1.
University of Exeter. Modern Languages - LibGuides at University of Exeter [Internet]. Available from: https://libguides.exeter.ac.uk/modernlanguages
2.
Ivory J, Smith M, Bonham Carter H, Elliot D, Callow S, Day-Lewis D. A Room with a View. Channel 4; 2007.
3.
Ivory. A Room with a View [Internet]. 1985. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A08C?bcast=80632351
4.
Dyer R. Chapter 20 - The Role of Stereotypes. In: Marris P, Thornham S, editors. Media Studies: A Reader [Internet]. 2nd ed. Edinburgh: Edinburgh University Press; 1999. p. 245–51. Available from: https://contentstore.cla.co.uk/secure/link?id=93023b4b-1931-e911-80cd-005056af4099
5.
Elisabetta G. Beauty and the Beast: The construction of Italianness in A Room With A View and Where Angels Fear To Tread. Studies in European Cinema [Internet]. 2006;3(1):01–35. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01244594.200603010.00003&site=eds-live&scope=site
6.
Girelli E. Chapter 5 - ‘Italianness, British cinema and Thatcherism’ [in] Beauty and the Beast: Italianness in British cinema. In Bristol: Intellect; 2009. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841503035
7.
Hom SM. Chapter 2 - Italian Montage: On Rhetoric and Representations. In: The Beautiful Country: Tourism and the Impossible State of Destination Italy [Internet]. Toronto [Ontario]: University of Toronto Press; 2015. p. 68–80. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default
8.
Ouditt S, Polezzi L. Introduction: Italy as place and space. Studies in Travel Writing [Internet]. 2012;16(Issue 2):97–105. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=76246085&site=eds-live&scope=site
9.
Zambenedetti A, editor. World film locations: Florence [Internet]. Bristol: Intellect Books; 2014. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008564439707446&context=L&vid=44UOEX_INST:default
10.
Wyler W, Hepburn A, Peck G, Albert E. Roman Holiday. Paramount Pictures PHE1114; 2009.
11.
Roman Holiday [Internet]. 1953. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E100?bcast=116265181
12.
Anderson C. Cold war consumer diplomacy and movie-induced Roman holidays. Journal of Tourism History [Internet]. 2011;3(Issue 1):1–19. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=62667757&site=eds-live&scope=site
13.
Clapp JA. The Romantic Travel Movie, Italian-Style. Visual Anthropology [Internet]. 2009;22(Issue 1):52–63. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=35713433&site=eds-live&scope=site
14.
Falcus S, Sako K. Chapter 13 - Women, travelling and later life. In: Whelan I, Gwynne J, editors. Ageing, popular culture and contemporary feminism : Harleys and hormones [Internet]. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan; 2014. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000980539707446&context=L&vid=44UOEX_INST:default
15.
Gordon R. Cartoline da Roma. Hollywood, l’Italia e la citta del turismo. In: ItaliAmerica: il mondo dei media. Milano: Il saggiatore; 2012. p. 11–34.
16.
Hom SM. Chapter 2 - Italian Montage: On Rhetoric and Representations. In: The Beautiful Country: Tourism and the Impossible State of Destination Italy [Internet]. Toronto [Ontario]: University of Toronto Press; 2015. p. 68–80. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default
17.
Levy S. Chapter 12 - ‘She will be a sensation’. In: Dolce Vita Confidential [Internet]. First edition. New York: W.W. Norton & Company; 2016. p. 111–21. Available from: https://contentstore.cla.co.uk/secure/link?id=c379ad2c-ab5a-e911-80cd-005056af4099
18.
Liz M. From Europe with love: urban space and cinematic postcards. Studies in European Cinema [Internet]. 2014;11(Issue 1):3–13. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=97901909&site=eds-live&scope=site
19.
Moya A. Chapter 1 - Neo-Feminism in-between: Female cosmopolitan subjects in contemporary American film. In: Muller N, editor. Postfeminism and Contemporary Hollywood Cinema [Internet]. Basingstoke: Palgrave Macmillan; 2013. p. 13–26. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003237899707446&context=L&vid=44UOEX_INST:default
20.
Guadagnino L, Hammer A. Call me by your name. London: Sony Pictures Home Entertainment; 2017.
21.
Bradshaw P. Review of Call Me By Your Name. The Guardian [Internet]. 2017 Oct 26; Available from: https://www.theguardian.com/film/2017/oct/26/call-me-by-your-name-review-luca-guadagnino-armie-hammer
22.
Duncan D. Chapter 27 - The Queerness of Italian Cinema. In: Burke F, editor. A Companion to Italian Cinema [Internet]. Hoboken, NJ, USA: John Wiley & Sons, Inc.; 2017. p. 467–83. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default
23.
Haskell M. Call Me by Your Name. Film Comment [Internet]. 2017;53(Issue 6):67–9. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125914958&site=eds-live&scope=site
24.
Longo R. Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover on Queer Cinema in the World. Film Quarterly [Internet]. 2016;(2):94–100. Available from: https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.26413772&site=eds-live&scope=site
25.
Menta A. Sex and the Single Boy. Newsweek Global [Internet]. 2017;169(Issue 23):46–7. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=126830179&site=eds-live&scope=site
26.
Miller DA. Elio’s Education [Internet]. Los Angeles Review of Books. 2018. Available from: https://lareviewofbooks.org/article/elios-education/
27.
Monk C. Sexuality and Heritage. In: Film/Literature/Heritage: A sight and sound reader [Internet]. London: British Film Institute; 2001. p. 32–4. Available from: https://contentstore.cla.co.uk/secure/link?id=9119f84c-c818-e911-80cd-005056af4099
28.
O’Healy A. Film Review: ‘Call me By your Name’ by Luca Guadagnino. Gender / sexuality / Italy [Internet]. 2018; Available from: http://www.gendersexualityitaly.com/26-call-me-by-your-name/
29.
Wheatley C. Call Me by Your Name. Sight and Sound [Internet]. 2017;27(11). Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125504630&site=eds-live&scope=site
30.
The Sopranos: Series 2, Episode 4, ‘Commendatori’ [Internet]. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/TVI18426?bcast=3006646
31.
Ricci F. Chapter 17 - When Words Can Kill: David Chase’s The Sopranos. In: Renga D, editor. Mafia movies: A reader [Internet]. Toronto [etc.]: University of Toronto Press; 2011. p. 183–91. Available from: https://contentstore.cla.co.uk/secure/link?id=35978f80-771d-e911-80cd-005056af4099
32.
Jones T. The dark heart of Italy. Third edition. London: Faber and Faber; 2013.
33.
Antonello P. 1.7: A’ Storia e’ Maria: Gender Power Dynamics and Genre Normalization, (‘Imma contro tutti’, Francesca Comencini). The Italianist [Internet]. 2016;36(2):322–7. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863958&site=eds-live&scope=site
34.
di Bianco L. 1.5: Donna Imma’s ‘Dream of Domination’ (‘Il ruggito della leonessa’, Francesca Comencini). The Italianist [Internet]. 2016;36(2):312–7. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863961&site=eds-live&scope=site
35.
Lavery D. Reading the Sopranos [Internet]. London: I. B. Tauris; 2005. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008571029707446&context=L&vid=44UOEX_INST:default
36.
Regan D. Gomorra: la Serie : Beyond Realism. Italianist [Internet]. 2016;36(2):287–92. Available from: https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsbl&AN=vdc.100108364840.0x000001&site=eds-live&scope=site
37.
Renga D. Chapter 7 - Making Men in Gomorrah 1 and 2. In: Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond [Internet]. Cham: Springer International Publishing; 2019. p. 193–229. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008761159707446&context=L&vid=44UOEX_INST:default
38.
Manetti M, Manetti A. Ammore e malavita. [Roma]: 01 Distribution; 2018.
39.
Fellini F, Mastroianni M, Ekberg A. La Dolce Vita. Momentum Pictures MP042D; 2001.
40.
Sitney PA. Vital crises in Italian cinema: iconography, stylistics, politics. Austin: University of Texas Press; 1995.
41.
Bondanella PE. A History of Italian Cinema [Internet]. New York: Continuum International Pub. Group; 2009. Available from: https://contentstore.cla.co.uk/secure/link?id=613b295e-1723-e911-80cd-005056af4099
42.
Gordon R. Hollywood and Italy: Industries and Fantasies. In: The Italian Cinema Book [Internet]. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute; 2014. p. 123–32. Available from: https://contentstore.cla.co.uk/secure/link?id=5fb9d3b7-b739-e911-80cd-005056af4099
43.
Gundle S. Death and the Dolce Vita: the dark side of Rome in the 1950s [Internet]. Edinburgh; 2011. Available from: https://contentstore.cla.co.uk/secure/link?id=681c2c6a-1a2e-e911-80cd-005056af4099
44.
Levy S. Dolce vita confidential: Fellini, Loren, Pucci, paparazzi, and the swinging high life of 1950s Rome. First edition. New York: W.W. Norton & Company; 2016.
45.
Rhodes JD. Chapter 24 - Watching Italians turn around: gender, looking and Roman / cinematic modernity. In: Burke F, editor. A Companion to Italian Cinema [Internet]. Hoboken, NJ, USA: John Wiley & Sons, Inc.; p. 408–26. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default
46.
Sorrentino P, Servillo T, Verdone C, Ferilli S, Buccirosso C. The great beauty. Artificial Eye ART 678; 2013.
47.
Gary Crowdus Paolo Sorrentino. ‘In Search of “The Great Beauty”: An Interview with Paolo Sorrentino’ [in] Cineaste. Cineaste [Internet]. 2014;39(2):8–13. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43500945&site=ed
48.
Donadio R. ‘La Dolce Vita Gone Sour (And This Time in Color)’ [in] New York Times. New York Times [Internet]. 2013;162(Issue 56254, pC1-C5. 2p. 1 Color Photograph). Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=asx&AN=90130205&site=eds-live&scope=site
49.
Gordon R. ‘All tomorrow’s parties’ [in] Times Literary Supplement. ,Times Literary Supplement [Internet]. 2013;(5765):18–18. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=90500389&site=eds-live&scope=site
50.
Hipkins D. The Showgirl Effect: Ageing between great beauties and ‘veline di turno’ [in] ReadingItaly [Internet]. Available from: https://readingitaly.wordpress.com/2013/12/11/cinepanettone-academia/
51.
Iannotta, Antonio. ‘Le immagini del potere. Note sull’identità italiana nel cinema di Paolo Sorrentino’ [in] California Italian Studies. California Italian Studies [Internet]. 2016;6(Issue 2, preceding p1-17):1–17. Available from: https://escholarship.org/uc/item/69z1s71b
52.
Martini, Alessia. ‘Concept City: Roma ri-vista e vissuta ne La dolce vita e La grande bellezza’ [in] Carte Italiiane: A Journal of Italian Studies. Carte Italiane: A Journal of Italian Studies [Internet]. 2015;107–19. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=111110081&site=ehost-live
53.
Mecchia G. Birds in the Roman sky: Shooting for the sublime in La Grande Bellezza’. Forum Italicum: A Journal of Italian Studies [Internet]. 2016 May;50(1):183–93. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2016642558&site=eds-live&scope=site
54.
O’Rawe C. Stars and masculinities in contemporary Italian cinema [Internet]. Basingstoke: Palgrave Macmillan; 2014. Available from: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137381477
55.
Paulicelli E. Chapter 7 - ‘After La dolce vita: La grande bellezza (2013) by Paolo Sorrentino’ [in] Italian style: fashion & film from early cinema to the digital age. In: Italian Style: Fashion and film from early cinema to the digital age [Internet]. New York, NY: Bloomsbury Academic; 2016. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781623566616
56.
Thomson, David. ‘Beauty’ [in] New Republic. New Republic [Internet]. 2013;244(Issue 19):56–8. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=91900785&site=ehost-live
57.
Bassi S. Whose Comatose Girlfriend? Figures of Crisis in Neoliberal Italy [in] Modern Languages Open. Modern Languages Open [Internet]. 2018 Mar 22;2018(1). Available from: https://www.modernlanguagesopen.org/articles/10.3828/mlo.v0i0.176/
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Dobson AS, Kanai A. From "can-do” girls to insecure and angry: affective dissonances in young women’s post-recessional media. Feminist Media Studies [Internet]. 2018 Dec 3;1–16. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=201916422048&site=eds-live&scope=site
59.
Hom SM. Italy without borders: Simulacra, tourism, suburbia and the new Grand Tour. Italian Studies [Internet]. 65(3):376–97. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=54909182&site=eds-live&scope=site
60.
Riva M, editor. Italian tales : an anthology of contemporary Italian fiction [Internet]. 2004. Available from: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005783689707446&context=L&vid=44UOEX_INST:default
