Achinstein, S. (2014) Milton and the Revolutionary Reader. Princeton: Princeton University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt7zv403.
ALISON FINDLAY (no date) PLAYING SPACES IN EARLY WOMEN’S DRAMA. CAMBRIDGE: CAMBRIDGE UNIV PRESS.
Andrew Hadfield (2000) ‘Spenser, Drayton, and the Question of Britain’, The Review of English Studies, 51(204). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/519256.
Anita Pacheco (1998) ‘Rape and the Female Subject in Aphra Behn’s “The Rover”’, ELH, 65(2). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/30030182.
Ann C. Christensen (1995) ‘Settling House in Middleton’s “Women Beware Women”’, Comparative Drama, 29(4). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41153777.
Armitage, D., Himy, A. and Skinner, Q. (eds) (1995) Milton and republicanism. Cambridge: Cambridge University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511598456.
Behn, A. and Spencer, J. (2008a) ‘The Rover’ and Other Plays. Oxford: Oxford University Press.
Behn, A. and Spencer, J. (2008b) ‘The Rover’ and Other Plays. Oxford: Oxford University Press.
Belsey, C. (1988a) John Milton. Oxford: Basil Blackwell.
Belsey, C. (1988b) John Milton: Language, Gender, Power. Oxford: Basil Blackwell.
BIGGS, M. (1997) ‘DOES THE DUKE RAPE BIANCA IN MIDDLETON’S WOMEN BEWARE WOMEN ?’, Notes and Queries, 44(1), pp. 97–100. Available at: https://doi.org/10.1093/nq/44-1-97.
Blum, A. (1988) ‘The Author’s Authority: Areopagitica and the Labour of Licensing’, in Re-membering Milton: essays on the texts and traditions. New York: Methuen, pp. 74–96. Available at: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780429029493.
Borris, K. (2000) Allegory and epic in English Renaissance literature : heroic form in Sidney, Spenser, and Milton / Kenneth Borris. Cambridge: Cambridge University Press.
Braden, Gordon (2015) ‘Hero and Leander in Bed (and the Morning After)’, English Literary Renaissance, (2), pp. 205–230. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2015583305&site=eds-live&scope=site.
Bromham, A.A. (1986) ‘The Tragedy of Peace: Political Meaning in Women Beware Women’, Studies in English Literature, 1500-1900, 26(2). Available at: https://doi.org/10.2307/450510.
Brown, G.E. (2004) Redefining Elizabethan literature. Cambridge: Cambridge University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483462.
Brown, G.E. (no date) ‘Gender and Voice in Hero and Leander’, in Constructing Christopher Marlowe. Cambridge University Press.
Brown, S., Lublin, R.I. and McCulloch, L. (2013) Reinventing the Renaissance: Shakespeare and his contemporaries in adaptation and performance. Basingstoke: Palgrave Macmillan. Available at: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137319401.
Buhler, S.M. and ProQuest (Firm) (2002) Shakespeare in the cinema: ocular proof. Albany: State University of New York Press. Available at: https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=3408103.
Burlinson, C. (2006) Allegory, space and the material world in the writings of Edmund Spenser. Woodbridge, Suffolk, UK: D.S. Brewer. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7722/j.ctt81wd6.
Burnett, M.T. (2013) Shakespeare and world cinema. Cambridge: Cambridge University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511760211.
Burnett, M.T. and Wray, R. (no date) Screening Shakespeare in the twenty-first century. Edinburgh: Edinburgh University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09vjz.
Burton J. Weber (1993) ‘The Interlocking Triads of the First Book of “The Faerie Queene”’, Studies in Philology, 90(2). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174452.
Cabaret, F. (2015) ‘Indianizing Othello: Vishal Bhardwaj’s Omkara’, in S. Hatchuel and N. Vienne-Guerrin (eds) Shakespeare on Screen: Othello. Cambridge: Cambridge University Press, pp. 107–121. Available at: https://doi.org/10.1017/CBO9781316272060.008.
Campbell, M. (1984) ‘“Desunt Nonnulla”: The Construction of Marlowe’s Hero and Leander as an Unfinished Poem’, ELH, 51(2). Available at: https://doi.org/10.2307/2872945.
Cartmell, D. (2012) ‘100+ Years of Adaptations’, in A companion to literature, film, and adaptation. Chichester, West Sussex: Wiley-Blackwell. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1002/9781118312032.
Cartmell, D. and Whelehan, I. (1999) Adaptations: From Text to Screen, Screen to Text. London: Routledge.
Chalmers, H. (2004a) Royalist women writers, 1650-1689. Oxford: Clarendon. Available at: https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991078243405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en.
Chalmers, H. (2004b) ‘Royalist women writers, 1650-1689’. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199273270.001.0001.
Cheney, P. (ed.) (2004) The Cambridge Companion to Christopher Marlowe. Cambridge: Cambridge University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820340.
Chernaik, W.L. (1995) Sexual freedom in restoration literature. Cambridge: Cambridge University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511518850.
Christopher Ricks (1961) ‘Word-Play in Women Beware Women’, The Review of English Studies, 12(47). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/512930.
Clay Daniel (2010) ‘Why “Areopagitica?”’, South Atlantic Review, 75(2). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41635606.
Connolly, R. and Cain, T. (2011) Lords of wine and oile: community and conviviality in the poetry of Robert Herrick. Oxford: Oxford University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199604777.001.0001.
Corrigan, T. (2017) ‘The Oxford handbook of adaptation studies’, in T.M. Leitch (ed.) The Oxford handbook of adaptation studies. New York: Oxford University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199331000&sort=relevance.
David Norbrook (no date) Writing the English Republic. Cambridge University Press.
De Groot, J. and Taylor & Francis (2016) Remaking history: the past in contemporary historical fictions. Abingdon, Oxon: Routledge, Taylor & Francis Group. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.taylorfrancis.com/books/9781315693392.
Dionne, C. and Kapadia, P. (2014) Bollywood Shakespeares. Basingstoke: Palgrave Macmillan. Available at: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137375568.
Early Modern Nationalism and Milton’s (no date). University of Toronto Press.
Ellerbeck, E. (2017) ‘Adoptive Names in Thomas Middleton’s Women Beware Women’, SEL Studies in English Literature 1500-1900, 57(2), pp. 407–426. Available at: https://doi.org/10.1353/sel.2017.0018.
Fortier, M. and Fischlin, D. (2000) Adaptations of Shakespeare: a critical anthology of plays from the 17th century to the present. London: Routledge.
Full text of ‘Hero and Leander’ (no date). Available at: https://archive.org/stream/heroandleander18781gut/18781.txt.
Gless, D.J. (1994) Interpretation and theology in Spenser. Cambridge: Cambridge University Press.
Goldberg, J. (1986) ‘Fatherly Authority: The Politics of Stuart Family Images [IN] Rewriting the Renaissance: the discourses of sexual difference in early modern Europe’, in Rewriting the Renaissance: the discourses of sexual difference in early modern Europe. Chicago: University of Chicago Press, pp. 3–32.
Greenblatt, S. (1998) ‘To Fashion a Gentleman: Spenser and the Bower of Bliss’, in Renaissance poetry. London: Longman.
Greenblatt, S.J. and American Council of Learned Societies (1988) Shakespearean negotiations: the circulation of social energy in Renaissance England. Berkeley: University of California Press. Available at: https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma99229693405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en.
Greenstadt, A. and Taylor & Francis (no date) Rape and the rise of the author: gendering intention in early modern England. Farnham, England: Ashgate. Available at: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315603605.
Gregerson, L. (1995) The reformation of the subject: Spenser, Milton, and the English Protestant epic. Cambridge: Cambridge University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553110.
Guibbory, A. (1998) Ceremony and community from Herbert to Milton: literature, religion, and cultural conflict in seventeenth-century England. New York: Cambridge University Press.
Guy-Bray, S. (2002) Homoerotic Space: The Poetics of Loss in Renaissance Literature. Toronto: University of Toronto Press. Available at: https://doi.org/10.3138/9781442675841.
Hamilton, A.. C.. (1992) ‘The Bible and Spenser’s Faerie Queene Sacred and Secular Scripture’, Journal of English Language and Literature, 38(4), pp. 667–682. Available at: http://jell.ellak.or.kr/past/view.asp?a_key=1628.
Hattaway, M. (2000) A companion to English renaissance literature and culture. Oxford: Blackwell. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998724.
Helgerson, R. (1992a) Forms of nationhood: the Elizabethan writing of England. Chicago: University of Chicago Press.
Helgerson, R. (1992b) Forms of nationhood: the Elizabethan writing of England. Chicago: University of Chicago Press.
Hester Lees-Jeffries (2003) ‘From the Fountain to the Well: Redcrosse Learns to Read’, Studies in Philology, 100(2). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174755.
Hiscock, A. (2011) Women beware women: a critical guide. London: Continuum. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441177711.
Holdsworth, Roger.V. (1990) ‘Women Beware Women and The Changeling on the Stage [IN] Three Jacobean revenge tragedies: a casebook’, in Three Jacobean revenge tragedies: a casebook. Basingstoke: Macmillan Education, pp. 247–274.
Hopkins, L. (2002) The female hero in English Renaissance tragedy. Basingstoke: Palgrave Macmillan. Available at: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230503052.
Hoxby, B. (2011) ‘Areopagitica and Liberty’, in The Oxford handbook of Milton. Oxford: Oxford University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199697885&sort=relevance.
Hughes, D. (2001) The theatre of Aphra Behn. Basingstoke: Palgrave Macmillan. Available at: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230597709.
Hughes, D. and Todd, J. (eds) (2004) The Cambridge Companion to Aphra Behn. Cambridge: Cambridge University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820197.
Hulse, C. (1981) Metamorphic verse: the Elizabethan minor epic. Princeton, N.J.: Princeton University Press.
Hutcheon, L. and O’Flynn, S. (2012) A theory of adaptation. 2nd ed. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781136210921.
HUTCHINGS, M. (1998) ‘MIDDLETON’S WOMEN BEWARE WOMEN: RAPE, SEDUCTION - OR POWER, SIMPLY?’, Notes and Queries, 45(3), pp. 366–367. Available at: https://doi.org/10.1093/nq/45-3-366.
Hutner, H. (1993) Rereading Aphra Behn: history, theory, and criticism. Charlottesville: University Press of Virginia.
Ingram, R. (1998) ‘Robert Herrick and the Makings of Hesperides’, Studies in English Literature, 1500-1900, 38(1). Available at: https://doi.org/10.2307/451084.
J. Power, A. (2014) ‘Heaven and Hell in Robert Herrick’s Body of Work’, The Yearbook of English Studies, 44. Available at: https://doi.org/10.5699/yearenglstud.44.2014.0156.
James Grantham Turner (no date) Libertines and Radicals in Early Modern London. Cambridge University Press.
James W. Broaddus (2011) ‘Spenser’s Redcrosse Knight and the Order of Salvation’, Studies in Philology, 108(4). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23056053.
Janet M. Todd (1996) The secret life of Aphra Behn. London: Andre Deutsch.
Jennifer L. Heller (2005) ‘Space, Violence, and Bodies in Middleton and Cary’, Studies in English Literature, 1500-1900, 45(2). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844552.
JOHN LEONARD (2000) ‘Marlowe’s Doric Music: Lust and Aggression in “Hero and Leander”’, English Literary Renaissance, 30(1). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24463719.
John McWilliams (2006) ‘Marvell and Milton’s Literary Friendship Reconsidered’, Studies in English Literature, 1500-1900, 46(1). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844567.
Jowett, J. (2002) ‘Thomas Middleton [IN] A companion to Renaissance drama’, in A companion to Renaissance drama. Oxford: Blackwell Publishers, pp. 507–523. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998915.
Jowett, J. (2012) ‘Introduction: Women Beware Women: A Tragedy [IN] Thomas Middleton: the collected works, Vol. 1’, in Thomas Middleton: the collected works, Vol. 1. [Oxford?]: Oxford University Press, pp. 1488–1492. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780199580538.book.1.
JUDITH HABER (1998) ‘“True-loves blood”: Narrative and Desire in “Hero and Leander”’, English Literary Renaissance, 28(3). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447769.
Katharine Cleland (2011) ‘“Wanton loves, and yong desires”: Clandestine Marriage in Marlowe’s “Hero and Leander” and Chapman’s Continuation’, Studies in Philology, 108(2). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23055988.
Keach, W. (1977) Elizabethan erotic narratives: irony and pathos in the Ovidian poetry of Shakespeare, Marlowe and their contemporaries. Hassocks: Harvester Press.
Keeble, N.H. (1994) The cultural identity of seventeenth century woman: a reader. London: Routledge.
LaBreche, B. (2013) ‘Areopagitica and the Limits of Pluralism’, Milton Studies, 54(1), pp. 139–160. Available at: https://doi.org/10.1353/mlt.2013.0006.
Lalita Pandit Hogan (2010) ‘The Sacred and the Profane in Omkara: Vishal Bhardwaj’s Hindi Adaptation of Othello’, Image and Narrative : Online Magazine of the Visual Narrative, 11(2), pp. 49–62. Available at: https://www.doaj.org/article/137819df3a224d81a9f2ed7f20a5b0cf.
Levin, R.A. (1997) ‘If Women Should Beware Women, Bianca Should Beware Mother’, Studies in English Literature, 1500-1900, 37(2). Available at: https://doi.org/10.2307/450839.
Lieb, M., Lieb, M. and Shawcross, J.T. (1974) Achievements of the left hand: essays on the prose of John Milton. Amherst: University of Massachusetts Press.
Loewenstein, D.A. (1988) ‘Areopagitica and the Dynamics of History’, Studies in English Literature, 1500-1900, 28(1). Available at: https://doi.org/10.2307/450716.
Marcus, L.S. (1986) The politics of mirth: Jonson, Herrick, Milton, Marvell, and the defense of old holiday pastimes. Chicago, [Ill.]: University of Chicago Press.
Marlowe, Christopher (no date) ‘Hero and Leander’, in The Norton anthology of English literature. the major authors. New York : W.W. Norton & Company, [2013].
Marus, L. (1993) ‘Robert Herrick [IN] The Cambridge Companion to English Poetry’, in The Cambridge Companion to English Poetry, Donne to Marvell. Cambridge: Cambridge University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521411475.
McDowell, N. (2008) ‘Poetry and allegiance in the English civil wars: Marvell and the cause of wit’. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199278008.001.0001.
Middleton, T. (2012) ‘Women beware women [IN] Four plays’, in Four plays. London: Methuen Drama.
Middleton, T. and Carroll, W.C. (2012a) Four plays. London: Methuen Drama.
Middleton, T. and Carroll, W.C. (2012b) Four plays. London: Methuen Drama.
Middleton, T. and Frost, D.L. (1978) The selected plays of Thomas Middleton. Cambridge: Cambridge University Press.
Morrison, J.K. and Greenfield, M. (2000) Edmund Spenser: essays on culture and allegory. Aldershot: Ashgate. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351941662.
Nigel Smith (no date) Literature and Revolution in England, 1640-1660. Yale University Press.
Norbrook, D. (2002) Poetry and politics in the English Renaissance. Rev. ed. Oxford: Oxford University Press. Available at: https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991026353405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en.
O’Callaghan, M. (2009) Thomas Middleton: Reanaissance dramatist. Edinburgh: Edinburgh University Press.
O’Donnell, M.A., Dhuicq, B. and Leduc, G. (2000) Aphra Behn (1640-1689): identity, alterity, ambiguity. Paris: L’Harmattan.
Orgel, S. (2005) ‘Musaeus in English’, George Herbert Journal, (29), pp. 67–75. Available at: https://uoelibrary.idm.oclc.org/login?url=http://literature.proquest.com/searchFulltext.do?id=R04129684&divLevel=0&area=abell&forward=critref_ft.
Owen, S.J. (1996) Restoration theatre and crisis. Oxford: Clarendon. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198183877.001.0001.
Parry, G. and Raymond, J. (2002) Milton and the terms of liberty. Cambridge: D.S. Brewer.
Pilhuj, K. (2016) ‘Anne of the Thousand Adaptations’, Early Modern Women, 10(2), pp. 115–118. Available at: https://doi.org/10.1353/emw.2016.0007.
Robinson, B.S. (2007) Islam and early modern English literature: the politics of romance from Spenser to Milton. Basingstoke: Palgrave Macmillan. Available at: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230607439.
Sanders, J. (2006) Adaptation and appropriation. Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781134384969.
Scott-Warren, J. (2005) Early modern English literature. Cambridge: Polity.
Sharda, S. (2017) ‘Black Skin, Black Castes: Overcoming a Fidelity Discourse in Bhardwaj’s Omkara’, Shakespeare Bulletin, 35(4), pp. 599–626. Available at: https://doi.org/10.1353/shb.2017.0046.
Sharon Achinstein (no date) Literature and Dissent in Milton’s England. Cambridge University Press.
Sinfield, A. (2007) ‘Marlowe’s Erotic Verse’, in Early modern English poetry: a critical companion. New York: Oxford University Press, pp. 125–135.
Smith, B.R. (1994) Homosexual desire in Shakespeare’s England: a cultural poetics. Chicago: University of Chicago Press.
Spencer, J. (2000a) Aphra Behn’s afterlife. Oxford: Oxford University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001.
Spencer, J. (2000b) Aphra Behn’s afterlife. Oxford: Oxford University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001.
Stephen Greenblatt (2012a) The Norton anthology of English literature. New York: W.W. Norton & Co.
Stephen Greenblatt (2012b) The Norton anthology of English literature. New York: W.W. Norton & Co.
Stephen Greenblatt (2012c) The Norton anthology of English literature. New York: W.W. Norton & Co.
Stephen Szilagyi (1998) ‘The Sexual Politics of Behn’s “Rover”: After Patriarchy’, Studies in Philology, 95(4). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174621.
Summers, C.J. (no date) ‘Hero and Leander: The Arbitrariness of Desire’, in Constructing Christopher Marlowe. Cambridge University Press.
Tamsin Badcoe (2011) ‘“The compasse of that Islands space”: Insular fictions in the writing of Edmund Spenser’, Renaissance Studies, 25(3). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24420262.
Taylor, G. (2004) ‘Middleton, Thomas (bap. 1580, d. 1627)’, in H.C.G. Matthew and B. Harrison (eds) The Oxford Dictionary of National Biography. Oxford: Oxford University Press. Available at: https://doi.org/10.1093/ref:odnb/18682.
Taylor, N. and Loughrey, B. (1984) ‘Middleton’s Chess Strategies in Women Beware Women’, Studies in English Literature, 1500-1900, 24(2). Available at: https://doi.org/10.2307/450532.
Thomas Herron (no date) Spenser’s Irish Work. Ashgate. Available at: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315242644.
Thomas M. Greene (1993) ‘The Balance of Power in Marvell’s “Horatian Ode”’, ELH, 60(2). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873383.
Thomson, L. (1986) ‘“Enter Above”: The Staging of Women Beware Women’, Studies in English Literature, 1500-1900, 26(2). Available at: https://doi.org/10.2307/450511.
Todd, Janet M (no date) Aphra Behn. Basingstoke : Macmillan, 1999.
Todd, J.M. (1996) Aphra Behn studies. Cambridge: Cambridge University Press.
Tricomi, A.H. (1989) ‘Middleton’s “Women Beware Women” as Anticourt Drama’, Modern Language Studies, 19(2). Available at: https://doi.org/10.2307/3195193.
Trivedi, P. and Chakravarti, P. (2019) Shakespeare and Indian cinemas : ‘local habitations’. NY: Routledge, an imprint of the Taylor & Francis Group. Available at: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315670409.
Vaught, J.C. (2001) ‘Spenser’s Dialogic Voice in Book 1 of “The Faerie Queene”’, Studies in English Literature, 1500-1900, 41(1). Available at: https://doi.org/10.2307/1556229.
WILLIAM M. RUSSELL (2010) ‘Love, Chaos, and Marvell’s Elegy for Cromwell’, English Literary Renaissance, 40(2). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43607513.
William P. Weaver (2008) ‘Marlowe’s Fable: “Hero and Leander” and the Rudiments of Eloquence’, Studies in Philology, 105(3). Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/20464326.
Woodcock, M. (2004) Fairy in The faerie queene: Renaissance elf-fashioning and Elizabethan myth-making. Aldershot: Ashgate.
Worden, B. (2009) Literature and politics in Cromwellian England: John Milton, Andrew Marvell, Marchamont Nedham. [2nd ed.]. Oxford: Oxford University Press. Available at: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199230822.001.0001.
Yearling, R. (2013) ‘Homoerotic Desire and Renaissance Lyric Verse’, SEL Studies in English Literature 1500-1900, 53(1), pp. 53–71. Available at: https://doi.org/10.1353/sel.2013.0007.
Young, E.V. (1993) ‘Aphra Behn, Gender, and Pastoral’, Studies in English Literature, 1500-1900, 33(3). Available at: https://doi.org/10.2307/451012.
