Anderson, C. (2011) ‘Cold war consumer diplomacy and movie-induced Roman holidays’, Journal of Tourism History, 3(Issue 1), pp. 1–19. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=62667757&site=eds-live&scope=site.
Antonello, P. (2016) ‘1.7: A’ Storia e’ Maria: Gender Power Dynamics and Genre Normalization, (“Imma contro tutti”, Francesca Comencini)’, The Italianist, 36(2), pp. 322–327. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863958&site=eds-live&scope=site.
Bassi, S. (2018) ‘Whose Comatose Girlfriend? Figures of Crisis in Neoliberal Italy [in] Modern Languages Open’, Modern Languages Open, 2018(1). Available at: https://www.modernlanguagesopen.org/articles/10.3828/mlo.v0i0.176/.
di Bianco, L. (2016) ‘1.5: Donna Imma’s “Dream of Domination” (“Il ruggito della leonessa”, Francesca Comencini)’, The Italianist, 36(2), pp. 312–317. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863961&site=eds-live&scope=site.
Bondanella, P.E. (2009) A History of Italian Cinema. New York: Continuum International Pub. Group. Available at: https://contentstore.cla.co.uk/secure/link?id=613b295e-1723-e911-80cd-005056af4099.
Bradshaw, P. (2017) ‘Review of Call Me By Your Name’, The Guardian [Preprint]. Available at: https://www.theguardian.com/film/2017/oct/26/call-me-by-your-name-review-luca-guadagnino-armie-hammer.
Clapp, J.A. (2009) ‘The Romantic Travel Movie, Italian-Style’, Visual Anthropology., 22(Issue 1), pp. 52–63. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=35713433&site=eds-live&scope=site.
Dobson, A.S. and Kanai, A. (2018) ‘From "can-do” girls to insecure and angry: affective dissonances in young women’s post-recessional media’, Feminist Media Studies, pp. 1–16. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=201916422048&site=eds-live&scope=site.
Donadio, R. (2013) ‘“La Dolce Vita Gone Sour (And This Time in Color)” [in] New York Times’, New York Times, 162(Issue 56254, pC1-C5. 2p. 1 Color Photograph). Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=asx&AN=90130205&site=eds-live&scope=site.
Duncan, D. (2017) ‘Chapter 27 - The Queerness of Italian Cinema’, in F. Burke (ed.) A Companion to Italian Cinema. Hoboken, NJ, USA: John Wiley & Sons, Inc., pp. 467–483. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default.
Dyer, R. (1999) ‘Chapter 20 - The Role of Stereotypes’, in P. Marris and S. Thornham (eds) Media Studies: A Reader. 2nd ed. Edinburgh: Edinburgh University Press, pp. 245–251. Available at: https://contentstore.cla.co.uk/secure/link?id=93023b4b-1931-e911-80cd-005056af4099.
Elisabetta, G. (2006) ‘Beauty and the Beast: The construction of Italianness in A Room With A View and Where Angels Fear To Tread’, Studies in European Cinema., 3(1), pp. 01–35. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01244594.200603010.00003&site=eds-live&scope=site.
Falcus, S. and Sako, K. (2014) ‘Chapter 13 - Women, travelling and later life’, in I. Whelan and J. Gwynne (eds) Ageing, popular culture and contemporary feminism : Harleys and hormones. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000980539707446&context=L&vid=44UOEX_INST:default.
Fellini, F., Mastroianni, M. and Ekberg, A. (2001) ‘La Dolce Vita’. Momentum Pictures MP042D.
Gary Crowdus Paolo Sorrentino (2014) ‘“In Search of ‘The Great Beauty’: An Interview with Paolo Sorrentino” [in] Cineaste’, Cineaste, 39(2), pp. 8–13. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43500945&site=ed.
Girelli, E. (2009) ‘Chapter 5  - “Italianness, British cinema and Thatcherism” [in] Beauty and the Beast: Italianness in British cinema’, in. Bristol: Intellect. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841503035.
Gordon, R. (2012) ‘Cartoline da Roma. Hollywood, l’Italia e la citta del turismo’, in ItaliAmerica: il mondo dei media. Milano: Il saggiatore, pp. 11–34.
Gordon, R. (2013) ‘“All tomorrow’s parties” [in] Times Literary Supplement’, ,Times Literary Supplement, (5765), pp. 18–18. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=90500389&site=eds-live&scope=site.
Gordon, R. (2014) ‘Hollywood and Italy: Industries and Fantasies’, in The Italian Cinema Book. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute, pp. 123–132. Available at: https://contentstore.cla.co.uk/secure/link?id=5fb9d3b7-b739-e911-80cd-005056af4099.
Guadagnino, L. and Hammer, A. (2017) ‘Call me by your name’. London: Sony Pictures Home Entertainment.
Gundle, S. (2011) Death and the Dolce Vita: the dark side of Rome in the 1950s. Edinburgh. Available at: https://contentstore.cla.co.uk/secure/link?id=681c2c6a-1a2e-e911-80cd-005056af4099.
Haskell, M. (2017) ‘Call Me by Your Name’, Film Comment., 53(Issue 6), pp. 67–69. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125914958&site=eds-live&scope=site.
Hipkins, D. (no date) The Showgirl Effect: Ageing between great beauties and ‘veline di turno’ [in] ReadingItaly. Available at: https://readingitaly.wordpress.com/2013/12/11/cinepanettone-academia/.
Hom, S.M. (2015a) ‘Chapter 2 - Italian Montage: On Rhetoric and Representations’, in The Beautiful Country: Tourism and the Impossible State of Destination Italy. Toronto [Ontario]: University of Toronto Press, pp. 68–80. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default.
Hom, S.M. (2015b) ‘Chapter 2 - Italian Montage: On Rhetoric and Representations’, in The Beautiful Country: Tourism and the Impossible State of Destination Italy. Toronto [Ontario]: University of Toronto Press, pp. 68–80. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default.
Hom, S.M. (no date) ‘Italy without borders: Simulacra, tourism, suburbia and the new Grand Tour’, Italian Studies, 65(3), pp. 376–397. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=54909182&site=eds-live&scope=site.
Iannotta, Antonio (2016) ‘“Le immagini del potere. Note sull’identità italiana nel cinema di Paolo Sorrentino” [in] California Italian Studies’, California Italian Studies, 6(Issue 2, preceding p1-17), pp. 1–17. Available at: https://escholarship.org/uc/item/69z1s71b.
Ivory (1985) ‘A Room with a View’. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A08C?bcast=80632351.
Ivory, J. et al. (2007) ‘A Room with a View’. Channel 4.
Jones, T. (2013) The dark heart of Italy. Third edition. London: Faber and Faber.
Lavery, D. (2005) Reading the Sopranos. London: I. B. Tauris. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008571029707446&context=L&vid=44UOEX_INST:default.
Levy, S. (2016a) ‘Chapter 12 - “She will be a sensation”’, in Dolce Vita Confidential. First edition. New York: W.W. Norton & Company, pp. 111–121. Available at: https://contentstore.cla.co.uk/secure/link?id=c379ad2c-ab5a-e911-80cd-005056af4099.
Levy, S. (2016b) Dolce vita confidential: Fellini, Loren, Pucci, paparazzi, and the swinging high life of 1950s Rome. First edition. New York: W.W. Norton & Company.
Liz, M. (2014) ‘From Europe with love: urban space and cinematic postcards’, Studies in European Cinema, 11(Issue 1), pp. 3–13. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=97901909&site=eds-live&scope=site.
Longo, R. (2016) ‘Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover on Queer Cinema in the World’, Film Quarterly, (2), pp. 94–100. Available at: https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.26413772&site=eds-live&scope=site.
Manetti, M. and Manetti, A. (2018) ‘Ammore e malavita’. [Roma]: 01 Distribution.
Martini, Alessia (2015) ‘“Concept City: Roma ri-vista e vissuta ne La dolce vita e La grande bellezza” [in] Carte Italiiane: A Journal of Italian Studies’, Carte Italiane: A Journal of Italian Studies, pp. 107–119. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=111110081&site=ehost-live.
Mecchia, G. (2016) ‘Birds in the Roman sky: Shooting for the sublime in La Grande Bellezza’’, Forum Italicum: A Journal of Italian Studies, 50(1), pp. 183–193. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2016642558&site=eds-live&scope=site.
Menta, A. (2017) ‘Sex and the Single Boy’, Newsweek Global, 169(Issue 23), pp. 46–47. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=126830179&site=eds-live&scope=site.
Miller, D.A. (2018) Elio’s Education, Los Angeles Review of Books. Available at: https://lareviewofbooks.org/article/elios-education/.
Monk, C. (2001) ‘Sexuality and Heritage’, in Film/Literature/Heritage: A sight and sound reader. London: British Film Institute, pp. 32–34. Available at: https://contentstore.cla.co.uk/secure/link?id=9119f84c-c818-e911-80cd-005056af4099.
Moya, A. (2013) ‘Chapter 1 - Neo-Feminism in-between: Female cosmopolitan subjects in contemporary American film’, in N. Muller (ed.) Postfeminism and Contemporary Hollywood Cinema. Basingstoke: Palgrave Macmillan, pp. 13–26. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003237899707446&context=L&vid=44UOEX_INST:default.
O’Healy, A. (2018) ‘Film Review: “Call me By your Name” by Luca Guadagnino’, Gender / sexuality / Italy [Preprint]. Available at: http://www.gendersexualityitaly.com/26-call-me-by-your-name/.
O’Rawe, C. (2014) Stars and masculinities in contemporary Italian cinema. Basingstoke: Palgrave Macmillan. Available at: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137381477.
Ouditt, S. and Polezzi, L. (2012) ‘Introduction: Italy as place and space’, Studies in Travel Writing., 16(Issue 2), pp. 97–105. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=76246085&site=eds-live&scope=site.
Paulicelli, E. (2016) ‘Chapter 7 - “After La dolce vita: La grande bellezza (2013) by Paolo Sorrentino” [in] Italian style: fashion & film from early cinema to the digital age’, in Italian Style: Fashion and film  from early cinema to the digital age. New York, NY: Bloomsbury Academic. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781623566616.
Regan, D. (2016) ‘Gomorra: la Serie : Beyond Realism’, Italianist, 36(2), pp. 287–292. Available at: https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsbl&AN=vdc.100108364840.0x000001&site=eds-live&scope=site.
Renga, D. (2019) ‘Chapter 7 - Making Men in Gomorrah 1 and 2’, in Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond. Cham: Springer International Publishing, pp. 193–229. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008761159707446&context=L&vid=44UOEX_INST:default.
Rhodes, J.D. (no date) ‘Chapter 24 - Watching Italians turn around: gender, looking and Roman / cinematic modernity’, in F. Burke (ed.) A Companion to Italian Cinema. Hoboken, NJ, USA: John Wiley & Sons, Inc., pp. 408–426. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default.
Ricci, F. (2011) ‘Chapter 17 - When Words Can Kill: David Chase’s The Sopranos’, in D. Renga (ed.) Mafia movies: A reader. Toronto [etc.]: University of Toronto Press, pp. 183–191. Available at: https://contentstore.cla.co.uk/secure/link?id=35978f80-771d-e911-80cd-005056af4099.
Riva, M. (ed.) (2004) Italian tales : an anthology of contemporary Italian fiction. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005783689707446&context=L&vid=44UOEX_INST:default.
‘Roman Holiday’ (1953). Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E100?bcast=116265181.
Sitney, P.A. (1995) Vital crises in Italian cinema: iconography, stylistics, politics. Austin: University of Texas Press.
Sorrentino, P. et al. (2013) The great beauty. Artificial Eye ART 678.
‘The Sopranos: Series 2, Episode 4, “Commendatori”’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/TVI18426?bcast=3006646.
Thomson, David (2013) ‘“Beauty” [in] New Republic’, New Republic, 244(Issue 19), pp. 56–58. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=91900785&site=ehost-live.
University of Exeter (no date) Modern Languages - LibGuides at University of Exeter. Available at: https://libguides.exeter.ac.uk/modernlanguages.
Wheatley, C. (2017) ‘Call Me by Your Name’, Sight and Sound, 27(11). Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125504630&site=eds-live&scope=site.
Wyler, W. et al. (2009) ‘Roman Holiday’. Paramount Pictures PHE1114.
Zambenedetti, A. (ed.) (2014) World film locations: Florence. Bristol: Intellect Books. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008564439707446&context=L&vid=44UOEX_INST:default.