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University of Exeter. Modern Languages - LibGuides at University of Exeter. https://libguides.exeter.ac.uk/modernlanguages
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Ivory J, Smith M, Bonham Carter H, et al. A Room with a View. 2007.
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Ivory. A Room with a View. 1985.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A08C?bcast=80632351
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Dyer R. Chapter 20 - The Role of Stereotypes. In: Marris P, Thornham S, eds. Media Studies: A Reader. Edinburgh: : Edinburgh University Press 1999. 245–51.https://contentstore.cla.co.uk/secure/link?id=93023b4b-1931-e911-80cd-005056af4099
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Elisabetta G. Beauty and the Beast: The construction of Italianness in A Room With A View and Where Angels Fear To Tread. Studies in European Cinema 2006;3:01–35.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01244594.200603010.00003&site=eds-live&scope=site
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Girelli E. Chapter 5 - ‘Italianness, British cinema and Thatcherism’ [in] Beauty and the Beast: Italianness in British cinema. Bristol: : Intellect 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841503035
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Hom SM. Chapter 2 - Italian Montage: On Rhetoric and Representations. In: The Beautiful Country: Tourism and the Impossible State of Destination Italy. Toronto [Ontario]: : University of Toronto Press 2015. 68–80.https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default
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Ouditt S, Polezzi L. Introduction: Italy as place and space. Studies in Travel Writing 2012;16:97–105.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=76246085&site=eds-live&scope=site
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Zambenedetti A, editor. World film locations: Florence. Bristol: : Intellect Books 2014. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008564439707446&context=L&vid=44UOEX_INST:default
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Wyler W, Hepburn A, Peck G, et al. Roman Holiday. 2009.
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Roman Holiday. 1953.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E100?bcast=116265181
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Anderson C. Cold war consumer diplomacy and movie-induced Roman holidays. Journal of Tourism History 2011;3:1–19.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=62667757&site=eds-live&scope=site
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Clapp JA. The Romantic Travel Movie, Italian-Style. Visual Anthropology 2009;22:52–63.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=35713433&site=eds-live&scope=site
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Falcus S, Sako K. Chapter 13 - Women, travelling and later life. In: Whelan I, Gwynne J, eds. Ageing, popular culture and contemporary feminism : Harleys and hormones. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2014. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000980539707446&context=L&vid=44UOEX_INST:default
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Gordon R. Cartoline da Roma. Hollywood, l’Italia e la citta del turismo. In: ItaliAmerica: il mondo dei media. Milano: : Il saggiatore 2012. 11–34.
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Hom SM. Chapter 2 - Italian Montage: On Rhetoric and Representations. In: The Beautiful Country: Tourism and the Impossible State of Destination Italy. Toronto [Ontario]: : University of Toronto Press 2015. 68–80.https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default
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Levy S. Chapter 12 - ‘She will be a sensation’. In: Dolce Vita Confidential. New York: : W.W. Norton & Company 2016. 111–21.https://contentstore.cla.co.uk/secure/link?id=c379ad2c-ab5a-e911-80cd-005056af4099
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Liz M. From Europe with love: urban space and cinematic postcards. Studies in European Cinema 2014;11:3–13.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=97901909&site=eds-live&scope=site
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Moya A. Chapter 1 - Neo-Feminism in-between: Female cosmopolitan subjects in contemporary American film. In: Muller N, ed. Postfeminism and Contemporary Hollywood Cinema. Basingstoke: : Palgrave Macmillan 2013. 13–26.https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003237899707446&context=L&vid=44UOEX_INST:default
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Guadagnino L, Hammer A. Call me by your name. 2017.
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Bradshaw P. Review of Call Me By Your Name. The Guardian Published Online First: 26 October 2017.https://www.theguardian.com/film/2017/oct/26/call-me-by-your-name-review-luca-guadagnino-armie-hammer
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Duncan D. Chapter 27 - The Queerness of Italian Cinema. In: Burke F, ed. A Companion to Italian Cinema. Hoboken, NJ, USA: : John Wiley & Sons, Inc. 2017. 467–83.https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default
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Haskell M. Call Me by Your Name. Film Comment 2017;53:67–9.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125914958&site=eds-live&scope=site
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Longo R. Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover on Queer Cinema in the World. Film Quarterly 2016;:94–100.https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.26413772&site=eds-live&scope=site
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Menta A. Sex and the Single Boy. Newsweek Global 2017;169:46–7.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=126830179&site=eds-live&scope=site
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Miller DA. Elio’s Education. Los Angeles Review of Books. 2018.https://lareviewofbooks.org/article/elios-education/
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Monk C. Sexuality and Heritage. In: Film/Literature/Heritage: A sight and sound reader. London: : British Film Institute 2001. 32–4.https://contentstore.cla.co.uk/secure/link?id=9119f84c-c818-e911-80cd-005056af4099
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O’Healy A. Film Review: ‘Call me By your Name’ by Luca Guadagnino. Gender / sexuality / Italy Published Online First: 2018.http://www.gendersexualityitaly.com/26-call-me-by-your-name/
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Wheatley C. Call Me by Your Name. Sight and Sound 2017;27.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125504630&site=eds-live&scope=site
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The Sopranos: Series 2, Episode 4, ‘Commendatori’. https://learningonscreen.ac.uk/ondemand/index.php/prog/TVI18426?bcast=3006646
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Ricci F. Chapter 17 - When Words Can Kill: David Chase’s The Sopranos. In: Renga D, ed. Mafia movies: A reader. Toronto [etc.]: : University of Toronto Press 2011. 183–91.https://contentstore.cla.co.uk/secure/link?id=35978f80-771d-e911-80cd-005056af4099
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Jones T. The dark heart of Italy. Third edition. London: : Faber and Faber 2013.
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Antonello P. 1.7: A’ Storia e’ Maria: Gender Power Dynamics and Genre Normalization, (‘Imma contro tutti’, Francesca Comencini). The Italianist 2016;36:322–7.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863958&site=eds-live&scope=site
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di Bianco L. 1.5: Donna Imma’s ‘Dream of Domination’ (‘Il ruggito della leonessa’, Francesca Comencini). The Italianist 2016;36:312–7.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863961&site=eds-live&scope=site
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Lavery D. Reading the Sopranos. London: : I. B. Tauris 2005. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008571029707446&context=L&vid=44UOEX_INST:default
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Regan D. Gomorra: la Serie : Beyond Realism. Italianist 2016;36:287–92.https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsbl&AN=vdc.100108364840.0x000001&site=eds-live&scope=site
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Renga D. Chapter 7 - Making Men in Gomorrah 1 and 2. In: Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond. Cham: : Springer International Publishing 2019. 193–229.https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008761159707446&context=L&vid=44UOEX_INST:default
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Manetti M, Manetti A. Ammore e malavita. 2018.
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Fellini F, Mastroianni M, Ekberg A. La Dolce Vita. 2001.
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Sitney PA. Vital crises in Italian cinema: iconography, stylistics, politics. Austin: : University of Texas Press 1995.
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Bondanella PE. A History of Italian Cinema. New York: : Continuum International Pub. Group 2009. https://contentstore.cla.co.uk/secure/link?id=613b295e-1723-e911-80cd-005056af4099
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Gordon R. Hollywood and Italy: Industries and Fantasies. In: The Italian Cinema Book. Basingstoke: : Palgrave Macmillan on behalf of the British Film Institute 2014. 123–32.https://contentstore.cla.co.uk/secure/link?id=5fb9d3b7-b739-e911-80cd-005056af4099
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Gundle S. Death and the Dolce Vita: the dark side of Rome in the 1950s. Edinburgh 2011. https://contentstore.cla.co.uk/secure/link?id=681c2c6a-1a2e-e911-80cd-005056af4099
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Levy S. Dolce vita confidential: Fellini, Loren, Pucci, paparazzi, and the swinging high life of 1950s Rome. First edition. New York: : W.W. Norton & Company 2016.
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Rhodes JD. Chapter 24 - Watching Italians turn around: gender, looking and Roman / cinematic modernity. In: Burke F, ed. A Companion to Italian Cinema. Hoboken, NJ, USA: : John Wiley & Sons, Inc. 408–26.https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default
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Sorrentino P, Servillo T, Verdone C, et al. The great beauty. Artificial Eye ART 678 2013.
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Gary Crowdus Paolo Sorrentino. ‘In Search of “The Great Beauty”: An Interview with Paolo Sorrentino’ [in] Cineaste. Cineaste 2014;39:8–13.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43500945&site=ed
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Donadio R. ‘La Dolce Vita Gone Sour (And This Time in Color)’ [in] New York Times. New York Times 2013;162.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=asx&AN=90130205&site=eds-live&scope=site
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Gordon R. ‘All tomorrow’s parties’ [in] Times Literary Supplement. ,Times Literary Supplement 2013;:18–18.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=90500389&site=eds-live&scope=site
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Hipkins D. The Showgirl Effect: Ageing between great beauties and ‘veline di turno’ [in] ReadingItaly. https://readingitaly.wordpress.com/2013/12/11/cinepanettone-academia/
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Iannotta, Antonio. ‘Le immagini del potere. Note sull’identità italiana nel cinema di Paolo Sorrentino’ [in] California Italian Studies. California Italian Studies 2016;6:1–17.https://escholarship.org/uc/item/69z1s71b
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Martini, Alessia. ‘Concept City: Roma ri-vista e vissuta ne La dolce vita e La grande bellezza’ [in] Carte Italiiane: A Journal of Italian Studies. Carte Italiane: A Journal of Italian Studies 2015;:107–19.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=111110081&site=ehost-live
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Mecchia G. Birds in the Roman sky: Shooting for the sublime in La Grande Bellezza’. Forum Italicum: A Journal of Italian Studies 2016;50:183–93.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2016642558&site=eds-live&scope=site
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O’Rawe C. Stars and masculinities in contemporary Italian cinema. Basingstoke: : Palgrave Macmillan 2014. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137381477
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Paulicelli E. Chapter 7 - ‘After La dolce vita: La grande bellezza (2013) by Paolo Sorrentino’ [in] Italian style: fashion & film from early cinema to the digital age. In: Italian Style: Fashion and film from early cinema to the digital age. New York, NY: : Bloomsbury Academic 2016. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781623566616
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Thomson, David. ‘Beauty’ [in] New Republic. New Republic 2013;244:56–8.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=91900785&site=ehost-live
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Bassi S. Whose Comatose Girlfriend? Figures of Crisis in Neoliberal Italy [in] Modern Languages Open. Modern Languages Open 2018;2018.https://www.modernlanguagesopen.org/articles/10.3828/mlo.v0i0.176/
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Dobson AS, Kanai A. From "can-do” girls to insecure and angry: affective dissonances in young women’s post-recessional media. Feminist Media Studies 2018;:1–16.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=201916422048&site=eds-live&scope=site
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Hom SM. Italy without borders: Simulacra, tourism, suburbia and the new Grand Tour. Italian Studies;65:376–97.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=54909182&site=eds-live&scope=site
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Riva M, editor. Italian tales : an anthology of contemporary Italian fiction. 2004. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005783689707446&context=L&vid=44UOEX_INST:default
