Anderson, Carolyn. 2011. ‘Cold War Consumer Diplomacy and Movie-Induced Roman Holidays’. Journal of Tourism History 3 (Issue 1): 1–19. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=62667757&site=eds-live&scope=site.
Antonello, Pierpaolo. 2016. ‘1.7: A’ Storia e’ Maria: Gender Power Dynamics and Genre Normalization, (“Imma Contro Tutti”, Francesca Comencini)’. The Italianist 36 (2): 322–27. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863958&site=eds-live&scope=site.
Bassi, Serena. 2018. ‘Whose Comatose Girlfriend? Figures of Crisis in Neoliberal Italy [in] Modern Languages Open’. Modern Languages Open 2018 (1). https://www.modernlanguagesopen.org/articles/10.3828/mlo.v0i0.176/.
Bianco, Laura di. 2016. ‘1.5: Donna Imma’s “Dream of Domination” (“Il Ruggito Della Leonessa”, Francesca Comencini)’. The Italianist 36 (2): 312–17. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863961&site=eds-live&scope=site.
Bondanella, Peter E. 2009. A History of Italian Cinema. New York: Continuum International Pub. Group. https://contentstore.cla.co.uk/secure/link?id=613b295e-1723-e911-80cd-005056af4099.
Bradshaw, Peter. 2017. ‘Review of Call Me By Your Name’. The Guardian, October. https://www.theguardian.com/film/2017/oct/26/call-me-by-your-name-review-luca-guadagnino-armie-hammer.
Clapp, James A. 2009. ‘The Romantic Travel Movie, Italian-Style’. Visual Anthropology. 22 (Issue 1): 52–63. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=35713433&site=eds-live&scope=site.
Dobson, Amy Shields, and Akane Kanai. 2018. ‘From "can-Do” Girls to Insecure and Angry: Affective Dissonances in Young Women’s Post-Recessional Media’. Feminist Media Studies, December, 1–16. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=201916422048&site=eds-live&scope=site.
Donadio, Rachel. 2013. ‘“La Dolce Vita Gone Sour (And This Time in Color)” [in] New York Times’. New York Times 162 (Issue 56254, pC1-C5. 2p. 1 Color Photograph). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=asx&AN=90130205&site=eds-live&scope=site.
Duncan, Derek. 2017. ‘Chapter 27 - The Queerness of Italian Cinema’. In A Companion to Italian Cinema, edited by Frank Burke, 467–83. Hoboken, NJ, USA: John Wiley & Sons, Inc. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default.
Dyer, Richard. 1999. ‘Chapter 20 - The Role of Stereotypes’. In Media Studies: A Reader, edited by Paul Marris and Sue Thornham, 2nd ed, 245–51. Edinburgh: Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=93023b4b-1931-e911-80cd-005056af4099.
Elisabetta, Girelli. 2006. ‘Beauty and the Beast: The Construction of Italianness in A Room With A View and Where Angels Fear To Tread’. Studies in European Cinema. 3 (1): 01–35. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01244594.200603010.00003&site=eds-live&scope=site.
Falcus, Sarah, and Katsura Sako. 2014. ‘Chapter 13 - Women, Travelling and Later Life’. In Ageing, Popular Culture and Contemporary Feminism : Harleys and Hormones, edited by Imelda Whelan and Joel Gwynne. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000980539707446&context=L&vid=44UOEX_INST:default.
Fellini, Federico, Marcello Mastroianni, and Anita Ekberg. 2001. ‘La Dolce Vita’. Momentum Pictures MP042D.
Gary Crowdus Paolo Sorrentino. 2014. ‘“In Search of ‘The Great Beauty’: An Interview with Paolo Sorrentino” [in] Cineaste’. Cineaste 39 (2): 8–13. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43500945&site=ed.
Girelli, Elisabetta. 2009. ‘Chapter 5 - “Italianness, British Cinema and Thatcherism” [in] Beauty and the Beast: Italianness in British Cinema’. In . Bristol: Intellect. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841503035.
Gordon, Robert. 2012. ‘Cartoline Da Roma. Hollywood, l’Italia e La Citta Del Turismo’. In ItaliAmerica: Il Mondo Dei Media, 11–34. Milano: Il saggiatore.
———. 2013. ‘“All Tomorrow’s Parties” [in] Times Literary Supplement’. ,Times Literary Supplement, no. 5765: 18–18. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=90500389&site=eds-live&scope=site.
———. 2014. ‘Hollywood and Italy: Industries and Fantasies’. In The Italian Cinema Book, 123–32. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute. https://contentstore.cla.co.uk/secure/link?id=5fb9d3b7-b739-e911-80cd-005056af4099.
Guadagnino, Luca, and Armie Hammer. 2017. ‘Call Me by Your Name’. London: Sony Pictures Home Entertainment.
Gundle, Stephen. 2011. Death and the Dolce Vita: The Dark Side of Rome in the 1950s. Edinburgh. https://contentstore.cla.co.uk/secure/link?id=681c2c6a-1a2e-e911-80cd-005056af4099.
Haskell, Molly. 2017. ‘Call Me by Your Name’. Film Comment. 53 (Issue 6): 67–69. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125914958&site=eds-live&scope=site.
Hipkins, Danielle. n.d. ‘The Showgirl Effect: Ageing between Great Beauties and “Veline Di Turno” [in] ReadingItaly’. https://readingitaly.wordpress.com/2013/12/11/cinepanettone-academia/.
Hom, Stephanie Malia. 2015a. ‘Chapter 2 - Italian Montage: On Rhetoric and Representations’. In The Beautiful Country: Tourism and the Impossible State of Destination Italy, 68–80. Toronto [Ontario]: University of Toronto Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default.
———. 2015b. ‘Chapter 2 - Italian Montage: On Rhetoric and Representations’. In The Beautiful Country: Tourism and the Impossible State of Destination Italy, 68–80. Toronto [Ontario]: University of Toronto Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default.
———. n.d. ‘Italy without Borders: Simulacra, Tourism, Suburbia and the New Grand Tour’. Italian Studies 65 (3): 376–97. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=54909182&site=eds-live&scope=site.
Iannotta, Antonio. 2016. ‘“Le Immagini Del Potere. Note Sull’identità Italiana Nel Cinema Di Paolo Sorrentino” [in] California Italian Studies’. California Italian Studies 6 (Issue 2, preceding p1-17): 1–17. https://escholarship.org/uc/item/69z1s71b.
Ivory. 1985. ‘A Room with a View’. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A08C?bcast=80632351.
Ivory, James, Maggie Smith, Helena Bonham Carter, Denholm Elliot, Simon Callow, and Daniel Day-Lewis. 2007. ‘A Room with a View’. Channel 4.
Jones, Tobias. 2013. The Dark Heart of Italy. Third edition. London: Faber and Faber.
Lavery, David. 2005. Reading the Sopranos. London: I. B. Tauris. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008571029707446&context=L&vid=44UOEX_INST:default.
Levy, Shawn. 2016a. ‘Chapter 12 - “She Will Be a Sensation”’. In Dolce Vita Confidential, First edition, 111–21. New York: W.W. Norton & Company. https://contentstore.cla.co.uk/secure/link?id=c379ad2c-ab5a-e911-80cd-005056af4099.
———. 2016b. Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome. First edition. New York: W.W. Norton & Company.
Liz, Mariana. 2014. ‘From Europe with Love: Urban Space and Cinematic Postcards’. Studies in European Cinema 11 (Issue 1): 3–13. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=97901909&site=eds-live&scope=site.
Longo, Regina. 2016. ‘Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover on Queer Cinema in the World’. Film Quarterly, no. 2: 94–100. https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.26413772&site=eds-live&scope=site.
Manetti, Marco, and Antonio Manetti. 2018. ‘Ammore e Malavita’. [Roma]: 01 Distribution.
Martini, Alessia. 2015. ‘“Concept City: Roma Ri-Vista e Vissuta Ne La Dolce Vita e La Grande Bellezza” [in] Carte Italiiane: A Journal of Italian Studies’. Carte Italiane: A Journal of Italian Studies, 107–19. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=111110081&site=ehost-live.
Mecchia, Giuseppina. 2016. ‘Birds in the Roman Sky: Shooting for the Sublime in La Grande Bellezza’’. Forum Italicum: A Journal of Italian Studies 50 (1): 183–93. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2016642558&site=eds-live&scope=site.
Menta, Anna. 2017. ‘Sex and the Single Boy’. Newsweek Global 169 (Issue 23): 46–47. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=126830179&site=eds-live&scope=site.
Miller, D. A. 2018. ‘Elio’s Education’. Los Angeles Review of Books. 2018. https://lareviewofbooks.org/article/elios-education/.
Monk, Claire. 2001. ‘Sexuality and Heritage’. In Film/Literature/Heritage: A Sight and Sound Reader, 32–34. London: British Film Institute. https://contentstore.cla.co.uk/secure/link?id=9119f84c-c818-e911-80cd-005056af4099.
Moya, Ana. 2013. ‘Chapter 1 - Neo-Feminism in-between: Female Cosmopolitan Subjects in Contemporary American Film’. In Postfeminism and Contemporary Hollywood Cinema, edited by Nadine Muller, 13–26. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003237899707446&context=L&vid=44UOEX_INST:default.
O’Healy, Aine. 2018. ‘Film Review: “Call Me By Your Name” by Luca Guadagnino’. Gender / Sexuality / Italy. http://www.gendersexualityitaly.com/26-call-me-by-your-name/.
O’Rawe, Catherine. 2014. Stars and Masculinities in Contemporary Italian Cinema. Basingstoke: Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137381477.
Ouditt, Sharon, and Loredana Polezzi. 2012. ‘Introduction: Italy as Place and Space’. Studies in Travel Writing. 16 (Issue 2): 97–105. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=76246085&site=eds-live&scope=site.
Paulicelli, Eugenia. 2016. ‘Chapter 7 - “After La Dolce Vita: La Grande Bellezza (2013) by Paolo Sorrentino” [in] Italian Style: Fashion & Film from Early Cinema to the Digital Age’. In Italian Style: Fashion and Film from Early Cinema to the Digital Age. Vol. Volume 5. New York, NY: Bloomsbury Academic. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781623566616.
Regan, Dana. 2016. ‘Gomorra: La Serie : Beyond Realism’. Italianist 36 (2): 287–92. https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsbl&AN=vdc.100108364840.0x000001&site=eds-live&scope=site.
Renga, Dana. 2019. ‘Chapter 7 - Making Men in Gomorrah 1 and 2’. In Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond, 193–229. Cham: Springer International Publishing. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008761159707446&context=L&vid=44UOEX_INST:default.
Rhodes, John David. n.d. ‘Chapter 24 - Watching Italians Turn around: Gender, Looking and Roman / Cinematic Modernity’. In A Companion to Italian Cinema, edited by Frank Burke, 408–26. Hoboken, NJ, USA: John Wiley & Sons, Inc. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default.
Ricci, Franco. 2011. ‘Chapter 17 - When Words Can Kill: David Chase’s The Sopranos’. In Mafia Movies: A Reader, edited by Dana Renga, 183–91. Toronto [etc.]: University of Toronto Press. https://contentstore.cla.co.uk/secure/link?id=35978f80-771d-e911-80cd-005056af4099.
Riva, Massimo, ed. 2004. Italian Tales : An Anthology of Contemporary Italian Fiction. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005783689707446&context=L&vid=44UOEX_INST:default.
‘Roman Holiday’. 1953. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E100?bcast=116265181.
Sitney, P. Adams. 1995. Vital Crises in Italian Cinema: Iconography, Stylistics, Politics. Austin: University of Texas Press.
Sorrentino, Paolo, Toni Servillo, Carlo Verdone, Sabrina Ferilli, and Carlo Buccirosso. 2013. The Great Beauty. Artificial Eye ART 678.
‘The Sopranos: Series 2, Episode 4, “Commendatori”’. n.d. https://learningonscreen.ac.uk/ondemand/index.php/prog/TVI18426?bcast=3006646.
Thomson, David. 2013. ‘“Beauty” [in] New Republic’. New Republic 244 (Issue 19): 56–58. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=91900785&site=ehost-live.
University of Exeter. n.d. ‘Modern Languages - LibGuides at University of Exeter’. https://libguides.exeter.ac.uk/modernlanguages.
Wheatley, Catherine. 2017. ‘Call Me by Your Name’. Sight and Sound 27 (11). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125504630&site=eds-live&scope=site.
Wyler, William, Audrey Hepburn, Gregory Peck, and Eddie Albert. 2009. ‘Roman Holiday’. Paramount Pictures PHE1114.
Zambenedetti, Alberto, ed. 2014. World Film Locations: Florence. Bristol: Intellect Books. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008564439707446&context=L&vid=44UOEX_INST:default.
