Attenborough, R., Bogarde, D. and Calvert, P. (1969) ‘Oh! What a Lovely War’. FilmFour. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001DAC9%3Fbcast%3D127907327.
Attenborough, R., Bogarde, D. and Calvert, P. (no date) ‘Oh! What a Lovely War’. Paramount DVD.
Basham, V.M. (2016) ‘Gender, Race, Militarism and Remembrance: The Everyday Geopolitics of the Poppy’. Available at: http://encore.exeter.ac.uk/iii/encore/record/C__Rx1032042?lang=eng.
Berlin, N. (2006) ‘Traffic of Our Stage: Boxing as Theater’, Massachusetts Review, 47(1), pp. 22–32. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/25091051.
Bogart, A. and Bogart, T. (2005) ‘Chapters 1-3’, in The viewpoints book: a practical guide to viewpoints and composition. New York: Theatre Communications Group, pp. 3–20. Available at: https://contentstore.cla.co.uk/secure/link?id=e8f10323-360c-e911-80cd-005056af4099.
Borowski, M. and Sugiera, M. (2013) ‘Chapter 3: Political Fictions and Fictionalisations: History as Material for Postdramatic Theatre’, in J. Carroll, S. Giles, and K. Jürs-Munby (eds) Postdramatic theatre and the political: international perspectives on contemporary performance. London: Bloomsbury Publishing, pp. 67–86. Available at: https://contentstore.cla.co.uk/secure/link?id=c8ca174d-390c-e911-80cd-005056af4099.
Cockin, K. (2004) ‘Inventing the Suffragettes: Anachronism, Gnosticism and Corporeality in Contemporary Fiction’, Critical Survey, 16(3), pp. 17–32. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41557286.
Davis, T.C. (2004) ‘The Context Problem’, Theatre Survey, 45(2), pp. 203–209. Available at: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/S0040557404000158.
Dolan, J. (2012) ‘Chapter 1: The Discourse of Feminisms: The Spectator and the Representation’, in The Feminist Spectator as Critic. Ann Arbor, MI: University of Michigan Press, pp. 1–18. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004293539707446&context=L&vid=44UOEX_INST:default.
Drama - LibGuides at University of Exeter (no date). Available at: http://libguides.exeter.ac.uk/DramaHomePage.
Dreadnought South West (no date). Available at: http://dreadnoughtsouthwest.org.uk/.
Hall, S. (1997) ‘Extract from Chapter 1: The Work of Representation’, in Representation: Cultural Representations and Signifying Practices. London: Sage in association with the Open University, pp. 36–74. Available at: https://contentstore.cla.co.uk/secure/link?id=b919569a-5a9e-e911-80cd-005056af4099.
Heddon, D. and Milling, J. (2015) ‘Chapter 6: Contemporary Devising and Physical Performance’, in Devising performance: a critical history. Revised edition. Basingstoke, Hampshire: Palgrave Macmillan, pp. 157–189. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008030009707446&context=L&vid=44UOEX_INST:default.
Hytner, N. et al. (no date) ‘The History Boys’. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F030E2761%3Fbcast%3D128227797.
Iles, J. (2008) ‘In remembrance: The Flanders poppy’, Mortality, 13(3), pp. 201–221. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.tandfonline.com/doi/full/10.1080/13576270802181640.
Kean, H. (2005) ‘Public history and popular memory: issues in the commemoration of the british militant suffrage campaign’, Women’s History Review, 14(3–4), pp. 581–602. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000233412200014&site=eds-live&scope=site.
Kidd, J. and Sayner, J. (2018) ‘Unthinking remembrance? Blood Swept Lands and Seas of Red and the significance of centenaries’, Cultural Trends, 27(2), pp. 68–82. Available at: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=129571391&site=eds-live&scope=site.
Kirkwood, L. (2012) NSFW. London: Nick Hern Books Limited.
Lane, D. (2010) ‘Chapter 3: Writing and Devising – The Call for Collaboration’, in Contemporary British drama. Edinburgh: Edinburgh University Press, pp. 82–107. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000785299707446&context=L&vid=44UOEX_INST:default.
Liddington, J. (2005) ‘Era of Commemoration: Celebrating the Suffrage Centenary’, History Workshop Journal, (59), pp. 194–218. Available at: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/hwj/dbi015.
Logie, L. (1995) ‘Developing a Physical Vocabulary for the Contemporary Actor’, New Theatre Quarterly, 11(43), pp. 230–240. Available at: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/S0266464X00009118.
Loukes, R. (2013) ‘Chapter 5: Making Movement: The Psychophysical in “Embodied” Practices’, in Acting: psychophysical phenomenon and process. Basingstoke: Palgrave Macmillan, pp. 194–223. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008569919707446&context=L&vid=44UOEX_INST:default.
Mangan, M. (2003) ‘Chapter 7: Contemporary Masculinities’, in Staging Masculinities: History, Gender, Performance. Basingstoke: Palgrave Macmillan, pp. 207–216. Available at: https://contentstore.cla.co.uk/secure/link?id=2ca9e055-a6fa-e711-80cd-005056af4099.
‘Mary Poppins - Sister Suffragette - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=Ds8cKgPdE6M.
Mayhall, L.E.N. (1999) ‘Domesticating Emmeline: Representing the Suffragette, 1930-1993’, NWSA Journal, 11(2), pp. 1–24. Available at: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4316653.
Mulvey, L. (2010) ‘Chapter 9: Visual Pleasure and Narrative Cinema’, in The Feminism and Visual Culture Reader. 2nd ed. London: Routledge, pp. 57–65. Available at: https://contentstore.cla.co.uk/secure/link?id=90edc23f-a7fa-e711-80cd-005056af4099.
Overlie, M. (2016) Standing in space: the six viewpoints theory and practice. The Author.
Parker-Starbuck, J. and Mock, R. (2011) ‘Chapter 9: Researching the Body in/as Performance’, in Research methods in theatre and performance. Edinburgh: Edinburgh University Press, pp. 210–235. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001377909707446&context=L&vid=44UOEX_INST:default.
Poore, B. (2011) Heritage, Nostalgia and Modern British Theatre: Staging the Victorians. Basingstoke: Palgrave Macmillan. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001086309707446&context=L&vid=44UOEX_INST:default.
Postlewait, T. (2009) The Cambridge Introduction to Theatre Historiography. New York: Cambridge University Press.
Purvis, J. and Stanley Holton, S. (2000) ‘Introduction: The campaigns for votes for women’, in Votes for women. London: Routledge, pp. 1–12. Available at: https://contentstore.cla.co.uk/secure/link?id=80bb01d9-550c-e911-80cd-005056af4099.
Quinault, R. (1998) ‘The Cult of the Centenary, c.1784-1914’, Historical Research, 71(176), pp. 303–323. Available at: https://uoelibrary.idm.oclc.org/login?url=http://onlinelibrary.wiley.com/doi/10.1111/1468-2281.00066.
Remembrance poppy: Controversies and how to wear it - BBC Newsbeat (2015). Available at: http://www.bbc.co.uk/newsbeat/article/29848595/remembrance-poppy-controversies-and-how-to-wear-it?intc_type=singletheme&intc_location=allvirtualsites&intc_campaign=remembranceday&intc_linkname=article_newsbeat_contentcard1.
Rokem, F. (2000a) ‘Introduction: The Notions of “Performing History”’, in Performing history: theatrical representations of the past in contemporary theatre. Iowa City, IA: University of Iowa Press, pp. 1–25. Available at: https://contentstore.cla.co.uk/secure/link?id=f32c1769-389e-e911-80cd-005056af4099.
Rokem, F. (2000b) Performing History: Theatrical Representations of the Past in Contemporary Theatre. Iowa City, IA: University of Iowa Press.
Roper, M. (2018) ‘Family Legacies in the Centenary: Motives for First World War Commemoration among British and German Descendants’, History and Memory, 30(1), pp. 76–115. Available at: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.2979/histmemo.30.1.04.
Smith, H.L. (2013) ‘This year, I will wear a poppy for the last time’, The Guardian [Preprint]. Available at: https://www.theguardian.com/commentisfree/2013/nov/08/poppy-last-time-remembrance-harry-leslie-smith?CMP=Share_iOSApp_Other.
Sullivan, N. (2003) ‘Chapter 5: Performance, Performativity, Parody and Politics’, in A Critical Introduction to Queer Theory. Edinburgh: Edinburgh University Press, pp. 81–98. Available at: https://contentstore.cla.co.uk/secure/link?id=d6339b97-a5fa-e711-80cd-005056af4099.
Taylor, D. (2007) The Archive and the Repertoire: Performing Cultural Memory in the Americas. London: Duke University Press. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015079999707446&context=L&vid=44UOEX_INST:default.
‘The Complete London 2012 Opening Ceremony - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=4As0e4de-rI.
we’re here because we’re here (no date). Available at: https://becausewearehere.co.uk/we-are-here-gallery/.
‘“we’re here because we’re here” performance compilation’ (no date). Available at: https://www.youtube.com/watch?time_continue=147&v=1pd1XYx27_U.
‘we’re here because we’re here’ project overview (no date). Available at: https://www.nationaltheatre.org.uk/content/we%E2%80%99re-here-because-we%E2%80%99re-here.
Wonder Women Festival Manchester 2018 - Creative Tourist (no date). Available at: https://www.creativetourist.com/event/wonder-women/.
Zarrilli, P.B. (2013) ‘Chapter 1: Introduction: Acting as Psychophysical Phenomenon and Process’, in Acting: psychophysical phenomenon and process. Basingstoke: Palgrave Macmillan, pp. 1–50. Available at: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008569919707446&context=L&vid=44UOEX_INST:default.
