globe
Anderson, Carolyn1 (2011) ‘“Cold war consumer diplomacy and movie-induced Roman holidays” [in] Journal of Tourism History’, Journal of Tourism History., 3(Issue 1), pp. 1–19. doi: 10.1080/1755182X.2011.575953.
Anna Menta (2017) ‘“Sex and the Single Boy” [in] Newsweek Global’, Newsweek Global, 169(Issue 23), pp. 46–47. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=bth&AN=126830179&site=eds-live&scope=site.
Antonello, P. (2016) ‘1.7: A’ Storia e’ Maria: Gender Power Dynamics and Genre Normalization, (“Imma contro tutti”, Francesca Comencini) [in] The Italianist’, The Italianist, 36(2). Available at: http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMMvl7ESeqK84yNfsOLCmr1GeprdSsKe4S7eWxWXS&ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&T=P&P=AN&S=R&D=hlh&K=118863958.
Bassi, S. (2018) ‘Whose Comatose Girlfriend? Figures of Crisis in Neoliberal Italy [in] Modern Languages Open’, Modern Languages Open, 2018(1). Available at: https://www.modernlanguagesopen.org/articles/10.3828/mlo.v0i0.176/.
Bondanella, P. E. (2009) A history of Italian cinema. New York: Continuum International Pub. Group. Available at: https://contentstore.cla.co.uk/secure/link?id=613b295e-1723-e911-80cd-005056af4099.
Bradshaw, P. (2017) Review of ‘Call me by your name’ [in] The Guardian. Available at: https://www.theguardian.com/film/2017/oct/26/call-me-by-your-name-review-luca-guadagnino-armie-hammer.
British Film Institute and Gordon, R. (2014) ‘“Hollywood and Italy: Industries and Fantasies” [in] The Italian cinema book’, in The Italian Cinema Book. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute. Available at: https://contentstore.cla.co.uk/secure/link?id=5fb9d3b7-b739-e911-80cd-005056af4099.
Catherine Wheatley (2017) ‘“Call Me by Your Name” [in] Sight and Sound’, Sight and Sound. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=edswah&AN=000419932900030&site.
Clapp, James A. (2009) ‘“The Romantic Travel Movie, Italian-Style” [in] Visual Anthropology’, Visual Anthropology., 22(Issue 1), pp. 52–63. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=hlh&AN=35713433&site=eds-live&scope=site.
‘“Commendatori” [in] The Sopranos’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/TVI18426?bcast=3006646.
Dobson, A. S. and Kanai, A. (2018) ‘From “can-do” girls to insecure and angry: affective dissonances in young women”s post-recessional media [in] Feminist Media Studies’, Feminist Media Studies, pp. 1–16. Available at: https://0-www-tandfonline-com.lib.exeter.ac.uk/doi/full/10.1080/14680777.2018.1546206.
Donadio, R. (2013) ‘“La Dolce Vita Gone Sour (And This Time in Color)” [in] New York Times’, New York Times, 162(Issue 56254, pC1-C5. 2p. 1 Color Photograph). Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=asx&AN=90130205&site=eds-live&scope=site.
Duncan, D. (no date) ‘Chapter 27 - “The Queerness of Italian Cinema” [in] A Companion to Italian Cinema’, in Burke, F. (ed.) A Companion to Italian Cinema. Hoboken, NJ, USA: John Wiley & Sons, Inc. Available at: https://0-onlinelibrary-wiley-com.lib.exeter.ac.uk/doi/book/10.1002/9781119006145.
Dyer, R. (1999) ‘Chapter 20 - “The Role of Stereotypes” [in] Media Studies : A Reader’, in Marris, P. and Thornham, S. (eds) Media Studies: A Reader. 2nd ed. Edinburgh: Edinburgh University Press, pp. 245–251. Available at: https://contentstore.cla.co.uk/secure/link?id=93023b4b-1931-e911-80cd-005056af4099.
Elisabetta, Girelli (2006) ‘“Beauty and the Beast: The construction of Italianness in A Room With A View and Where Angels Fear To Tread” [in] Studies in European Cinema’, Studies in European Cinema., 3(1), pp. 01–35. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=edsovi&AN=edsovi.01244594.200603010.00003&site=eds-live&scope=site.
Falcus, S. and Sako, K. (2014) ‘Chapter 13 - “Women, travelling and later life” [in] Ageing, popular culture and contemporary feminism: Harleys and hormones’, in Whelan, I. and Gwynne, J. (eds) Ageing, popular culture and contemporary feminism : Harleys and hormones. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137376534.
Fellini, F., Mastroianni, M. and Ekberg, A. (2001) ‘La dolce vita.’ Momentum Pictures MP042D.
Gary Crowdus Paolo Sorrentino (2014) ‘“In Search of ‘The Great Beauty’: An Interview with Paolo Sorrentino” [in] Cineaste’, Cineaste, 39(2), pp. 8–13. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43500945&site=ed.
Girelli, E. (2009) ‘Chapter 5  - “Italianness, British cinema and Thatcherism” [in] Beauty and the Beast: Italianness in British cinema’, in. Bristol: Intellect. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841503035.
Gordon, R. (2012) ‘“Cartoline da Roma. Hollywood, l”Italia e la citta del turismo’ [in] ItaliAmerica: il mondo dei media’, in ItaliAmerica: il mondo dei media. Milano: Il saggiatore.
Gordon, R. (2013) ‘“All tomorrow”s parties’ [in] Times Literary Supplement’, ,Times Literary Supplement, (5765), pp. 18–18. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=hlh&AN=90500389&site=eds-live&scope=site.
Guadagnino, L. and Hammer, A. (2018) ‘Call me by your name.’ London: Sony Pictures Home Entertainment.
Gundle, S. (2011) Death and the dolce vita: the dark side of Rome in the 1950s. Edinburgh. Available at: https://contentstore.cla.co.uk/secure/link?id=681c2c6a-1a2e-e911-80cd-005056af4099.
Hipkins, D. (no date) The Showgirl Effect: Ageing between great beauties and ‘veline di turno’ [in] ReadingItaly. Available at: https://readingitaly.wordpress.com/2013/12/11/cinepanettone-academia/.
Hom, S. M. (2015a) ‘Chapter 2 - “Italian Montage: On Rhetoric and Representations” [in] The beautiful country: tourism and the impossible state of destination Italy’, in The Beautiful Country: Tourism and the Impossible State of Destination Italy. Toronto [Ontario]: University of Toronto Press. Available at: http://ebookcentral.proquest.com/lib/exeter/detail.action?docID=4669690.
Hom, S. M. (2015b) ‘Chapter 2 - “Italian Montage: On Rhetoric and Representations” [in] The beautiful country: tourism and the impossible state of destination Italy’, in The Beautiful Country: Tourism and the Impossible State of Destination Italy. Toronto [Ontario]: University of Toronto Press. Available at: http://ebookcentral.proquest.com/lib/exeter/detail.action?docID=4669690.
Hom, S. M. (no date) ‘“Italy without borders: Simulacra, tourism, suburbia and the new Grand Tour” [in] Italian Studies’, Italian Studies, 65(3). Available at: http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMMvl7ESep684xNvgOLCmr1GeprdSr6e4TLGWxWXS&ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&T=P&P=AN&S=R&D=hlh&K=54909182.
Iannotta, Antonio (2016) ‘“Le immagini del potere. Note sull”identità italiana nel cinema di Paolo Sorrentino’ [in] California Italian Studies’, California Italian Studies, 6(Issue 2, preceding p1-17), pp. 1–17. Available at: https://escholarship.org/uc/item/69z1s71b.
Ivory (1985) ‘A Room with a View.’ Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A08C?bcast=80632351.
Ivory, J. et al. (2007) ‘A room with a view.’ Channel 4.
Jones, T. (2013) The dark heart of Italy. Third edition. London: Faber and Faber.
Laura, di B. (no date) ‘“1.5: Donna Imma”s “Dream of Domination” (“Il ruggito della leonessa”, Francesca Comencini)’ [in] The Italianist’, The Italianist, 36(2). Available at: http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMMvl7ESeqK84yNfsOLCmr1GeprdSsa64SreWxWXS&ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&T=P&P=AN&S=R&D=hlh&K=118863961.
Lavery, D. (2005) Reading the Sopranos. London: I. B. Tauris. Available at: https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D9780857716194.
Levy, S. (2016a) ‘Chapter 12 - “She will be a sensation” [in] Dolce vita confidential: Fellini, Loren, Pucci, paparazzi, and the swinging high life of 1950s Rome’, in Dolce Vita Confidential. First edition. New York: W.W. Norton & Company. Available at: https://contentstore.cla.co.uk/secure/link?id=c379ad2c-ab5a-e911-80cd-005056af4099.
Levy, S. (2016b) Dolce vita confidential: Fellini, Loren, Pucci, paparazzi, and the swinging high life of 1950s Rome. First edition. New York: W.W. Norton & Company.
Liz, Mariana (2014) ‘“From Europe with love: urban space and cinematic postcards” [in] Studies in European Cinema’, Studies in European Cinema, 11(Issue 1, p3-13), pp. 3–13. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=edb&AN=97901909&site=eds-live&scope=site.
Longo, Regina (2016) ‘“Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover on Queer Cinema in the World” [in] Film Quarterly’, Film Quarterly, (2), pp. 94–100. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=edsmzh&AN=2016444101&site=eds-live&scope=site.
Luigi Malerba (no date) ‘“Consuming the View” [in] Italian Tales: an anthology of contemporary Italian fiction’, in Riva, M. (ed.) Italian tales : an anthology of contemporary Italian fiction. Yale University Press. Available at: https://0-www-jstor-org.lib.exeter.ac.uk/stable/j.ctt1nq66r.5?refreqid=excelsior%3Ae36d8cf54fa49b1b1883d1f127d111e4&seq=1#metadata_info_tab_contents.
Manetti, M. and Manetti, A. (2018) ‘Ammore e malavita.’ [Roma]: 01 Distribution.
Martini, Alessia (2015) ‘“Concept City: Roma ri-vista e vissuta ne La dolce vita e La grande bellezza” [in] Carte Italiiane: A Journal of Italian Studies’, Carte Italiane: A Journal of Italian Studies, pp. 107–119. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=hlh&AN=111110081&site=ehost-live.
Mecchia, G. (2016) ‘Birds in the Roman sky: Shooting for the sublime in La Grande Bellezza’’, Forum Italicum: A Journal of Italian Studies, 50(1), pp. 183–193. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=edsmzh&AN=2016642558&site=eds-live&scope=site.
Miller, D. A. (no date) ‘Elio’s Education’ [in] Los Angeles Review of Books, Los Angeles Review of Books. Available at: https://lareviewofbooks.org/article/elios-education/.
Molly Haskell (2017) ‘“Call Me by Your Name” [in] Film Comment’, Film Comment., 53(Issue 6), pp. 67–69. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=hlh&AN=125914958&site=eds-live&scope=site.
Monk, C. (2001) ‘“Sexuality and Heritage” [in] Film, Literature, Heritage: A sight and sound reader’, in Film/literature/heritage: a sight and sound reader. London: British Film Institute. Available at: https://contentstore.cla.co.uk/secure/link?id=9119f84c-c818-e911-80cd-005056af4099.
Moya, A. (2013) ‘Chapter 1 - “Neo-Feminism in-between: Female cosmopolitan subjects in contemporary American film” [in] Postfeminism and contemporary Hollywood cinema’, in Muller, N. (ed.) Postfeminism and contemporary hollywood cinema [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137306845.
Ouditt, Sharon and Polezzi, L. (2012) ‘“Introduction: Italy as place and space” [in] Studies in Travel Writing’, Studies in Travel Writing., 16(Issue 2), pp. 97–105. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=hlh&AN=76246085&site=eds-live&scope=site.
O’Healy, A. (no date) ‘“Call me By your Name” by Luca Guadagnino’ Review [in] Gender / sexuality / Italy. Available at: http://www.gendersexualityitaly.com/26-call-me-by-your-name/.
O’Rawe, C. (2014) Stars and masculinities in contemporary Italian cinema. Basingstoke: Palgrave Macmillan. Available at: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137381477.
Paulicelli, E. (2016) ‘Chapter 7 - “After La dolce vita: La grande bellezza (2013) by Paolo Sorrentino” [in] Italian style: fashion & film from early cinema to the digital age’, in Italian Style: Fashion and film  from early cinema to the digital age. New York, NY: Bloomsbury Academic. Available at: https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D9781623566616.
Regan, D. (2016) ‘“Gomorra: la Serie : Beyond Realism” [in] The Italianist’, Italianist, 36(2). Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=hlh&AN=118863973&site=ehost-live.
Renga, D. and SpringerLink (Online service) (2019) ‘Chapter 7 - “Making Men in Gomorrah 1 and 2” [in] Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond’, in Watching sumpathetic perpetrators on Italian television: Gomorrah and beyond. Cham: Springer International Publishing. Available at: http://encore.exeter.ac.uk/iii/encore/record/C__Rb3988054.
Rhodes, J. D. (no date) ‘Chapter 24 - “Watching Italians turn around: gender, looking and Roman / cinematic modernity” [in] A Companion to Italian Cinema’, in Burke, F. (ed.) A Companion to Italian Cinema. Hoboken, NJ, USA: John Wiley & Sons, Inc. Available at: https://0-onlinelibrary-wiley-com.lib.exeter.ac.uk/doi/book/10.1002/9781119006145.
Ricci, F. (2011) ‘Chapter 17 - “When words can kill: David Chase”s The Sopranos’ [in] Mafia movies: a reader’, in Renga, D. (ed.) Mafia movies: A reader. Toronto [etc.]: University of Toronto Press. Available at: https://contentstore.cla.co.uk/secure/link?id=35978f80-771d-e911-80cd-005056af4099.
Sitney, P. A. (1995) Vital crises in Italian cinema: iconography, stylistics, politics. Austin: University of Texas Press.
Sorrentino, P. et al. (2013) The great beauty. Artificial Eye ART 678.
Thomson, David (2013) ‘“Beauty” [in] New Republic’, New Republic, 244(Issue 19), pp. 56–58. Available at: http://0-search.ebscohost.com.lib.exeter.ac.uk/login.aspx?direct=true&db=bth&AN=91900785&site=ehost-live.
University of Exeter (2018) Home - Modern Languages - LibGuides at University of Exeter. Available at: https://libguides.exeter.ac.uk/modernlanguages.
Wyler (1953) ‘Roman Holiday.’ Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E100?bcast=116265181.
Wyler, W. et al. (2009) ‘Roman holiday.’ Paramount Pictures PHE1114.
Zambenedetti, A. (ed.) (2014) World film locations: Florence. Bristol: Intellect Books. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781783203444.