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Austin, N. (1975). Archery at the dark of the moon: poetic problems in Homer’s Odyssey. University of California Press.
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Bergren, A. (1979). ‘Helen’s Web: Time and Tableau in the “Iliad”’ [in] Helios. http://chs.harvard.edu/CHS/article/display/5730
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Bernard M. W. Knox, author. (1950). ‘The Serpent and the Flame: The Imagery of the Second Book of the Aeneid’ [in] The American Journal of Philology. The American Journal of Philology, 71(4), 379–400. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.292386&site=eds-live&scope=site
Betty Rose Nagle, author. (1983). ‘Byblis and Myrrha: Two Incest Narratives in the Metamorphoses’ [in] The Classical journal. The Classical Journal, 78(4), 301–315. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3296771&site=eds-live&scope=site
Beye, C. R. (1974). ‘Male and Female in the Homeric Poems’ [in] Ramus. Ramus, 3(02), 87–101. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edo&AN=ejs40710234&site=eds-live
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Bronwen L. Wickkiser. (1999). ‘Famous Last Words: Putting Ovid’s Sphragis Back into the Metamorphoses’ [in] Materiali e discussioni per i analisi dei testi classici. Materiali e Discussioni per i Analisi Dei Testi Classici, 42, 113–142. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.40236140&site=eds-live&scope=site
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Byre, C. S. (1988). ‘Penelope and the Suitors before Odysseus: Odyssey 18.158-303’ [in] The American Journal of Philology. The American Journal of Philology, 109(2). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.294576&site=eds-live
Calame, C. (1999). The poetics of eros in Ancient Greece. Princeton University Press.
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Camps, W. A. (1969). An introduction to Virgil’s Aeneid. Oxford University Press.
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Charles Fuqua, author. (1982). ‘Hector, Sychaeus, and Deiphobus: Three Mutilated Figures in Aeneid 1-6’ [in] Classical Philology. Classical Philology, 77(3), 235–240. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.270250&site=eds-live&scope=site
Charles Paul Segal. (1965). ‘“Aeternum per Saecula Nomen”, the Golden Bough and the Tragedy of History: Part I’ [in] Arion. Arion, 4(4), 617–657. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.20162991&site=eds-live&scope=site
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Chris Emlyn-Jones. (1984). ‘The Reunion of Penelope and Odysseus’ [in] Greece & Rome. Greece & Rome, 31(1), 1–18. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.642365&site=eds-live
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Clare, RJ. (1996). ‘Catullus 64 and the “Argonautica” of Apollonius Rhodius: Allusion and exemplarity’ [in] Proceedings of the Cambridge Philological Society. Proceedings of the Cambridge Philological Society, 60–88. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=A1996WB54500003&site=eds-live&scope=site
Clausen, Wendell. (n.d.). ‘Callimachus and Latin Poetry’ [in] Greek, Roman and Byzantine Studies. Greek, Roman and Byzantine Studies, 5, 64–67. https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/pao/docview/1301492104/5E55BF07FDF14A7CPQ/6?accountid=10792
Cohen, B. (1995). The distaff side: representing the female in Homer’s Odyssey. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000658049707446&context=L&vid=44UOEX_INST:default
Conte, G. B., Fowler, D., & Most, G. W. (1994a). Latin literature: a history. Johns Hopkins University Press.
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Da Silva, Jill. (2008). ‘Ecocriticism and Myth: The Case of Erysichthon’ [in] Isle: Interdisciplinary Studies in Literature and Environment. Isle: Interdisciplinary Studies in Literature and Environment, 2, 103–116. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2008652708&site=eds-live&scope=site
Damien Nelis. (2005). ‘Aetas Ovidiana?’ volume of Hermathena : a Trinity College Dublin review. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/i23041397
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Davide Antonio Secci. (2013). ‘Hercules, Cacus, and Evander’s myth-making in Aeneid 8’ [in] Harvard Studies in Classical Philology. ’Harvard Studies in Classical Philology, 195–227. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.24615596&site=eds-live&scope=site
Deborah Kamen. (2015). ‘Naturalized Desires and the Metamorphosis of Iphis’ [in] Helios. Helios, 39(1), 21–36. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1935022812100015&site=eds-live&scope=site
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Doherty, L. E. (1992). ‘Gender and Internal Audiences in the Odyssey’ [in] The American Journal of Philology. The American Journal of Philology, 113(2). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.295555&site=eds-live
Doherty, L. E. (1995). Siren songs: gender, audiences, and narrators in the Odyssey. University of Michigan Press.
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Edwards, M. W. (1987). Homer: poet of the Iliad. Johns Hopkins University Press.
Elena Merli, author. (2004). ‘On the Number of Books in Ovid’s Metamorphoses’ [in] The classical quarterly. The Classical Quarterly, 54(1), 304–307. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3556310&site=eds-live&scope=site
Fantham, E. (1999a). Roman literary culture: from Cicero to Apuleius (John Hopkins paperbacks ed). Johns Hopkins University Press.
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Fantham, E. (2009). ‘Allecto’s first victim: a study of Virgil’s Amata’ [in] Vergil’s Aeneid: Augustan epic and political context. In H.-P. Stahl (Ed.), Vergil’s Aeneid: Augustan epic and political context (pp. 135–154). The Classical Press of Wales. https://www.jstor.org/stable/j.ctvvnb40.12
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Feeney, D. C. (1986). ‘History and revelation in Vergil’s underworld’ [in] Proceedings of the Cambridge Philological Society. Proceedings of the Cambridge Philological Society, 32, 1–24. https://uoelibrary.idm.oclc.org/login?url=http://www.cambridge.org/core/journals/cambridge-classical-journal/article/history-and-revelation-in-vergils-underworld/C6BF85499CE3742973D8D34A8ACB54C7
Feeney, D. C. (1998). Literature and religion at Rome: cultures, contexts, and beliefs. Cambridge University Press.
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Feldherr, A. (1999). ‘Putting Dido on the map: Genre and geography in Vergil’s underworld (“Aeneid” Book-6)’ [in] Arethusa. Arethusa. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000078109500004&site=eds-live&scope=site
Feldherr, A. (2002). ‘Metamorphosis in the Metamorphoses’ [in] The Cambridge Companion to Ovid. In P. Hardie (Ed.), The Cambridge Companion to Ovid (pp. 163–179). Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013352359707446&context=L&vid=44UOEX_INST:default
Feldherr, A. (2010). Playing gods: Ovid’s Metamorphoses and the politics of fiction. Princeton University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001128009707446&context=L&vid=44UOEX_INST:default
Felson, N. (1994). Regarding Penelope: from character to poetics. University of Oklahoma Press.
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Finley, M. I. (1977). The world of Odysseus (2nd ed. (revised and reset)). Chatto and Windus.
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Fitzgerald, W. (1984). ‘Aeneas, Daedalus and the labyrinth’ [in] Arethusa. Arethusa, 17(1), 51–65. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.26308603&site=eds-live&scope=site
Fowler, D. (1987). ‘Virgil on killing virgins’ [in] Homo viator : classical essays for John Bramble. In Homo viator: classical essays for John Bramble (pp. 158–198). Bristol Classical.
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Friedrich Solmsen, author. (1972). ‘The World of the Dead in Book 6 of the Aeneid’ [in] Classical Philology. Classical Philology, 67(1), 31–41. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.269013&site=eds-live&scope=site
Fulkerson, L. (2008). ‘Patterns of death in the Aeneid’ [in] Scripta classica israelica. Scripta Classica Israelica: Yearbook of the Israel Society for the Promotion  of Classical Studies, 27.
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G. Karl Galinsky, author. (1968). ‘Aeneid V and the Aeneid’ [in] The American Journal of Philology. The American Journal of Philology, 89(2), 157–185. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.293134&site=eds-live&scope=site
Galinsky, G. K. (1972). The Herakles theme: the adaptations of the hero in literature from Homer to the twentieth century. Blackwell.
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Galinsky, K. (1994). ‘How to be Philosophical about the End of the Aeneid’ [in] Illinois Classical Sudies. Illinois Classical, 191–201. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.23065430&site=eds-live&scope=site
George E. Duckworth, author. (1967). ‘The Significance of Nisus and Euryalus for Aeneid IX-XII’ [in] The American Journal of Philology. The American Journal of Philology, 88(2), 129–150. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.293465&site=eds-live&scope=site
Giusti, E. (2018a). Carthage in Virgil’s Aeneid: staging the enemy under Augustus. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006546279707446&context=L&vid=44UOEX_INST:default
Giusti, E. (2018b). Carthage in Virgil’s Aeneid: staging the enemy under Augustus. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006546279707446&context=L&vid=44UOEX_INST:default
Giusti, E. (2018c). Carthage in Virgil’s Aeneid: staging the enemy under Augustus. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006546279707446&context=L&vid=44UOEX_INST:default
Gold, B. K. (1982a). Literary and artistic patronage in ancient Rome. University of Texas Press.
Gold, B. K. (1982b). Literary and artistic patronage in ancient Rome. University of Texas Press.
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Goldschmidt, N. (2014). Shaggy crowns: Ennius’ Annales and Virgil’s Aeneid. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003246599707446&context=L&vid=44UOEX_INST:default
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Gransden, K. W. & Virgil. (1976). Aeneid book VIII. Cambridge University Press.
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Griffin, J. (1980). Homer: Vol. Past masters. O.U.P.
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Hainsworth, J. B. (1969). Homer: Vol. Greece and Rome. Clarendon Press.
Hans-Peter Stahl. (1981). ‘Aeneas - an “unheroic” hero?’ [in] Arethusa. Arethusa, 14(1), 157–177. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.26308084&site=eds-live&scope=site
Hardie, P. (1997). ‘Questions of authority: the invention of tradition in Ovid’s Metamorphoses 15’ [in] The Roman Cultural Revolution. In The Roman cultural revolution. Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=14148c36-df14-e911-80cd-005056af4099
Hardie, P. (Ed.). (2002). The Cambridge Companion to Ovid. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013352359707446&context=L&vid=44UOEX_INST:default
Hardie, P. R. (1985). Virgil’s Aeneid: cosmos and imperium. Clarendon.
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Hardie, P. R. (2002). ‘The historian in Ovid. The Roman history of Metamorphoses 14-15’ [in] Clio and the poets. Augustan poetry and the traditions of ancient historiography. In Clio and the poets: Augustan poetry and the traditions of ancient historiography (Vol. 224, pp. 191–209). Brill. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008216249707446&context=L&vid=44UOEX_INST:default
Hardie, P. R. (2006a). Ovid’s poetics of illusion. Cambridge University Press.
Hardie, P. R. (2006b). Ovid’s poetics of illusion. Cambridge University Press.
Hardie, P. R., Barchiesi, A., Hinds, S., & Cambridge Philological Society. (1999a). ‘Closure and transformation in Ovid’s Metamorphoses’ [in] Ovidian transformations: essays on the Metamorphoses and its reception. In Ovidian transformations: essays on the Metamorphoses and its reception: Vol. no. 23 (pp. 142–161). Cambridge Philological Society.
Hardie, P. R., Barchiesi, A., Hinds, S., & Cambridge Philological Society. (1999b). Ovidian transformations: essays on the Metamorphoses and its reception: Vol. no. 23. Cambridge Philological Society.
Hardie, Philip. (2010). ‘Approximative Similes in Ovid. Incest and Doubling’ [in] Dictynna. Dictynna, 1. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsrev&AN=edsrev.4E48CBB5&site=eds-live&scope=site
Hardy C. Fredricksmeyer. (1997). ‘Penelope “Polutropos:” The Crux at Odyssey 23.218-24’ [in] The American Journal of Philology. The American Journal of Philology, 118(4), 487–497. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1562049&site=eds-live
Hardy, C. S. (1995). ‘Ecphrasis and the male narrator in Ovid’s Arachne’ [in] Helios. In Helios: a journal devoted to critical and methodological studies of classical culture, literature and society (Vol. 22, Issue 2, pp. 140–146). Texas Tech University Press.
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Harrison, E. L. (1990). ‘Divine action in Aeneid Book 2’ [in] Oxford readings in Vergil’s Aeneid. In Oxford readings in Vergil’s Aeneid (pp. 46–59). Clarendon. https://contentstore.cla.co.uk/secure/link?id=87245476-3e13-e911-80cd-005056af4099
Harrison, S. (2009). ‘The sword-belt of Pallas: moral symbolism and political ideology: Aeneid 10.495-505’ [in] Vergil’s Aeneid : Augustan Epic and Political Context. In Vergil’s Aeneid: Augustan Epic and Political Context (pp. 223–242). Classical Press of Wales, The. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006753069707446&context=L&vid=44UOEX_INST:default
Harrison, S. J. (1990). Oxford readings in Vergil’s Aeneid. Clarendon.
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Harry C. Rutledge, author. (1971). ‘The Opening of “Aeneid” 6’ [in] Classical Journal. Classical Journal, 67(2), 110–115. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3296506&site=eds-live&scope=site
Heath, J. (1994). ‘The Failure of Orpheus’ [in] Transactions of the American Philological Association. Transactions of the American Philological Association, 124. https://www.jstor.org/stable/284290
Helene Foley. (1978). ‘“Reverse Similes” and Sex Roles in the “Odyssey”’ [in] Arethusa. Arethusa, 11(1). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.26308152&site=eds-live
Heubeck, A., West, S., & Hainsworth, J. B. (1988). A commentary on Homer’s Odyssey: Vol.1: Introduction and books I-VIII. Clarendon.
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Highet, G. (1972). The speeches in Vergil’s Aeneid. Princeton University Press.
Hinds, S. (1998a). Allusion and intertext: dynamics of appropriation in Roman poetry. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003042969707446&context=L&vid=44UOEX_INST:default
Hinds, S. (1998b). Allusion and intertext: dynamics of appropriation in Roman poetry. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003042969707446&context=L&vid=44UOEX_INST:default
Hinds, S. (2002). ‘Landscape with figures: aesthetics of place in the Metamorphoses and its tradition’ [in] The Cambridge companion to Ovid. In P. Hardie (Ed.), The Cambridge Companion to Ovid (pp. 122–149). Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013352359707446&context=L&vid=44UOEX_INST:default
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Holmberg, I. (1997b). The Sign of Metis. Arethusa, 30(1), 1–33. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1080650497100015&site=eds-live
Hunter Gardner. (2007). ‘Ariadne’s Lament: The Semiotic Impulse of Catullus 64’ [in] Transactions and Proceedings of the American Philological Association. Transactions and Proceedings of the American Philological Association, 137(1), 147–179. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1533069907101474&site=eds-live&scope=site
Ingo Gildenhard, authorAndrew Zissos, author. (2000). ‘Ovid’s Narcissus (Met. 3.339-510): Echoes of Oedipus’ [in] The American Journal of Philology. The American Journal of Philology, 121(1), 129–147. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1561650&site=eds-live&scope=site
J., E. (1991). ‘Reviewing Pygmalion - Visual Mimesis and the myth of the real, Ovid’s Pygmalion as viewer’ [in] Ramus. Ramus. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=A1991JU60600004&site=eds-live&scope=site
J. S. C. Eidinow, author. (2003). ‘Dido, Aeneas, and Iulus: Heirship and Obligation in “Aeneid” 4’ [in] The Classical Quarterly. The Classical Quarterly, 53(1), 260–267. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3556495&site=eds-live&scope=site
James Morwood, author. (1991). ‘Aeneas, Augustus, and the Theme of the City’ [in] Greece & Rome. Greece & Rome, 38(2), 212–223. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.642960&site=eds-live&scope=site
James Morwood, author. (1999). ‘Catullus 64, Medea, and the François Vase’ [in] Greece and Rome. Greece and Rome, 46(2), 221–231. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.643199&site=eds-live&scope=site
James, P. (2004). ‘Marsyas’s Musical Body: The Poetics of Mutilation and Reflection in Ovid’s Metamorphic Martyrs’ [in] Arethusa. Arethusa, 37(1), 88–103. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1080650404100888&site=eds-live&scope=site
Jennifer Ingleheart. (2006). ‘What the Poet Saw: Ovid, the Error and the Theme of Sight in Tristia 2’ [in]  Materiali e discussioni per l’analisi dei testi classici. Materiali e Discussioni per l’analisi Dei Testi Classici., 56, 63–86. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.40236287&site=eds-live&scope=site
Johann Ramminger, author. (1991). ‘Imitation and Allusion in the Achaemenides Scene (Vergil, Aeneid 3.588-691)’ [in] The American Journal of Philology. The American Journal of Philology, 112(1), 53–71. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.295012&site=eds-live&scope=site
John F. Makowski, author. (1989). ‘Nisus and Euryalus: A Platonic Relationship’ [in] The Classical Journal. The Classical Journal, 85(1), 1–15. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3297483&site=eds-live&scope=site
John F. Makowski, author. (1996). ‘Bisexual Orpheus: Pederasty and Parody in Ovid’ [in] The Classical Journal. The Classical Journal, 92(1), 25–38. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3298463&site=eds-live&scope=site
John Heath, author. (1991). ‘Diana’s Understanding of Ovid’s Metamorphoses’ [in] The Classical Journal. The Classical Journal, 86(3), 233–243. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3297428&site=eds-live&scope=site
John P. Lynch, author. (1980). ‘Laocoön and Sinon: Virgil, “Aeneid” 2.40-198’ [in] Greece & Rome. Greece & Rome, 27(2), 170–179. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.642539&site=eds-live&scope=site
John W. Zarker. (1972). ‘The Hercules Theme in the Aeneid’ [in] Vergilius. Vergilius (1959-), 18. https://www.jstor.org/stable/41592381
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Julia Haig Gaisser, author. (1995). ‘Threads in the Labyrinth: Competing Views and Voices in Catullus 64’ [in] The American Journal of Philology. The American Journal of Philology, 116(4), 579–616. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.295405&site=eds-live&scope=site
Katz, M. A. (1991). Penelope’s renown: meaning and indeterminacy in the Odyssey. Princeton University Press.
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Kenneth J. Reckford, author. (1961). ‘Latent Tragedy in Aeneid VII, 1-285’ [in] The American Journal of Philology. The American Journal of Philology, 82(3), 252–269. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.292368&site=eds-live&scope=site
King, K. C. (1991). Achilles: paradigms of the war hero from Homer to the middle ages. University of California Press.
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Knox, P. (1986). ‘The transformation of elegy’ [in] Ovid’s Metamorphoses and the traditions of Augustan poetry. In Ovid’s Metamorphoses and the traditions of Augustan poetry (pp. 9–26). Cambridge Philological Society. https://contentstore.cla.co.uk/secure/link?id=5a5d3f25-ce14-e911-80cd-005056af4099
Knox, P. E. (1990). ‘In pursuit of Daphne’ [in] Transactions of the American Philological Association. Transactions of the American Philological Association, 183–202. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=A1990JX17700011&site=eds-live&scope=site
Knox, P. E. (2006). Oxford readings in Ovid. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015018099707446&context=L&vid=44UOEX_INST:default
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Konstan, D. (1993b). ‘Neoteric epic: Catullus 64’ [in] Roman epic. In Roman epic (pp. 59–79). Routledge.
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Lamberton, R. D. (1986). Homer the theologian: Neoplatonist allegorical reading and the growth of the epic tradition: Vol. The transformation of the classical heritage. University of California Press.
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Lateiner, Donald. (1984a). ‘Mythic and Non-Mythic Artists in Ovid’s Metamorphoses’ [in] Ramus. Ramus, 13(1), 1–30. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edo&AN=ejs40710363&site=eds-live&scope=site
Lateiner, Donald. (1984b). ‘Mythic and Non-Mythic Artists in Ovid’s Metamorphoses’ [in] Ramus. Ramus, 13(1), 1–30. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edo&AN=ejs40710363&site=eds-live&scope=site
Lateiner, Donald. (1984c). ‘Mythic and Non-Mythic Artists in Ovid’s Metamorphoses’ [in] Ramus. Ramus, 13(1), 1–30. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edo&AN=ejs40710363&site=eds-live&scope=site
Lattimore, R. & Homer. (1951). The Iliad of Homer. University of Chicago Press.
Lattimore, R. & Homer. (2007). The odyssey of Homer. Harper Perennial Modern Classics.
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Rebekah M. Smith, author. (1999). ‘Deception and Sacrifice in “Aeneid” 2.1-249’ [in] The American Journal of Philology. The American Journal of Philology, 120(4), 503–523. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1561803&site=eds-live&scope=site
Reinhold, M. (1966). ‘The Unhero Aeneas’ [in] Classica et mediaevalia. Classica et Mediaevalia: Revue Danoise de Philologie et d’histoire, 27. https://contentstore.cla.co.uk/secure/link?id=146e2a14-4b13-e911-80cd-005056af4099
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Richlin, A. (1992). ‘Reading Ovid’s rapes’ [in] Pornography and representation in Greece and Rome. In Pornography and representation in Greece and Rome (pp. 158–179). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=738ca88e-dc14-e911-80cd-005056af4099
Riemer Faber, author. (1998). ‘Daedalus, Icarus, and the Fall of Perdix: Continuity and Allusion in Metamorphoses 8.183-259’ [in] Hermes. Hermes, 126(1), 80–89. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4477235&site=eds-live&scope=site
Rimell, V. (2006). Ovid’s lovers: desire, difference and the poetic imagination. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003730539707446&context=L&vid=44UOEX_INST:default
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Robert D. Brown, author. (1990). ‘The Structural Function of the Song of Iopas’ [in] Harvard Studies in Classical Philology. Harvard Studies in Classical Philology, 315–334. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.311292&site=eds-live&scope=site
Robert J. Rowland, Jr. (1968). ‘Foreshadowing in Vergil, “Aeneid,” VIII, 714-28’ [in] ’Latomus’. Latomus. https://www.jstor.org/stable/41525723
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Roger Rees, author. (1994). ‘Common Sense in Catullus 64’ [in] American Journal of Philology. The American Journal of Philology, 115(1), 75–88. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.295349&site=eds-live&scope=site
Rogerson, A. (2017). Virgil’s Ascanius: imagining the future in the Aeneid. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004415959707446&context=L&vid=44UOEX_INST:default
Roisman, H. M. (1987). ‘Penelope’s Indignation’ [in] Transactions of the American Philological Association. Transactions of the American Philological Association (1974-), 117. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/283959
Rosati, G. (1999). ‘Form in motion: weaving the text in the Metamorphoses’ [in] Ovidian transformations: essays on the Metamorphoses and its reception. In Ovidian transformations: essays on the Metamorphoses and its reception: Vol. no. 23 (pp. 240–253). Cambridge Philological Society.
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Rush, F. (2009). ‘Literature and politics’ [in] The Oxford handbook of philosophy and literature. In The Oxford handbook of philosophy and literature. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000518259707446&context=L&vid=44UOEX_INST:default
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S. V. Tracy, author. (1987). ‘Laocoon’s Guilt’ [in] The American Journal of Philology. The American Journal of Philology, 108(3), 451–454. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.294668&site=eds-live&scope=site
Salzman-Mitchell, P. B. (2005). A web of fantasies: gaze, image, and gender in Ovid’s Metamorphoses. Ohio State University Press.
Sara Mack. (1999). ‘Acis and Galatea or Metamorphosis of Tradition’ [in] Arion. Arion: A Journal of Humanities and The, 6(3), 51–67. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.20163726&site=eds-live&scope=site
Sara Myers, author. (1999). ‘The Metamorphosis of a Poet: Recent Work on Ovid’ [in] The Journal of Roman Studies. The Journal of Roman Studies, 190–204. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.300740&site=eds-live&scope=site
Schein, S. L. (1984). The mortal hero: an introduction to Homer’s Iliad. University of California Press.
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Segal, C. (1994b). Singers, heroes, and gods in the Odyssey: Vol. Myth and poetics. Cornell University Press.
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Sergio Casali, author. (2006). ‘The Making of the Shield: Inspiration and Repression in the “Aeneid”’ [in] Greece & Rome. Greece & Rome, 53(2), 185–204. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4122470&site=eds-live&scope=site
Sharon L. James, author. (1995). ‘Establishing Rome with the Sword: Condere in the Aeneid’ [in] The American Journal of Philology. The American Journal of Philology, 116(4), 623–637. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.295407&site=eds-live&scope=site
Sharrock, A. (1994). ‘Ovid and the Politics of Reading’ [in] Materiali e discussioni per l’analisi dei testi classici. Materiali e Discussioni per l’analisi Dei Testi Classici., 33, 97–122. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.40236039&site=eds-live&scope=site
Sharrock, A. (1996). ‘Representing metamorphosis’ [in] Art and text in Roman culture. In Art and text in Roman culture (pp. 103–130). Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=fd3b6e09-de14-e911-80cd-005056af4099
Sharrock, A. R. (1991). ‘Reviewing Pygmalion: The Love of Creation’ [in] Ramus. Ramus. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=A1991JU60600005&site=eds-live&scope=site
Slatkin, L. M. (1991). The power of Thetis: allusion and interpretation in the Iliad. University of California Press.
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‘Structure and Ambiguity in Catullus LXIV’ [in] Proceedings of the Cambridge Philological Society. (1970). The Cambridge Classical Journal, 16, 22–41. https://uoelibrary.idm.oclc.org/login?url=http://www.cambridge.org/core/journals/cambridge-classical-journal/article/structure-and-ambiguity-in-catullus-lxiv/A8CAEBE84BEC518AB1F404C784A114F5
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Tissol, G. (2002). ‘The house of fame: Roman history and Augustan politics in Metamorphoses 11–15’ [in] Brill’s Companion to Ovid. In Brill’s companion to Ovid (pp. 305–335). Brill. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001745259707446&context=L&vid=44UOEX_INST:default
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