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Barber, K. (2018). A history of African popular culture (Vol. 11). Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/9781139061766
Bardolph, J. (1998). ‘Dreams and Identity in the Novels of Nuruddin Farah’ [in] Research in African Literatures. Research in African Literatures, 29(1). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1999005059&site=eds-live&scope=site
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Chimamanda Ngozi Adichie: The danger of a single story | TED Talk. (2009). https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story
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Cohen, J. (2018). Judged by its covers: Looking back on the design of the African Writers Series - Lapham’s Quarterly. https://www.laphamsquarterly.org/roundtable/judged-its-covers
Cole, T. (2011). Small Fates. http://readinglists.exeter.ac.uk/Resource List Odd Links/EAS3190/EAS3190_02.pdf
Coundouriotis, E. (2005). Self-Inflicted Wounds in Yvonne Vera’s Butterfly Burning. World Literature Today, 79(3/4). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.40158944&site=eds-live&scope=site
Currey, J., & Hallett, G. (2008). Africa writes back: the African writers series & the launch of African literature. James Currey.
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Desai, G. (2010). Oceans Connect: The Indian Ocean and African Identities. PMLA, 125(3). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25704469&site=eds-live&scope=site
Do African Literary Festivals Culture (?): Bwesigye Bwa Mwesigire on the Writivism Experience. (2016). https://africainwords.com/2016/07/02/do-african-literary-festivals-culture-bwesigye-bwa-mwesigire-on-the-writivism-experience/
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Emeny̲onu, E. (2014). Politics & social justice (Vol. 32). James Currey. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7722/j.ctt7zstb2
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English, J. F. (2005). The economy of prestige: prizes, awards, and the circulation of cultural value. Harvard University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt13x0k19
Fanon, F. (1965). The Pitfalls of National Consciousness. In The wretched of the earth (pp. 119–165). Penguin. https://contentstore.cla.co.uk/secure/link?id=728282dd-fb14-e911-80cd-005056af4099
Farah, N. (1986). Maps. Pan.
Farah, N. (1998). ‘A Country in Exile’ [in] World Literature Today. World Literature Today, 72(4). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.40154257&site=eds-live&scope=site
Fraser, R. (1980). The novels of Ayi Kwei Armah: a study in polemical fiction. Heinemann Educational.
Gagiano, A. (2009). Buried hurts and colliding dreams in Yvonne Vera’s Butterfly Burning. Acta Scientiarum. Language and Culture, 31(1), 41–52. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2009700900&site=eds-live&scope=site
Gikandi, S. (1987). The Subjective Narrative: Exile and Alienation in the Novels of Wole Soyinka and the Early Ayi Kwei Armah. In Reading the African novel (pp. 72–110). J. Currey. https://contentstore.cla.co.uk/secure/link?id=f7a4cfa5-f914-e911-80cd-005056af4099
Gikandi, S. (1998). ‘Nuruddin Farah and Postcolonial Textuality’ [in] World Literature Today. World Literature Today, 72(4). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.40154266&site=eds-live&scope=site
Graham, S. (2009). South African Literature After the Truth Commission: Mapping Loss. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230620971
Green, M. (2005). Translating the nation: Phaswane Mpe and the fiction of post-apartheid. Scrutiny2: Issues in English Studies in Southern Africa, 10(1). http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=75920112&site=eds-live
Gurnah, A. (1994). Paradise. New Press.
Gurnah, A. (2004). Writing Place. World Literature Today, 78(2). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2004700384&site=eds-live&scope=site
Hardy, S. (2015). A Brief History of Mapping | The Chimurenga Chronic. https://chimurengachronic.co.za/brief-history-of-mapping/
Hawley, J. C. (2004). The Emerging Fictionalization of AIDS in Africa. Proteus: A Journal of Ideas Humor and Culture, 21(1), 39–44. https://contentstore.cla.co.uk/secure/link?id=5cdc0745-414b-e911-80cd-005056af4099
Healing with Words: Phaswane Mpe interviewed by Lizzy Attree. (2005). The Journal of Commonwealth Literature, 40(3), 139–148. https://uoelibrary.idm.oclc.org/login?url=http://journals.sagepub.com/doi/pdf/10.1177/0021989405056978
Hoad, N. W. (2007). African intimacies: race, homosexuality, and globalization. University of Minnesota Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.5749/j.ctttvbps
Hodapp, J. (2015). Imagining Unmediated Early Swahili Narratives in Abdulrazak Gurnah’s Paradise. English in Africa, 42(2). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=110210520&site=ehost-live
I am a homosexual, Mum by Binyavanga Wainaina | The Chimurenga Chronic. (2014). https://chimurengachronic.co.za/i-am-a-homosexual-mum-by-binyavanga-wainaina/
"I don’t normally do this kind of thing”: 45 small fates – The New Inquiry. (2013). https://thenewinquiry.com/blog/i-dont-normally-do-this-kind-of-thing-45-small-fates/
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Innes, C. L. (1995). Conspicuous Consumption: Corruption and the Body Politic in the Writing of Ayi Kwei Armah and Ama Ata Aidoo. In Essays on African writing: Vol. 2: Contemporary literature (pp. 1–18). Heinemann. https://contentstore.cla.co.uk/secure/link?id=a4d6941c-fe14-e911-80cd-005056af4099
Jalada Translation: Ngũgĩ wa Thiong’o. (2016). http://jalada.org/2016/03/22/jalada-translation-issue-01-ngugi-wa-thiongo/
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Kazan, F. (1993). ‘Recalling the Other Third World: Nuruddin Farah’s “Maps”’ [in] NOVEL: A Forum on Fiction. NOVEL: A Forum on Fiction, 26(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/1345835?seq=1#metadata_info_tab_contents
Kearney, J. (2012). The Representation of Child Deprivation in Three Contemporary African Novels: An Exploration. English in Africa, 39(1). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23269007?seq=1#metadata_info_tab_contents
Kearney, J. A. (2006). Abdulrazak Gurnah and the ‘Disabling Complexities of Parochial Realities’. English in Africa, 33(1). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2006300628&site=eds-live&scope=site
Kiguru, D. (2016a). 'Literary Prizes, Writers’ Organisations and Canon Formation in Africa’ [in] African Studies. African Studies, 75(2), 202–214. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2017397475&site=eds-live&scope=site
Kiguru, D. (2016b). ‘Prizing African literature: creating a literary taste’ [in] Social Dynamics. Social Dynamics, 42(1), 161–174. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000379831200010&site=eds-live&scope=site
Kinna Reads – A blog of books, reading and world literature. (n.d.). https://kinnareads.com/
Knudsen, E. R., & Rahbek, U. (2016). In search of the Afropolitan: encounters, conversations and contemporary diasporic African literature. Rowman & Littlefield Publishers. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008742469707446&context=L&vid=44UOEX_INST:default
Krishnan, M. (2013). Affiliation, Disavowal, and National Commitment in Third Generation African Literature. Ariel: A Review of International English Literature, 44(1), 73–97. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014391577&site=eds-live&scope=site
Krishnan, M. (2018). Contingent canons: african literature and the politics of location. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/9781108641920
Lazarus, N. (1990a). Resistance in postcolonial African fiction. Yale University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006701859707446&context=L&vid=44UOEX_INST:default
Lazarus, N. (1990b). Resistance in postcolonial African fiction. Yale University Press.
Lazarus, N. (2011). Chapter 1: The Politics of Postcolonial Modernism. In The postcolonial unconscious (pp. 21–88). Cambridge University Press. https://www.cambridge.org/core/books/postcolonial-unconscious/politics-of-postcolonial-modernism/3BD494856887C4C6E93B33D530BB3298
Lizzy Attree. (2013). ‘The Caine Prize and Contemporary African Writing’ [in] Research in African Literatures. Research in African Literatures, 44(2), 35–47. https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/506528
Lutz, J. (2003). Pessimism, Autonomy, and Commodity Fetishism in Ayi Kwei Armahis The Beautyful Ones Are Not Yet Born. Research in African Literatures, 34(2), 94–111. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=9259229&site=eds-live&scope=site
Mambéty, D. D., Niang, M., & Niang, M. (2005a). Touki Bouki. Kino International K394.
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Mbembé, A. (2000). At the Edge of the World: Boundaries, Territoriality, and Sovereignty in Africa. Public Culture, 12(1), 259–284. https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/26186
Mbembe, A., & Nuttall, S. (2004a). Writing the World from an African Metropolis. Public Culture, 16(3), 347–372. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000224442500002&site=eds-live&scope=site
Mbembe, A., & Nuttall, S. (2004b). ‘Writing the World from an African Metropolis’ [in] Public Culture. Public Culture, 16(3), 347–372. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1527801804303479&site=eds-live&scope=site
McDonald, P. D. (2016). Semper Aliquid Novi: Reclaiming the Future of Book History from an African Perspective. Book History, 19(1), 384–398. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1529149916000112&site=eds-live&scope=site
Mkhize, K. (2017). The Violence of Belonging. The Black Scholar, 47(2), 22–34. https://uoelibrary.idm.oclc.org/login?url=http://www.tandfonline.com/doi/full/10.1080/00064246.2017.1295350
Mohammed, A., Nagarajan, C., & Aliyu, R. (Eds.). (2018). She called me woman: Nigeria’s queer women speak. Cassava Republic. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008827809707446&context=L&vid=44UOEX_INST:default
Mpe, P. (2001). Welcome to our Hillbrow. University of Natal Press.
Musila, G. (2007). Embodying Experience and Agency in Yvonne Vera’s ‘Without a Name’ and ‘Butterfly Burning’. Research in African Literatures, 38(2). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1527204407200497&site=eds-live&scope=site
Musila, G. A. (2013). Familial cartographies in contemporary East African short stories. Journal of African Cultural Studies, 25(3), 349–363. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014390237&site=eds-live&scope=site
Mustafa, F. (2015). Swahili Histories and Texts in Abdulrazak Gurnah’s Paradise. English Studies in Africa, 58(1), 14–29. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2017393984&site=eds-live&scope=site
New Trade Routes | The Chimurenga Chronic. (2015). https://chimurengachronic.co.za/new-trade-routes/
Newell, S., Okome, O., & Förster, T. (2014). Popular culture in Africa: the episteme of the everyday (Vol. 58). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008563799707446&context=L&vid=44UOEX_INST:default
Ngaboh-Smart, F. (2001). ‘Nationalism and the Aporia of National Identity in Farah’s Maps’ [in] Research in African Literatures. Research in African Literatures, 32(3), 86–102. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1527204401300861&site=eds-live&scope=site
Ngũgĩ wa Thiong’o. (1986). The Language of African Fiction. In Decolonising the mind: the politics of language in African literature (pp. 63–86). James Currey. https://contentstore.cla.co.uk/secure/link?id=eaaa8cc3-0536-e911-80cd-005056af4099
Niemi, M. (2017). ‘Challenging moral corruption in the postcolony: Ayi Kwei Armah’s and Hannah Arendt’s notion of individual responsibility’ [in] Postcolonial Studies. Postcolonial Studies, 20(2), 217–236. https://uoelibrary.idm.oclc.org/login?url=http://www.tandfonline.com/doi/full/10.1080/13688790.2017.1363782
Njau, R. (2008). Ripples in the pool. Proquest LLC. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:pr:Z001162266
Nnaemeka, O. (2004). Nego‐Feminism: Theorizing, Practicing, and Pruning Africa’s Way. Signs: Journal of Women in Culture and Society, 29(2), 357–385. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.1086/378553?seq=1#metadata_info_tab_contents
Norridge, Z. (2012). Perceiving pain in African literature. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137292056
Nuttall, S. (2004). City forms and writing the ‘now’ in South Africa. Journal of Southern African Studies, 30(4), 731–748. https://uoelibrary.idm.oclc.org/login?url=http://www.tandfonline.com/doi/full/10.1080/0305707042000313988
Ogude, J., & Nyairo, J. (2007). Urban legends, colonial myths: popular culture and literature in East Africa. Africa World Press.
Okome, O., & Newell, S. (Eds.). (2012). Research in African Literatures. 43(4). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2979/reseafrilite.43.issue-4
Osei-Nyame, K. (1998). ‘Love and Nation’: Fanon’s African Revolution and Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born. The Journal of Commonwealth Literature, 33(2), 97–107. https://contentstore.cla.co.uk/secure/link?id=fe3644aa-0a15-e911-80cd-005056af4099
Owuor, Y. A. (2015). O-Swahili: Language and Liminality. Matatu: Journal for African Culture and Society, 46. http://readinglists.exeter.ac.uk/Resource List Odd Links/EAS3190/EAS3190_01.pdf
Popoola, O. (2017). When we speak of nothing. Cassava Republic Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008542749707446&context=L&vid=44UOEX_INST:default
Porter, A. M. (1981). Ideology and the Image of Women: Kenyan Women in Njau and Ngugi. Ariel: A Review of International English Literature, 12(3), 61–74. https://contentstore.cla.co.uk/secure/link?id=07caf32e-0c15-e911-80cd-005056af4099
Pucherová, D. (2012). '"A Continent Learns to Tell its Story at Last”: Notes on the Caine Prize’ [in] Journal of Postcolonial Writing. Journal of Postcolonial Writing, 48(1), 13–25. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2013390865&site=eds-live&scope=site
Putuma, K. (2017). Collective amnesia (First edition). Uhlanga.
Q&A: Judy Kibinge – Writer, director and film maker. (n.d.). https://africainwords.com/2013/11/08/qa-judy-kibinge-writer-director-and-film-maker/
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Samuelson, M. (2007). Yvonne Vera’s Bulawayo: Modernity, (Im)mobility, Music, and Memory. Research in African Literatures, 38(2). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1527204407200229&site=eds-live&scope=site
Sembene, O. (1975). Xala. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/0217DDE2?bcast=113050615
Shire, W. (2011). Teaching my mother how to give birth. Flipped Eye Publishing Limited.
Spencer, R. (2002). ‘This Zone of Occult Instability’: The Utopian Promise of the African Novel in the Era of Decolonisation. New Formations, 47, 69–86. https://contentstore.cla.co.uk/secure/link?id=c4c73c22-0015-e911-80cd-005056af4099
Steiner, T. (2010). Writing "Wider Worlds”: The Role of Relation in Abdulrazak Gurnah’s Fiction. Research in African Literatures, 41(3). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ich&AN=ICHA438846&site=eds-live&scope=site
Steiner, T. (2013). A Conversation with Abdulrazak Gurnah. English Studies in Africa, 56(1), 157–167. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2016393974&site=eds-live&scope=site
Sugnet, C. (1998). ‘Nuruddin Farah’s Maps: Deterritorialization and “The Postmodern”’ [in] World Literature Today. World Literature Today, 72(4). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.40154264&site=eds-live&scope=site
Suhr-Sytsma, N. (2018a). The extroverted African novel and literary publishing in the twenty-first century. Journal of African Cultural Studies, 30(3), 339–355. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2018396731&site=eds-live&scope=site
Suhr-Sytsma, N. (2018b). ‘The Geography of Prestige: Prizes, Nigerian Writers, and World Literature’ [in] ELH. ELH, 85(4), 1093–1122. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2019580040&site=eds-live&scope=site
The Art of Unlearning: A Dialogue With Koleka Putuma – Africa in Dialogue. (n.d.). https://africaindialogue.com/2017/01/17/the-art-of-unlearning-a-dialogue-with-koleka-putuma/
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