Aston, E. (1995) An Introduction to Feminism and Theatre. Routledge.
Aston, E. and Harris, G. (2013) A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance. NY: Palgrave Macmillan. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001804409707446&context=L&vid=44UOEX_INST:default.
Aston, E. and Reinelt, J. (2000) The Cambridge Companion to Modern British Women Playwrights. Cambridge: Cambridge University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013415209707446&context=L&vid=44UOEX_INST:default.
Atwood, M. (2005) The Penelopiad. Edinburgh: Canongate.
Atwood, M. (2007) The Penelopiad. London: Faber and Faber.
Baer, B.J. (2009) Other Russias: Homosexuality and the Crisis of Post-Soviet Identity. 1st ed. New York: Palgrave Macmillan. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007644449707446&context=L&vid=44UOEX_INST:default.
Balme, C.B. (1999a) Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Clarendon. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default.
Balme, C.B. (1999b) Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Clarendon. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default.
Barker, A.M. (ed.) (1999) Consuming Russia: Popular Culture, Sex, and Society since Gorbachev. Durham, [North Carolina]: Duke University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007915579707446&context=L&vid=44UOEX_INST:default.
Barry, P. (1995) Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester: Manchester University Press.
Beasley, C. (2005) ‘Chapter 1: “Gender and feminism: An overview”’, in Gender & Sexuality: Critical Theories, Critical Thinkers. London: SAGE, pp. 11–27. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004875349707446&context=L&vid=44UOEX_INST:default.
Belsey, C. (2002) Critical Practice. 2nd ed. London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738379707446&context=L&vid=44UOEX_INST:default.
Bharucha, R. (1993) Theatre and the World: Performance and the Politics of Culture. London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015497639707446&context=L&vid=44UOEX_INST:default.
Black, C. (2005) ‘“‘Making Queer New Things’: Queer Identities in the Life and Dramaturgy of Susan Glaspell” [in] Journal of Dramatic Theory and Criticism’, Journal of Dramatic Theory and Criticism, 20(1), pp. 49–64. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005443163&site=eds-live&scope=site.
Brannigan, J. (1998) New Historicism and Cultural Materialism. Macmillan.
Brewer, M.F., Goddard, L. and Osborne, D. (2015) Modern and Contemporary Black British Drama. London: Macmillan Education Palgrave.
Brewer, M.F., Goddard, L. and Osborne, D. (2017a) Modern and Contemporary Black British Drama. London: Palgrave. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008560669707446&context=L&vid=44UOEX_INST:default.
Brewer, M.F., Goddard, L. and Osborne, D. (2017b) Modern and Contemporary Black British Drama. London: Palgrave. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008560669707446&context=L&vid=44UOEX_INST:default.
British Film and Video Council (no date) ‘Box of Broadcasts’. Available at: http://encore.exeter.ac.uk/iii/encore/record/C__Rb2489611?lang=eng.
Bryant Bertail, S. (2000) ‘Chapter 6 - “Gender, Empire and Body Politic, Ariane Mnouchkine’s Les Atrides” [in] Space and Time in Epic Theater: The Brechtian Legacy’, in Space and Time in Epic Theater: The Brechtian Legacy. Rochester, NY: Camden House, pp. 170–207. Available at: https://contentstore.cla.co.uk/secure/link?id=82e01dff-8533-e911-80cd-005056af4099.
Butler, J. (1988) ‘“Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory” [in] Theatre Journal’, Theatre Journal, 40(4), pp. 519–531. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.3207893&site=eds-live&scope=site.
Butler, J. (2006) Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. New York: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015423999707446&context=L&vid=44UOEX_INST:default.
Case, S.-E. (1988) Feminism and Theatre. New York: Methuen. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005673649707446&context=L&vid=44UOEX_INST:default.
Case, S.-E. (2009) Feminist and Queer Performance: Critical Strategies. Basingstoke [England]: Palgrave Macmillan.
Cassiday, J.A. (2014) ‘“Post-Soviet Pop Goes Gay: Russia’s Trajectory to Eurovision Victory” [in] Russian Review’, Russian Review, (1), pp. 1–23. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014830806&site=eds-live&scope=site.
Chandler, D. (2009) ‘“‘What Do We Mean by Opera, Anyway?’: Lloyd Webber’s Phantom of the Opera and ‘High-Pop’ Theatre”’, Journal of Popular Music, 21(2), pp. 152–169. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000266600200002&site=eds-live&scope=site.
Chen, K.-H. and Morley, D. (2006) Stuart Hall: Critical Dialogues in Cultural Studies. Hoboken: Taylor and Francis. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002176239707446&context=L&vid=44UOEX_INST:default.
Churchill, C. (2013) ‘Cloud Nine’. London: Bloomsbury. Available at: http://encore.exeter.ac.uk/iii/encore/record/C__Rb3358885?lang=eng.
Counsell, C. and Wolf, L. (2001a) Performance Analysis: An Introductory Coursebook. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002.
Counsell, C. and Wolf, L. (2001b) Performance Analysis: An Introductory Coursebook. London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015096269707446&context=L&vid=44UOEX_INST:default.
Counsell, C. and Wolf, L. (2001c) Performance Analysis: An Introductory Coursebook. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002.
Crow, B. and Banfield, C. (1996) An Introduction to Post-Colonial Theatre. Cambridge: Cambridge University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001621809707446&context=L&vid=44UOEX_INST:default.
Daboo, J. (2017) Staging British South Asian Culture: Bollywood and Bhangra in British Theatre. [S.l.]: Routledge.
Debord, G. (1994) ‘Society of the Spectacle’. Available at: http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/The_Society%20_Of%20_The%20_Spectacle.pdf.
Diamond, E. (1997) ‘“Introduction”’, in Unmaking Mimesis: Essays on Feminism and Theater. London: Routledge, pp. 1–16. Available at: https://contentstore.cla.co.uk/secure/link?id=f540bb90-8ef8-e811-80cd-005056af4099.
Dimple, G. (2004) ‘“The Performativity of the Dramatic Text”: Domestic Colonialism and Caryl Churchillʼs Cloud Nine [in] Studies in Theatre and Performance’, Studies in Theatre and Performance, 24(1), pp. 5–21. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01034911.200424010.00001&site=eds-live&scope=site.
Do Rozario, R.-A. (1988) ‘“Reanimating the Animated: Disney’s Theatrical Productions”’, The Drama Review, 48(1), pp. 164–177. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4488537&site=eds-live&scope=site.
Dolan, J. (2001) ‘Chapter 5 - “Queer Theater: Theorizing a Theatrical Vernacular” [in] Geographies of Learning: Theory and Practice, Activism and Performance’, in Geographies of Learning: Theory and Practice, Activism and Performance. Middleton, CT: Wesleyan University Press, pp. 92–116. Available at: https://contentstore.cla.co.uk/secure/link?id=e9f547fd-30fd-e811-80cd-005056af4099.
Dollimore, J. (1994) ‘Introduction - “Shakespeare, Cultural Materialism and the New Historicism”’, in Political Shakespeare: Essays in Cultural Materialism. Manchester University Press, pp. 2–17. Available at: https://contentstore.cla.co.uk/secure/link?id=535dd904-84f8-e811-80cd-005056af4099.
Eagleton, T. (1992) Marxism and Literary Criticism. London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738499707446&context=L&vid=44UOEX_INST:default.
Epstein, S. (1994) ‘“A Queer Encounter: Sociology and the Study of Sexuality” [in] Sociological Theory’, Sociological Theory, 12(2), pp. 188–202. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.201864&site=eds-live&scope=site.
Essig, L. (1999) Queer in Russia: A Story of Sex, Self, and the Other. Durham, NC: Duke University Press.
Evans, M. (2013) Introducing Contemporary Feminist Thought. Hoboken: Wiley. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008426579707446&context=L&vid=44UOEX_INST:default.
Everett, W.A. and Laird, P.R. (2008a) The Cambridge Companion to the Musical. 2nd ed. Cambridge: Cambridge University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default.
Everett, W.A. and Laird, P.R. (2008b) The Cambridge Companion to the Musical. 2nd ed. Cambridge: Cambridge University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default.
Fraser, N. (1997) ‘“Heterosexism, Misrecognition, and Capitalism: A Response to Judith Butler” [in] Social Text’, Social Text, pp. 279–289. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.466745&site=eds-live&scope=site.
Gainor, J.E. (1995) Imperialism and Theatre: Essays on World Theatre, Drama, and Performance. London: Routledge.
Gandhi, L. (1998) Postcolonial Theory: A Critical Introduction. Edinburgh: Edinburgh University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012817759707446&context=L&vid=44UOEX_INST:default.
Garfinkle, D.U. (2015) ‘“Julie Taymor, Sony’s Digital Dream Kids, and the Marxist Labor Theory of Value”’, European Legacy - Toward New Paradigms, 20(8), pp. 827–843. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000362650600002&site=eds-live&scope=site.
Gilbert, H. (1999) (Post)Colonial Stages: Critical & Creative Views on Drama, Theatre & Performance. Hebden Bridge, Yorks: Dangaroo Press.
Gilbert, H. (2001) Postcolonial Plays: An Anthology. London: Routledge.
Gilbert, H. and Tompkins, J. (1996a) Post-Colonial Drama: Theory, Practice, Politics. London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002177929707446&context=L&vid=44UOEX_INST:default.
Gilbert, H. and Tompkins, J. (1996b) Post-Colonial Drama: Theory, Practice, Politics. London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002177929707446&context=L&vid=44UOEX_INST:default.
Gilroy, P. (2002) ‘There Ain’t No Black in the Union Jack’: The Cultural Politics of Race and Nation. London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002978589707446&context=L&vid=44UOEX_INST:default.
Gilroy, P. (2004) After Empire: Melancholia or Convivial Culture? London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015234709707446&context=L&vid=44UOEX_INST:default.
Gobert, R.D. (2014) The Theatre of Caryl Churchill. London: Bloomsbury. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003812019707446&context=L&vid=44UOEX_INST:default.
Goddard, L. (2004) ‘“West Indies vs England in Winsome Pinnock’s Migration Narratives” [in] Contemporary Theatre Review: An International Journal’, Contemporary Theatre Review: An International Journal, (4), pp. 23–33. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2004442821&site=eds-live&scope=site.
Goddard, L. (2007) Staging Black Feminisms: Identity, Politics, Performance. Basingstoke: Palgrave Macmillan. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002372479707446&context=L&vid=44UOEX_INST:default.
Goddard, L. (2015) Contemporary Black British Playwrights: Margins to Mainstream. Basingstoke, England: Palgrave Macmillan. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000289719707446&context=L&vid=44UOEX_INST:default.
Godiwala, D. (2006) Alternatives Within the Mainstream: British Black and Asian Theatres. Newcastle: Cambridge Scholars. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014817059707446&context=L&vid=44UOEX_INST:default.
Goodman, L. and De Gay, J. (2000) The Routledge Reader in Politics and Performance. London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012939989707446&context=L&vid=44UOEX_INST:default.
Gordon, R., Jubin, O. and Taylor, M. (2016) British Musical Theatre Since 1950. London: Bloomsbury Methuen Drama. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004498569707446&context=L&vid=44UOEX_INST:default.
Griffin, G. (2003) Contemporary Black and Asian Women Playwrights in Britain. Cambridge: Cambridge University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014884229707446&context=L&vid=44UOEX_INST:default.
Hall, S. (1997) Representation: Cultural Representations and Signifying Practices. London: Sage in association with the Open University.
Halnon, K.B. (2013) The Consumption of Inequality: Weapons of Mass Distraction. Basingstoke: Palgrave Macmillan. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003238489707446&context=L&vid=44UOEX_INST:default.
Harris, G. (1999) Staging Femininities: Performance and Performativity. Manchester: Manchester University Press.
Holdsworth, N. (2010) Theatre & Nation. Basingstoke: Palgrave Macmillan.
Holdsworth, N. and Luckhurst, M. (2008) A Concise Companion to Contemporary British and Irish Drama. Oxford: Blackwell. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780470766125.
Holledge, J. and Tompkins, J. (2000) Women’s Intercultural Performance. London: Routledge.
hooks, bell (2014) Feminist Theory: From Margin to Centre. Third edition. London: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001078559707446&context=L&vid=44UOEX_INST:default.
hooks, bell (2015) Black Looks: Race and Representation. New York: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001290979707446&context=L&vid=44UOEX_INST:default.
Jackson, S. and Scott, S. (1996) Feminism and Sexuality: A Reader. Edinburgh: Edinburgh University Press.
Jagose, A. (2009) ‘“Feminism’s Queer Theory” [in] Feminism & Psychology’, Feminism & Psychology, 19(2), pp. 157–174. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000265207900001&site=eds-live&scope=site.
‘Journal of Musicological Research (Vol. 23: 3-4)’ (2004), 23(3–4). Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002577719707446&context=L&vid=44UOEX_INST:default.
Kekis, O. (2017) ‘Chapter 10 - “Hypertheatrical Engagement with Euripides” Trojan Women: A Female “Writ of Habeas Corpus” [in] Contemporary Approaches to Adaptation in Theatre’, in K. Reilly (ed.) Contemporary Approaches to Adaptation in Theatre. Basingstoke: Palgrave Macmillan, pp. 195–212. Available at: https://contentstore.cla.co.uk/secure/link?id=d5e8b9aa-fe17-e911-80cd-005056af4099.
Kershaw, B. (1999) ‘“Discouraging Democracy: British Theatres and Economics, 1979-1999”’, Theatre Journal, 51(3), pp. 267–283. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25068676&site=eds-live&scope=site.
Knowles, R.P. (2004a) ‘Chapter 1 - “Theory: Towards a Materialist Semiotics”’, in Reading the Material Theatre. Cambridge: Cambridge University Press, pp. 9–23. Available at: https://contentstore.cla.co.uk/secure/link?id=0109e36c-81f8-e811-80cd-005056af4099.
Knowles, R.P. (2004b) Reading the Material Theatre. Cambridge: Cambridge University Press.
LibGuides Drama: Online Library Support (no date). University of Exeter. Available at: https://libguides.exeter.ac.uk/c.php?g=656144&p=4668787.
Luckhurst, M. (2006a) A Companion to Modern British and Irish Drama, 1880-2005. Malden, MA: Blackwell Pub. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000671749707446&context=L&vid=44UOEX_INST:default.
Luckhurst, M. (2006b) A Companion to Modern British and Irish Drama, 1880-2005. Blackwell Pub. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000671749707446&context=L&vid=44UOEX_INST:default.
Martin, C. (1996) A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. London: Routledge.
McKee, A.L. (2013) ‘“‘Think of Me Fondly’: Voice, Body, Affect and Performance in Prince/Lloyd Webber’s The Phantom of the Opera”’, Studies in Musical Theatre, 7(3), pp. 309–325. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014306216&site=eds-live&scope=site.
Mee, C.L. (no date) ‘Agamemnon 2.0’ [in] the (re)making project. Available at: http://www.charlesmee.org/agamemnon.shtml.
Milner, A. (2002a) Re-Imagining Cultural Studies: The Promise of Cultural Materialism. London: SAGE. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default.
Milner, A. (2002b) Re-Imagining Cultural Studies: The Promise of Cultural Materialism. London: SAGE. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default.
Muñoz, J.E. (1999) Disidentifications: Queers of Colour and the Performance of Politics. Minneapolis: University of Minnesota Press.
O’Reilly, K. (2002) Peeling. London: Faber.
Parker, A. and Sedgwick, E.K. (1995) Performativity and Performance. New York: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002219549707446&context=L&vid=44UOEX_INST:default.
Pearce, M. (2017) Black British Drama: A Transnational Story. Abingdon, Oxon: Routledge, an imprint of the Taylor & Francis Group. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004759499707446&context=L&vid=44UOEX_INST:default.
Pecheykin, V., Pomerantsev, Z. and Turiano, J. (2014) ‘A Little Hero’. Available at: http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/A%20LITTLE%20HERO%20-%20Complete%20Version.pdf.
Phelan, P. (1993) Unmarked: The Politics of Performance. London: Routledge.
Prendergast, C. (1995) Cultural Materialism: On Raymond Williams. Minneapolis: University of Minnesota Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002671359707446&context=L&vid=44UOEX_INST:default.
Rebellato, D. (2009) Theatre & Globalization. Houndmills, Basingstoke: Palgrave Macmillan.
Rebellato, D. (2013a) Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. London: Bloomsbury. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001380159707446&context=L&vid=44UOEX_INST:default.
Rebellato, D. (2013b) Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. London: Bloomsbury. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001380159707446&context=L&vid=44UOEX_INST:default.
Riabov, O. and Riabova, T. (2004) ‘The Decline of Gayropa?’ [in] Eurozine. Available at: https://www.eurozine.com/the-decline-of-gayropa/.
Riabov, O. and Riabova, T. (2014a) ‘“The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin” [in] Problems of Post-Communism’, Problems of Post-Communism, 61(2), pp. 23–35. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site.
Riabov, O. and Riabova, T. (2014b) ‘“The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin” [in] Problems of Post-Communism’, Problems of Post-Communism, 61(2), pp. 23–35. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site.
Rodosthenous, G. (2017) The Disney Musical on Stage and Screen: Critical Approaches from ‘Snow White’ to ‘Frozen’. London: Bloomsbury Methuen Drama. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004814129707446&context=L&vid=44UOEX_INST:default.
Rodosthenous, G. (2018) Twenty-First Century Musicals: From Stage to Screen. Abingdon, Oxon: Routledge, an imprint of the Taylor & Francis Group. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006926859707446&context=L&vid=44UOEX_INST:default.
Rooney, E. (2006) The Cambridge Companion to Feminist Literary Theory. Cambridge, UK: Cambridge University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015040849707446&context=L&vid=44UOEX_INST:default.
Said, E.W. (1994) Culture and Imperialism. Vintage paperback ed. London: Vintage.
Said, E.W. (2003) Orientalism. London: Penguin.
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Sedgwick, E.K. (2008) Epistemology of the Closet. Updated ed. Berkeley, Calif: University of California Press.
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Senelick, L. (2002) ‘Chapter 2 - “The Queer Root of Theater” [in] The Queerest Art: Essays on Lesbian and Gay Theater’, in The Queerest Art: Essays on Lesbian and Gay Theater. New York: New York University Press, pp. 21–39. Available at: https://contentstore.cla.co.uk/secure/link?id=c379c968-30fd-e811-80cd-005056af4099.
Shaevich, B. et al. (2014) Gay Propaganda: Russian Love Stories. Edited by M. Gessen and J. Huff-Hannon. New York: OR Books. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006735319707446&context=L&vid=44UOEX_INST:default.
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Siropoulos, V. (2010) ‘“Andrew Lloyd Webber and the Culture of Narcissism”’, Studies in Musical Theatre, (3), pp. 273–291. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2011702035&site=eds-live&scope=site.
Siropoulos, V. (2011) ‘“Megamusicals, Spectacle and the Postdramatic Aesthetics of Late Capitalism”’, Studies in Musical Theatre, 5(1), pp. 13–34. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=79656417&site=eds-live&scope=site.
Solga, K. (2015) Theatre and Feminism. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004487349707446&context=L&vid=44UOEX_INST:default.
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Symonds, D. and Taylor, M. (2014) Gestures of Music Theater: The Performativity of Song and Dance. New York: Oxford University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003255169707446&context=L&vid=44UOEX_INST:default.
Taylor, M. (2012) Musical Theatre, Realism and Entertainment. Farnham: Ashgate. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001025859707446&context=L&vid=44UOEX_INST:default.
‘The American Historical Review (Vol. 111:2, 2006)’ (2006), 111(2). Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012416779707446&context=L&vid=44UOEX_INST:default.
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Williams, R. (1977a) ‘Chapter 7 - “Traditions, Institutions and Formations”’, in Marxism and Literature. Oxford: Oxford University Press, pp. 115–120. Available at: https://contentstore.cla.co.uk/secure/link?id=14d30566-82f8-e811-80cd-005056af4099.
Williams, R. (1977b) ‘Chapter 8 - “Dominant, Residual and Emergent”’, in Marxism and Literature. Oxford: Oxford University Press, pp. 121–127. Available at: https://contentstore.cla.co.uk/secure/link?id=3b44bc00-83f8-e811-80cd-005056af4099.
Williams, R. (1977c) ‘Chapter 9 - “Structures of Feeling”’, in Marxism and Literature. Oxford: Oxford University Press, pp. 128–135. Available at: https://contentstore.cla.co.uk/secure/link?id=a9c1ef69-83f8-e811-80cd-005056af4099.
Williams, R. (2013) ‘Sing yer Heart Out for the Lads’. Available at: http://encore.exeter.ac.uk/iii/encore/record/C__Rb3359468?lang=eng.
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