Anderson, Carolyn. ‘Cold War Consumer Diplomacy and Movie-Induced Roman Holidays’. Journal of Tourism History 3.Issue 1 (2011): 1–19. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=62667757&site=eds-live&scope=site>.
Antonello, Pierpaolo. ‘1.7: A’ Storia e’ Maria: Gender Power Dynamics and Genre Normalization, (“Imma Contro Tutti”, Francesca Comencini)’. The Italianist 36.2 (2016): 322–327. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863958&site=eds-live&scope=site>.
Bassi, Serena. ‘Whose Comatose Girlfriend? Figures of Crisis in Neoliberal Italy [in] Modern Languages Open’. Modern Languages Open 2018.1 (2018): n. pag. Web. <https://www.modernlanguagesopen.org/articles/10.3828/mlo.v0i0.176/>.
Bondanella, Peter E. A History of Italian Cinema. New York: Continuum International Pub. Group, 2009. Web. <https://contentstore.cla.co.uk/secure/link?id=613b295e-1723-e911-80cd-005056af4099>.
Bradshaw, Peter. ‘Review of Call Me By Your Name’. The Guardian (2017): n. pag. Web. <https://www.theguardian.com/film/2017/oct/26/call-me-by-your-name-review-luca-guadagnino-armie-hammer>.
Clapp, James A. ‘The Romantic Travel Movie, Italian-Style’. Visual Anthropology. 22.Issue 1 (2009): 52–63. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=35713433&site=eds-live&scope=site>.
di Bianco, Laura. ‘1.5: Donna Imma’s “Dream of Domination” (“Il Ruggito Della Leonessa”, Francesca Comencini)’. The Italianist 36.2 (2016): 312–317. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863961&site=eds-live&scope=site>.
Dobson, Amy Shields, and Akane Kanai. ‘From "can-Do” Girls to Insecure and Angry: Affective Dissonances in Young Women’s Post-Recessional Media’. Feminist Media Studies (2018): 1–16. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=201916422048&site=eds-live&scope=site>.
Donadio, Rachel. ‘“La Dolce Vita Gone Sour (And This Time in Color)” [in] New York Times’. New York Times 162.Issue 56254, pC1-C5. 2p. 1 Color Photograph (2013): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=asx&AN=90130205&site=eds-live&scope=site>.
Duncan, Derek. ‘Chapter 27 - The Queerness of Italian Cinema’. A Companion to Italian Cinema. Ed. Frank Burke. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. 467–483. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default>.
Dyer, Richard. ‘Chapter 20 - The Role of Stereotypes’. Media Studies: A Reader. Ed. Paul Marris and Sue Thornham. 2nd ed. Edinburgh: Edinburgh University Press, 1999. 245–251. Web. <https://contentstore.cla.co.uk/secure/link?id=93023b4b-1931-e911-80cd-005056af4099>.
Elisabetta, Girelli. ‘Beauty and the Beast: The Construction of Italianness in A Room With A View and Where Angels Fear To Tread’. Studies in European Cinema. 3.1 (2006): 01–35. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01244594.200603010.00003&site=eds-live&scope=site>.
Falcus, Sarah, and Katsura Sako. ‘Chapter 13 - Women, Travelling and Later Life’. Ageing, Popular Culture and Contemporary Feminism : Harleys and Hormones. Ed. Imelda Whelan and Joel Gwynne. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000980539707446&context=L&vid=44UOEX_INST:default>.
Fellini, Federico, Marcello Mastroianni, and Anita Ekberg. ‘La Dolce Vita’. 2001 : n. pag. Print.
Gary Crowdus Paolo Sorrentino. ‘“In Search of ‘The Great Beauty’: An Interview with Paolo Sorrentino” [in] Cineaste’. Cineaste 39.2 (2014): 8–13. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43500945&site=ed>.
Girelli, Elisabetta. ‘Chapter 5 - “Italianness, British Cinema and Thatcherism” [in] Beauty and the Beast: Italianness in British Cinema’. Bristol: Intellect, 2009. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841503035>.
Gordon, Robert. ‘“All Tomorrow’s Parties” [in] Times Literary Supplement’. ,Times Literary Supplement 5765 (2013): 18–18. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=90500389&site=eds-live&scope=site>.
---. ‘Cartoline Da Roma. Hollywood, l’Italia e La Citta Del Turismo’. ItaliAmerica: Il Mondo Dei Media. Milano: Il saggiatore, 2012. 11–34. Print.
---. ‘Hollywood and Italy: Industries and Fantasies’. The Italian Cinema Book. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute, 2014. 123–132. Web. <https://contentstore.cla.co.uk/secure/link?id=5fb9d3b7-b739-e911-80cd-005056af4099>.
Guadagnino, Luca, and Armie Hammer. ‘Call Me by Your Name’. 2017 : n. pag. Print.
Gundle, Stephen. Death and the Dolce Vita: The Dark Side of Rome in the 1950s. Edinburgh, 2011. Web. <https://contentstore.cla.co.uk/secure/link?id=681c2c6a-1a2e-e911-80cd-005056af4099>.
Haskell, Molly. ‘Call Me by Your Name’. Film Comment. 53.Issue 6 (2017): 67–69. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125914958&site=eds-live&scope=site>.
Hipkins, Danielle. ‘The Showgirl Effect: Ageing between Great Beauties and “Veline Di Turno” [in] ReadingItaly’. N.p., n.d. Web. <https://readingitaly.wordpress.com/2013/12/11/cinepanettone-academia/>.
Hom, Stephanie Malia. ‘Chapter 2 - Italian Montage: On Rhetoric and Representations’. The Beautiful Country: Tourism and the Impossible State of Destination Italy. Toronto [Ontario]: University of Toronto Press, 2015. 68–80. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default>.
---. ‘Chapter 2 - Italian Montage: On Rhetoric and Representations’. The Beautiful Country: Tourism and the Impossible State of Destination Italy. Toronto [Ontario]: University of Toronto Press, 2015. 68–80. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default>.
---. ‘Italy without Borders: Simulacra, Tourism, Suburbia and the New Grand Tour’. Italian Studies 65.3 376–397. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=54909182&site=eds-live&scope=site>.
Iannotta, Antonio. ‘“Le Immagini Del Potere. Note Sull’identità Italiana Nel Cinema Di Paolo Sorrentino” [in] California Italian Studies’. California Italian Studies 6.Issue 2, preceding p1-17 (2016): 1–17. Web. <https://escholarship.org/uc/item/69z1s71b>.
Ivory. ‘A Room with a View’. 1985. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A08C?bcast=80632351>.
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Lavery, David. Reading the Sopranos. London: I. B. Tauris, 2005. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008571029707446&context=L&vid=44UOEX_INST:default>.
Levy, Shawn. ‘Chapter 12 - “She Will Be a Sensation”’. Dolce Vita Confidential. First edition. New York: W.W. Norton & Company, 2016. 111–121. Web. <https://contentstore.cla.co.uk/secure/link?id=c379ad2c-ab5a-e911-80cd-005056af4099>.
---. Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome. First edition. New York: W.W. Norton & Company, 2016. Print.
Liz, Mariana. ‘From Europe with Love: Urban Space and Cinematic Postcards’. Studies in European Cinema 11.Issue 1 (2014): 3–13. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=97901909&site=eds-live&scope=site>.
Longo, Regina. ‘Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover on Queer Cinema in the World’. Film Quarterly 2 (2016): 94–100. Web. <https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.26413772&site=eds-live&scope=site>.
Manetti, Marco, and Antonio Manetti. ‘Ammore e Malavita’. 2018 : n. pag. Print.
Martini, Alessia. ‘“Concept City: Roma Ri-Vista e Vissuta Ne La Dolce Vita e La Grande Bellezza” [in] Carte Italiiane: A Journal of Italian Studies’. Carte Italiane: A Journal of Italian Studies (2015): 107–119. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=111110081&site=ehost-live>.
Mecchia, Giuseppina. ‘Birds in the Roman Sky: Shooting for the Sublime in La Grande Bellezza’’. Forum Italicum: A Journal of Italian Studies 50.1 (2016): 183–193. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2016642558&site=eds-live&scope=site>.
Menta, Anna. ‘Sex and the Single Boy’. Newsweek Global 169.Issue 23 (2017): 46–47. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=126830179&site=eds-live&scope=site>.
Miller, D. A. ‘Elio’s Education’. Los Angeles Review of Books. N.p., 2018. Web. <https://lareviewofbooks.org/article/elios-education/>.
Monk, Claire. ‘Sexuality and Heritage’. Film/Literature/Heritage: A Sight and Sound Reader. London: British Film Institute, 2001. 32–34. Web. <https://contentstore.cla.co.uk/secure/link?id=9119f84c-c818-e911-80cd-005056af4099>.
Moya, Ana. ‘Chapter 1 - Neo-Feminism in-between: Female Cosmopolitan Subjects in Contemporary American Film’. Postfeminism and Contemporary Hollywood Cinema. Ed. Nadine Muller. Basingstoke: Palgrave Macmillan, 2013. 13–26. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003237899707446&context=L&vid=44UOEX_INST:default>.
O’Healy, Aine. ‘Film Review: “Call Me By Your Name” by Luca Guadagnino’. Gender / sexuality / Italy (2018): n. pag. Web. <http://www.gendersexualityitaly.com/26-call-me-by-your-name/>.
O’Rawe, Catherine. Stars and Masculinities in Contemporary Italian Cinema. Basingstoke: Palgrave Macmillan, 2014. Web. <https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137381477>.
Ouditt, Sharon, and Loredana Polezzi. ‘Introduction: Italy as Place and Space’. Studies in Travel Writing. 16.Issue 2 (2012): 97–105. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=76246085&site=eds-live&scope=site>.
Paulicelli, Eugenia. ‘Chapter 7 - “After La Dolce Vita: La Grande Bellezza (2013) by Paolo Sorrentino” [in] Italian Style: Fashion & Film from Early Cinema to the Digital Age’. Italian Style: Fashion and Film from Early Cinema to the Digital Age. Volume 5. New York, NY: Bloomsbury Academic, 2016. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781623566616>.
Regan, Dana. ‘Gomorra: La Serie : Beyond Realism’. Italianist 36.2 (2016): 287–292. Web. <https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsbl&AN=vdc.100108364840.0x000001&site=eds-live&scope=site>.
Renga, Dana. ‘Chapter 7 - Making Men in Gomorrah 1 and 2’. Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond. Cham: Springer International Publishing, 2019. 193–229. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008761159707446&context=L&vid=44UOEX_INST:default>.
Rhodes, John David. ‘Chapter 24 - Watching Italians Turn around: Gender, Looking and Roman / Cinematic Modernity’. A Companion to Italian Cinema. Ed. Frank Burke. Hoboken, NJ, USA: John Wiley & Sons, Inc. 408–426. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default>.
Ricci, Franco. ‘Chapter 17 - When Words Can Kill: David Chase’s The Sopranos’. Mafia Movies: A Reader. Ed. Dana Renga. Toronto [etc.]: University of Toronto Press, 2011. 183–191. Web. <https://contentstore.cla.co.uk/secure/link?id=35978f80-771d-e911-80cd-005056af4099>.
Riva, Massimo, ed. Italian Tales : An Anthology of Contemporary Italian Fiction. N.p., 2004. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005783689707446&context=L&vid=44UOEX_INST:default>.
‘Roman Holiday’. 1953. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E100?bcast=116265181>.
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Thomson, David. ‘“Beauty” [in] New Republic’. New Republic 244.Issue 19 (2013): 56–58. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=91900785&site=ehost-live>.
University of Exeter. ‘Modern Languages - LibGuides at University of Exeter’. N.p., n.d. Web. <https://libguides.exeter.ac.uk/modernlanguages>.
Wheatley, Catherine. ‘Call Me by Your Name’. Sight and Sound 27.11 (2017): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125504630&site=eds-live&scope=site>.
Wyler, William et al. ‘Roman Holiday’. 2009 : n. pag. Print.
Zambenedetti, Alberto, ed. World Film Locations: Florence. Bristol: Intellect Books, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008564439707446&context=L&vid=44UOEX_INST:default>.
