Albers, K.P. (2015) Uncertain histories: accumulation, inaccessibility, and doubt in contemporary photography. Oakland, California: University of California Press.
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Azoulay, A. (2013) ‘“‘The Family of Man’: A Visual Universal Declaration of Human Rights” [in] The human snapshot’, in The human snapshot. Feldmeilen, Switzerland: Luma Foundation. Available at: https://contentstore.cla.co.uk/secure/link?id=c8243cba-a4f8-e811-80cd-005056af4099.
Bank, A. (2001) ‘“ANTHROPOLOGY AND PORTRAIT PHOTOGRAPHY: GUSTAV FRITSCH’S ‘NATIVES OF SOUTH AFRICA’, 1863-1872” [in] Kronos’, Kronos, (27), pp. 43–76. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.41056669&site=eds-live&scope=site.
Barthes, R. (1993) Camera lucida: reflections on photography. London: Vintage.
Barthes, R., Howard, R. and Lavers, A. (2013) Mythologies. First American paperback edition, 2013. New York: Hill and Wang, a division of Farrar, Strauss and Giroux.
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Behdad, A. and Gartlan, L. (2013) Photography’s Orientalism: new essays on colonial representation. Los Angeles, Calif: Getty Research Institute.
Benjamin, W. (1972) ‘“A short history of photography”’, Screen, 13(Issue 1, p5-26), pp. 5–26. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=31291113&site=eds-live&scope=site.
Berger, J. (1972) Ways of seeing. London: British Broadcasting Corporation.
Blatt, A.J. (2009) ‘“Phototextuality: photography, fiction, criticism” [in] Visual Studies’. Available at: http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMNLe80Sep7M4zOX0OLCmr1CeprFSsa24SK6WxWXS&ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&T=P&P=AN&S=R&D=hlh&K=44080793.
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Burgin, V. (1982a) ‘“Looking at Photographs” [in] Thinking photography’, in Thinking photography. London: Macmillan. Available at: https://contentstore.cla.co.uk/secure/link?id=e1679b3c-b4e8-e811-80cd-005056af4099.
Burgin, V. (1982b) Thinking photography. London: Macmillan.
Butler, J. (2007) ‘“Torture and the ethics of photography” [in] Environment & Planning D: Society & Space’, Environment & Planning D: Society & Space, 25(Issue 6), pp. 951–966. Available at: https://doi.org/10.1068/d2506jb.
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Clarke, G. (1997a) The photograph. Oxford: Oxford University Press.
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Dijck, J. van (2005) ‘“X-Ray Vision in Thomas Mann’s The Magic Mountain” [in] The transparent body: a cultural analysis of medical imaging’, in The transparent body: a cultural analysis of medical imaging. Seattle: University of Washington Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004840779707446&context=L&vid=44UOEX_INST:default.
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Foster, H. (2002) The anti-aesthetic: essays on postmodern culture. New York: New Press.
Garb, T. (2014) ‘“Rethinking Sekula from the Global South: Humanist Photography Revisited” [in] Grey Room’, pp. 34–57. Available at: https://contentstore.cla.co.uk/secure/link?id=68b3c332-79e6-e811-80cd-005056af4099.
Harris, C. (2016) Photography and Tibet. London: Reaktion Books. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007392759707446&context=L&vid=44UOEX_INST:default.
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hooks, bell (2015) ‘“Postmodern Blackness” [in] Yearning: race, gender, and cultural politics’, in Yearning: race, gender, and cultural politics. [New edition]. New York: Routledge. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014651949707446&context=L&vid=44UOEX_INST:default.
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