She’s a Whore: A Critical Guide’. ’Tis Pity She’s a Whore: A Critical Guide. London: Continuum, 2010. 77–93. Web. <https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D9781441137555>.
‘How Do You Know That You Love Somebody? Philosopher Martha Nussbaum’s Incompleteness Theorem of the Heart’s Truth, from Plato to Proust – Brain Pickings’. N.p., n.d. Web. <https://www.brainpickings.org/2017/01/16/martha-nussbaum-loves-knowledge/>.
Hughes, Derek, and Janet Todd, eds. The Cambridge Companion to Aphra Behn. Cambridge: Cambridge University Press, 2004. Web. <http://universitypublishingonline.org/ref/id/companions/CBO9780511999192>.
Hui, Issac. Volpone’s Bastards: Theorising Jonson’s City Comedy. Edinburgh: Edinburgh University Press, 2018. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1tqxvcx>.
Hunter, J. Paul. Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction. New York: W. W. Norton, 1990. Print.
Hutner, Heidi. Rereading Aphra Behn: History, Theory, and Criticism. Charlottesville: University Press of Virginia, 1993. Print.
Ian Maclean. Logic, Signs and Nature in the Renaissance. Cambridge University Press, 2007. Print.
Jacqueline Pearson. ‘Gender and Narrative in the Fiction of Aphra Behn’. The Review of English Studies 42.165 (1991): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/516920>.
---. ‘Gender and Narrative in the Fiction of Aphra Behn’. The Review of English Studies 42.166 (1991): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/515934?seq=1#metadata_info_tab_contents>.
---. ‘Gender and Narrative in the Fiction of Aphra Behn (Concluded)’. The Review of English Studies 42.166 (1991): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/515934>.
---. ‘The Short Fiction (Excluding Oroonoko) [IN] The Cambridge Companion to Aphra Behn’. The Cambridge Companion to Aphra Behn. Ed. Derek Hughes and Janet Todd. Cambridge: Cambridge University Press, 2004. Web. <http://universitypublishingonline.org/ref/id/companions/CBO9780511999192>.
Jacques Lezra. Unspeakable Subjects. Stanford, Calif: Stanford University Press, 1997. Print.
Jagendorf, Zvi. ‘Coriolanus: Body Politic and Private Parts’. Shakespeare Quarterly 41.4 (1990): n. pag. Web.
Jan Plamper. ‘The History of Emotions: An Interview with William Reddy, Barbara Rosenwein, and Peter Stearns’. History and Theory 49.2 (2010): 237–265. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.40864443&amp;site=eds-live>.
Jankowski, Theodora A. ‘Hymeneal Blood, Interchangeable Women, and the Early Modern Marriage Economy inMeasure for Measure andAll’s Well That Ends Well’. A Companion to Shakespeare’s Works, Volume 4. Ed. Richard Dutton and Jean E. Howard. Oxford, UK: Blackwell Publishing Ltd, 2005. 89–105. Web. <http://doi.wiley.com/10.1002/9780470996560.ch6>.
John Guillory. ‘, “Dalila’s House: Samson Agonistes and the Sexual Division of Labor” [IN] Rewriting the Renaissance: The Discourse of Sexual Difference in Early Modern Europe’. Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe. Chicago: University of Chicago Press, 1986. Print.
Jonathan Romney. ‘Inside Out Review – an Emotional Rollercoaster’. Guardian (2015): n. pag. Web. <https://www.theguardian.com/film/2015/jul/26/inside-out-review-pixar-emotional-rollercoaster>.
Jones, Vivien. Women and Literature in Britain, 1700-1800. Cambridge: Cambridge University Press, 2000. Print.
Jonson, Ben. ‘Volpone [IN] Five Plays’. Five Plays. Oxford: Oxford University Press, 2009. Print.
Jonson, Ben, and Peter Happe. The Magnetic Lady. Manchester: Manchester University Press, 2009. Print.
Julie Sanders. Ben Jonson’s Theatrical Republics. Palgrave Macmillan, 1998. Web. <https://link.springer.com/book/10.1057/9780230389441>.
Kahn, Coppelia. ‘Chapter 6 The Milking Babe and the Bloody Man in Coriolanus and Macbeth [IN] Man’s Estate: Masculine Identity in Shakespeare’. Man’s Estate: Masculine Identity in Shakespeare. Berkeley: University of California Press, 1981. 151–192. Print.
---. Roman Shakespeare: Warriors, Wounds and Women. London: Routledge, 1997. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780203409893>.
Karant-Nunn, Susan. Reformation of Feeling. Oxford University Press, 2010. Web. <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780195399738.001.0001/acprof-9780195399738>.
Katharine A. Craik, ed. Shakespearean Sensations. Cambridge: CUP, 2013. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.cambridge.org/core/books/shakespearean-sensations/7A5603DAD8E0607A388A1A0186A014BF>.
Katie Barclay. ‘New Materialism and the New History of Emotions’. Emotions: History, Culture, Society 01.01 161–183. Web.
Keltner, Dacher, and Paul Ekman. ‘The Science of “Inside Out” - The New York Times’. N.p., n.d. Web. <https://www.nytimes.com/2015/07/05/opinion/sunday/the-science-of-inside-out.html>.
Kennedy, Gwynne and EBSCOhost. Just Anger: Representing Women’s Anger in Early Modern England. Carbondale, IL: Southern Illinois University Press. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=45679>.
---. Just Anger: Representing Women’s Anger in Early Modern England. Carbondale, IL: Southern Illinois University Press. Web. <http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s2282621&direct=true&scope=site&db=nlebk&db=nlabk&AN=45679>.
King, Henry, 1592-1669. ‘A Deep Groane’. N.p., n.d. Web. <http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&amp;res_id=xri:eebo&amp;rft_id=xri:eebo:citation:99862868>.
Klotz, Lisa. ‘Ben Jonson’s Legal Imagination in Volpone’. SEL Studies in English Literature 1500-1900 51.2 (2011): 385–408. Web.
Knight, George Wilson. The Wheel of Fire: Interpretations of Shakespearian Tragedy. London: Routledge, 2001. Print.
Kusukawa, Sachiko. ‘Chapter 10 [IN] Picturing the Book of Nature: Image, Text, and Argument in Sixteenth-Century Human Anatomy and Medical Botany’. Picturing the Book of Nature: Image, Text, and Argument in Sixteenth-Century Human Anatomy and Medical Botany. Chicago, Ill: University of Chicago Press, 2011. Web. <http://lib.myilibrary.com/browse/open.asp?id=386274&amp;entityid=https://elibrary.exeter.ac.uk/idp/shibboleth>.
LAURA LUNGER KNOPPERS. ‘(En) Gendering Shame: “Measure for Measure” and the Spectacles of Power’. English Literary Renaissance 23.3 (1993): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447735>.
Lauren Berlant. ‘Affect in the End Times: A Conversation with Lauren Berlant’. Qui Parle: Critical Humanities and Social Sciences 20.2 (2012): 71–89. Web. <https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/475028>.
Lauren Gail Berlant. Cruel Optimism. Durham: Duke University Press, 2011. Print.
Leggatt, Alexander. ‘Substitution in “Measure for Measure”’. Shakespeare Quarterly 39.3 (1988): n. pag. Web.
Lewalski, Barbara Kiefer. Writing Women in Jacobean England. Cambridge, Mass: Harvard University Press, 1994. Print.
Lewis, Jayne Elizabeth. Air’s Appearance: Literary Atmosphere in British Fiction, 1660-1794. Chicago, Ill: University of Chicago Press, 2012. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226476711>.
Leys, Ruth. ‘The Turn to Affect: A Critique’. Critical Inquiry 37.3 (2011): 434–472. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.1086/659353>.
---. ‘The Turn to Affect: A Critique’. Critical Inquiry 37.3 (2011): 434–472. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.journals.uchicago.edu/doi/pdfplus/10.1086/659353>.
Liliequist, Jonas and Taylor & Francis. A History of Emotions, 1200-1800. Ed. Jonas Lilequist. no. 2. London: Pickering & Chatto Ltd. Web. <http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315654911>.
Linda A. Pollock. ‘Anger and the Negotiation of Relationships in Early Modern England’. The Historical Journal 47.3 (2004): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4091756?seq=1#metadata_info_tab_contents>.
Lisa Lowe. ‘“Say I Play the Man I Am”: Gender and Politics in “Coriolanus”’. The Kenyon Review 8.4 (1986): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4335762?seq=1#metadata_info_tab_contents>.
Loewenstein, David. Milton and the Drama of History: Historical Vision, Iconoclasm, and the Literary Imagination. Cambridge: Cambridge University Press, 1990. Print.
Louis L. Martz. Poetry of Meditation (Study in English). Yale University Press. Print.
Low, Anthony. The Blaze of Noon: A Reading of ‘Samson Agonistes’. New York: Columbia U.P., 1974. Print.
Loxley, James. The Complete Critical Guide to Ben Jonson. London: Routledge, 2002. Print.
Lupton, Julia. ‘Hospitality [IN] Early Modern Theatricality’. Early Modern Theatricality. Ed. Henry S. Turner. Oxford: Oxford University Press, 2017. 421–441. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199641352.001.0001/oxfordhb-9780199641352-e-22>.
M. LINDSAY KAPLAN. ‘Slander for Slander in “Measure for Measure”’. Renaissance Drama 21 (1990): 23–54. Web. <https://www.jstor.org/stable/41917259>.
Macsotay, Tomas  Haven, Kornee van der  Vanhaesebrouck, Karel. The Hurt(Ful) Body : Performing and Beholding Pain, 16001800. Manchester University Press. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1571505&site=ehost-live>.
Madelaine, Richard. ‘“The Dark and Vicious Place”: The Location of Sexual Transgression and Its Punishment on the Early Modern English Stage’. Parergon 22.1 (2005): 159–183. Web.
Mario Digangi. ‘Pleasure and Danger: Measuring Female Sexuality in Measure for Measure’. English Literary History 60.3 (1993): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873406?seq=1#metadata_info_tab_contents>.
Marland, Hilary, and Margaret Pelling. The Task of Healing: Medicine, Religion, and Gender in England and the Netherlands, 1450-1800. nr. 24. Rotterdam: Erasmus, 1996. Print.
‘Marriage in Shakespeare’s “Measure for Measure” | OUPblog’. N.p., n.d. Web. <https://blog.oup.com/2016/02/shame-marriage-shakespeare-measure-for-measure/>.
Marshall, Joseph et al. King James VI and I: Selected Writings. Aldershot: Ashgate, 2003. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351923965>.
Mary Lindemann. Medicine and Society in Early Modern Europe. Cambridge: Cambridge University Press, 2010. Print.
Maus, Katharine Eisaman. Inwardness and Theater in the English Renaissance. Chicago, [Ill.]: University of Chicago Press, 1995. Print.
McKeon, Michael. The Origins of the English Novel, 1600-1740. 15th anniversary ed. Baltimore: John Hopkins University Press, 2002. Print.
Meek, Richard, and Erin Sullivan. ‘Introduction [IN] The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries’. The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries. Manchester: Manchester University Press, 2015. 1–22. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt1729w4d.5>.
---. The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries. Manchester: Manchester University Press, 2015. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1729w4d>.
Mehl, Dieter. Plotting Early Modern London: New Essays on Jacobean City Comedy. Ed. Angela Stock. 1st edition. London: Routledge, 2016. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351910705>.
Michael Carl Schoenfeldt. Bodies and Selves in Early Modern England. Cambridge: Cambridge University Press, 1999. Print.
Michael MacDonald. ‘The Fearefull Estate of Francis Spira: Narrative, Identity, and Emotion in Early Modern England’. Journal of British Studies 31.1 (1992): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/175876?seq=1#metadata_info_tab_contents>.
Middleton, Thomas, and Alan Brissenden. ‘A Chaste Maid in Cheapside’. (2002): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.5040/9781408169513.00000005>.
Middleton, Thomas, and R.B. Parker. A Chaste Maid in Cheapside. London: Methuen, 1969. Print.
Miller, Shannon. ‘Topicality and Subversion in William Shakespeare’s Coriolanus’. Studies in English Literature, 1500-1900 32.2 (1992): n. pag. Web.
Milton, John. ‘Samson Agonistes [IN] John Milton: A Critical Edition of the Major Works’. John Milton: A Critical Edition of the Major Works. Oxford: Oxford University Press, 1991. 671–715. Web. <https://contentstore.cla.co.uk/secure/link?id=61b3bd9f-9aa0-e811-80cd-005056af4099>.
---. ‘Samson Agonistes [IN] John Milton: A Critical Edition of the Major Works’. John Milton: A Critical Edition of the Major Works. Oxford: Oxford University Press, 1991. 671–715. Web. <https://contentstore.cla.co.uk/secure/link?id=61b3bd9f-9aa0-e811-80cd-005056af4099>.
Monique Scheer. ‘Are Emotions a Kind of Practice (and Is That What Makes Them Have A History)? A Bourdieuian Approach to Understanding Emotion’. History and Theory 51.2 (2012): 193–220. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.23277639&amp;site=eds-live>.
Motohashi, Tetsuya. ‘Body Politic and Political Body in Coriolanus’. Forum for Modern Language Studies 30.2 (1994): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=1994035859&amp;site=eds-live&amp;scope=site>.
Narveson, Kate. ‘Profession or Performance? Religion in Early Modern Literary Study [IN] Fault Lines and Controversies in the Study of Seventeenth-Century English Literature’. Fault Lines and Controversies in the Study of Seventeenth-Century English Literature. Columbia: University of Missouri Press, 2002. 111–129. Print.
Ngai, Sianne. ‘Chapter 5 Anxiety [IN] Ugly Feelings’. Ugly Feelings. Cambridge, Mass: Harvard University Press, 2007. 209–247. Web. <https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D9780674041523>.
Nussbaum, Martha. ‘Chapter 11 [IN] Love’s Knowledge: Essays on Philosophy and Literature’. Love’s Knowledge: Essays on Philosophy and Literature. Oxford: Oxford University Press, 1990. 261–285. Web. <https://contentstore.cla.co.uk/secure/link?id=7b130478-a919-e911-80cd-005056af4099>.
Nussbaum, Martha C. ‘Compassion’s Enemies: Fear, Envy, Shame [IN] Political Emotions: Why Love Matters for Justice’. Political Emotions: Why Love Matters for Justice. Cambridge, Masssachusetts: The Belknap Press of Harvard University Press, 2013. 314–377. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt6wpqm7.14>.
Nussbaum, Martha Craven. Anger and Forgiveness: Resentment, Generosity, Justice. New York: Oxford University Press, 2016. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780199335886>.
---. Anger and Forgiveness: Resentment, Generosity, Justice. New York: Oxford University Press, 2016. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780199335886>.
Opie, Brian. ‘Nathaniel Bacon and Francis Spira: The Presbyterian and the Apostate’. Turnbull Library Record 18 (1985): 33–50. Web. <https://paperspast.natlib.govt.nz/periodicals/TLR19850501.2.7>.
Overell, M. Anne. ‘Recantation and Retribution: Remembering Francis Spira 1548-1638 [IN] Retribution, Repentance, and Reconciliation: Papers Read at the 2002 Summer Meeting and the 2003 Winter Meeting of the Ecclesiastical History Society’. Retribution, Repentance, and Reconciliation: Papers Read at the 2002 Summer Meeting and the 2003 Winter Meeting of the Ecclesiastical History Society. Vol. 40. Suffolk: Published for the Ecclesiastical History Society by the Boydell Press, 2004. 159–168. Print.
Pacheco, Anita. Early Women Writers, 1600-1720. London: Longman, 1998. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781317884453>.
Paster, Gail Kern. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca, N.Y.: Cornell University Press, 1993. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7591/j.ctv5rdv5w>.
Paster, Gail Kern and American Council of Learned Societies. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca, N.Y.: Cornell University Press, 1993. Web. <https://uoelibrary.idm.oclc.org/login?url=http://hdl.handle.net/2027/heb.31963>.
Paster, Gail Kern, Katherine Rowe, and Mary Floyd-Wilson. Reading the Early Modern Passions: Essays in the Cultural History of Emotion. Philadelphia: University of Pennsylvania Press, 2004. Print.
Paster, Gail Kern and UPSO (University Press Scholarship Online). ‘Melancholy Cats, Lugged Bears, and Other Passionate Animals: Reading Shakespeare’s Psychological Materialism across the Species Barrier [IN] Humoring the Body: Emotions and the Shakespearean Stage’. Humoring the Body: Emotions and the Shakespearean Stage. Chicago: University of Chicago Press, 2004. Web. <https://uoelibrary.idm.oclc.org/login?url=http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226648484.001.0001/upso-9780226648477>.
Plamper, Jan. The History of Emotions: An Introduction. First edition. Oxford, United Kingdom: Oxford University Press, 2015. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780191017490>.
Playfere, Thomas. ‘The Meane in Mourning A Sermon Preached at Saint Maryes Spittle in London on Tuesday in Easter Weeke 1595’. N.p., n.d. Web. <http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&amp;res_id=xri:eebo&amp;rft_id=xri:eebo:citation:99839329>.
Prescott, Sarah. Women, Authorship and Literary Culture 1690–1740. London: Palgrave Macmillan UK, 2003. Web. <http://link.springer.com/10.1057/9780230597082>.
RACHEL K. CARNELL. ‘SUBVERTING TRAGIC CONVENTIONS: APHRA BEHN’S TURN TO THE NOVEL’. Studies in the Novel 31.2 (1999): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/29533325?seq=1#metadata_info_tab_contents>.
Radzinowicz, Mary Ann, and Frank J. Mahood. Toward Samson Agonistes: The Growth of Milton’s Mind. Princeton, New Jersey: Princeton University Press, 1978. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt13x0vt2>.
Reddy, William M. The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, 900-1200 CE. Chicago, [Ill.]: University of Chicago Press, 2012. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226706283>.
---. The Navigation of Feeling. Cambridge: Cambridge University Press, 2001. Web. <http://ebooks.cambridge.org/ref/id/CBO9780511512001>.
Redwine, James D. ‘Volpone’s “Sport” and the Structure of Jonson’s Volpone’. Studies in English Literature, 1500-1900 34.2 (1994): n. pag. Web.
Rick Dolphijn and Iris van der Tuin. ‘Matter Feels, Converses, Suffers, Desires, Yearns and Remembers” Interview with Karen Barad [IN] New Materialism: Interviews & Cartographies’. New Materialism: Interviews & Cartographies. N.p. Web. <https://quod.lib.umich.edu/o/ohp/11515701.0001.001/1:4.3/--new-materialism-interviews-cartographies?rgn=div2;view=fulltext>.
Riefer, Marcia. ‘“Instruments of Some More Mightier Member”: The Constriction of Female Power in Measure for Measure’. Shakespeare Quarterly 35.2 (1984): n. pag. Web.
Riggs, David. Ben Jonson: A Life. Cambridge, Mass: Harvard University Press, 1989. Print.
Rosenwein, Barbara H. Emotional Communities in the Early Middle Ages. Ithaca, N.Y.: Cornell University Press, 2006. Print.
Rumrich, John P. Milton Unbound. Cambridge: Cambridge University Press, 1996. Web. <http://ebooks.cambridge.org/ref/id/CBO9780511553172>.
Ryan, Kiernan. Shakespeare: The Last Plays. Harlow: Longman, 1999. Print.
Ryrie, Alec. Being Protestant in Reformation Britain. Oxford University Press, 2013. Web. <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199565726.001.0001/acprof-9780199565726>.
---. ‘Despair and Salvation [IN] Being Protestant in Reformation Britain’. Being Protestant in Reformation Britain. Oxford University Press, 2013. 27–48. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199565726.001.0001/acprof-9780199565726-chapter-3>.
Salzman, Paul. Reading Early Modern Women’s Writing. Oxford: Oxford University Press, 2006. Web. <https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199261048.001.0001>.
Sanders, Julie, Kate Chedgzoy, and Susan Wiseman. Refashioning Ben Jonson. Palgrave Macmillan, 1998. Print.
Sawday, Jonathan and Taylor & Francis. Engines of the Imagination: Renaissance Culture and the Rise of the Machine. London: Routledge, 2007. Web. <http://www.taylorfrancis.com/start-session?idp=http%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=http%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780203696156>.
SCHEER, MONIQUE. ‘ARE EMOTIONS A KIND OF PRACTICE (AND IS THAT WHAT MAKES THEM HAVE A HISTORY)? A BOURDIEUIAN APPROACH TO UNDERSTANDING EMOTION’. History and Theory 51.2 (2012): 193–220. Web. <https://uoelibrary.idm.oclc.org/login?url=http://onlinelibrary.wiley.com/doi/full/10.1111/j.1468-2303.2012.00621.x>.
Schellenberg, Betty A. The Professionalization of Women Writers in Eighteenth-Century Britain. Cambridge: Cambridge University Press, 2005. Web. <http://ebooks.cambridge.org/ref/id/CBO9780511597633>.
Shakespeare, William. Measure for Measure. Ed. A. R. Braunmuller and Robert N. Watson. London: The Arden Shakespeare, 2020. Print.
---. Measure for Measure. Ed. A. R. Braunmuller and Robert N. Watson. London: The Arden Shakespeare, 2020. Print.
Shakespeare, William, and Peter Holland. Coriolanus. London: Bloomsbury, 2013. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/coriolanus-arden-shakespeare-third-series-iid-133179>.
---. Coriolanus. London: Bloomsbury, 2013. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/coriolanus-arden-shakespeare-third-series-iid-133179>.
Shakespeare, William, and John Pitcher. The Winter’s Tale. [London]: Bloomsbury, 2013. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/the-winters-tale-arden-shakespeare-third-series-iid-130725>.
---. The Winter’s Tale. [London]: Bloomsbury, 2013. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/the-winters-tale-arden-shakespeare-third-series-iid-130725>.
Shakespeare, William, Ann Thompson, and Neil Taylor. Hamlet. London: AS, Arden Shakespeare, 2006. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781408142882>.
Smith, Helen. ‘Grossly Material Things’: Women and Book Production in Early Modern England. Oxford: Oxford University Press, 2012. Web. <https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199651580.001.0001>.
Sokol, B. J., and Mary Sokol. Shakespeare, Law, and Marriage. Cambridge, UK: Cambridge University Press, 2003. Web. <http://encore.exeter.ac.uk/iii/encore/record/C__Rb2630842>.
Spencer, Jane. Aphra Behn’s Afterlife. Oxford: Oxford University Press, 2000. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001>.
---. The Rise of the Woman Novelist: From Aphra Behn to Jane Austen. Oxford: Basil Blackwell, 1986. Print.
Stachniewski, John. The Persecutory Imagination: English Puritanism and the Literature of Religious Despair. Oxford: Clarendon, 1991. Print.
Staines, John. ‘Compassion in the Public Sphere of Milton and Charles [IN] Reading the Early Modern Passions: Essays in the Cultural History of Emotion’. Reading the Early Modern Passions: Essays in the Cultural History of Emotion. Philadelphia: University of Pennsylvania Press, 2004. 89–110. Web. <https://contentstore.cla.co.uk/secure/link?id=ec592a3a-9719-e911-80cd-005056af4099>.
Stanley Fish. ‘Spectacle and Evidence in “Samson Agonistes”’. Critical Inquiry 15.3 (1989): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/1343654?seq=1#metadata_info_tab_contents>.
Staves, Susan. A Literary History of Women’s Writing in Britain, 1660–1789. Cambridge: Cambridge University Press, 2006. Web. <http://ebooks.cambridge.org/ref/id/CBO9780511484513>.
Steenbergh, K. ‘Emotions and Gender: The Case of Anger in Early Modern English Revenge Tragedies [IN] A History of Emotions, 1200-1800’. A History of Emotions, 1200-1800. Ed. Jonas Lilequist. no. 2. London: Pickering & Chatto Ltd. 119–134. Web. <http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315654911>.
Stelzer, Emanuel. ‘Passionate Writing: The Rhythms of Jealousy in Early Modern English Texts and Drama [IN] Writing Emotions’. Writing Emotions. Ed. Ingeborg Jandl et al. transcript Verlag, 2017. 215–232. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctv1wxt3t.14>.
Stewart, Kathleen. Ordinary Affects. Durham, NC: Duke University Press, 2007. Web. <https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1170511>.
Strier, Richard. The Unrepentant Renaissance: From Petrarch to Shakespeare to Milton. Chicago: University of Chicago Press, 2011. Web. <http://exeter.eblib.com/patron/FullRecord.aspx?p=809559>.
Sullivan, Erin. Beyond Melancholy. Oxford University Press, 2016. Web. <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198739654.001.0001/acprof-9780198739654>.
---. Beyond Melancholy: Sadness and Selfhood in Renaissance England. First edition. Oxford: Oxford University Press, 2016. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198739654.001.0001>.
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